@article{abalansaElectronicWasteEnvironmental2021,
  title = {Electronic {{Waste}}, an {{Environmental Problem Exported}} to {{Developing Countries}}: {{The GOOD}}, the {{BAD}} and the {{UGLY}}},
  shorttitle = {Electronic {{Waste}}, an {{Environmental Problem Exported}} to {{Developing Countries}}},
  author = {Abalansa, Samuel and El Mahrad, Badr and Icely, John and Newton, Alice},
  year = {2021},
  month = may,
  journal = {Sustainability},
  volume = {13},
  number = {9},
  pages = {5302},
  issn = {2071-1050},
  doi = {10.3390/su13095302},
  urldate = {2025-01-05},
  abstract = {Electronic waste (e-waste) is a rapidly developing environmental problem particularly for the most developed countries. There are technological solutions for processing it, but these are costly, and the cheaper option for most developed countries has been to export most of the waste to less developed countries. There are various laws and policies for regulating the processing of e-waste at different governance scales such as the international Basel Convention, the regional Bamoko Convention, and various national laws. However, many of the regulations are not fully implemented and there is substantial financial pressure to maintain the jobs created for processing e-waste. Mexico, Brazil, Ghana Nigeria, India, and China have been selected for a more detailed study of the transboundary movements of e-waste. This includes a systematic review of existing literature, the application of the Driver, Pressure, State, Impact, Response (DPSIR) framework for analysing complex problems associated with social ecological systems, and the application of the Life Cycle Assessment (LCA) for evaluating the environmental impact of electronic devices from their manufacture through to their final disposal. Japan, Italy, Switzerland, and Norway have been selected for the LCA to show how e-waste is diverted to developing countries, as there is not sufficient data available for the assessment from the selected developing countries. GOOD, BAD and UGLY outcomes have been identified from this study: the GOOD is the creation of jobs and the use of e-waste as a source of raw materials; the BAD is the exacerbation of the already poor environmental conditions in developing countries; the UGLY is the negative impact on the health of workers processing e-waste due to a wide range of toxic components in this waste. There are a number of management options that are available to reduce the impact of the BAD and the UGLY, such as adopting the concept of a circular economy, urban mining, reducing loopholes and improving existing policies and regulations, as well as reducing the disparity in income between the top and bottom of the management hierarchy for e-waste disposal. The overarching message is a request for developed countries to help developing countries in the fight against e-waste, rather than exporting their environmental problems to these poorer regions.},
  copyright = {https://creativecommons.org/licenses/by/4.0/},
  langid = {english},
  keywords = {list,prio:high},
  file = {/Users/Rosa/Zotero/storage/6P788A6M/Abalansa et al. - 2021 - Electronic Waste, an Environmental Problem Exported to Developing Countries The GOOD, the BAD and t.pdf}
}

@article{AtariVideoGame2024,
  title = {Atari Video Game Burial},
  year = {2024},
  month = nov,
  journal = {Wikipedia},
  urldate = {2025-01-20},
  abstract = {The Atari video game burial was a mass burial of unsold video game cartridges, consoles, and computers in a New Mexico landfill site undertaken by the American video game and home computer company Atari, Inc. in 1983. Before 2014, the goods buried were rumored to be unsold copies of E.T. the Extra-Terrestrial (1982), one of the largest commercial video game failures and often cited as one of the worst video games ever released, and the 1982 Atari 2600 port of Pac-Man, which was commercially successful but critically maligned. Since the burial was first reported, there had been doubts as to its veracity and scope, and it was frequently dismissed as an urban legend. The event became a cultural icon and a reminder of the video game crash of 1983; it was the end result of a disastrous fiscal year which saw Atari, Inc. sold off by its parent company Warner Communications. Though it was believed that millions of copies of E.T. were buried, Atari officials later verified the numbers to be around 700,000 cartridges of various games, including E.T. In 2014, Fuel Industries, Microsoft, and others worked with the New Mexico government to excavate the site as part of a documentary, Atari: Game Over. On April 26, 2014, the excavation revealed discarded games and hardware. Only a small fraction, about 1,300 cartridges, were recovered, with a portion given for curation and the rest auctioned to raise money for a museum to commemorate the burial.},
  copyright = {Creative Commons Attribution-ShareAlike License},
  langid = {english},
  annotation = {Page Version ID: 1257211909},
  file = {/Users/Rosa/Zotero/storage/UIVT7W6T/Atari_video_game_burial.html}
}

@article{blasserPrettyPaperRolls2007,
  title = {Pretty {{Paper Rolls}}: {{Experiments}} in {{Woven Circuits}}},
  shorttitle = {Pretty {{Paper Rolls}}},
  author = {Blasser, Peter},
  year = {2007},
  month = dec,
  journal = {Leonardo Music Journal},
  volume = {17},
  pages = {25--27},
  issn = {0961-1215, 1531-4812},
  doi = {10.1162/lmj.2007.17.25},
  urldate = {2025-01-09},
  abstract = {The author presents a history of his efforts to design sustainable and economical circuit construction on paper, which he finds more akin to craft than industry. He focuses on a collection of modules called Rollz-5, which creates organic rhythms out of geometrical forms. A future application of this work will be to create radio devices based on the Platonic solids.},
  langid = {english},
  keywords = {list,summarised},
  file = {/Users/Rosa/Zotero/storage/URY2LY2U/Blasser - 2007 - Pretty Paper Rolls Experiments in Woven Circuits.pdf}
}

@phdthesis{blasserStoresMall2015,
  type = {Master of {{Arts}}},
  title = {Stores at the {{Mall}}},
  author = {Blasser, Peter},
  year = {2015},
  address = {Middletown, CT},
  doi = {10.14418/wes01.2.84},
  urldate = {2025-01-31},
  langid = {english},
  school = {Wesleyan University},
  file = {/Users/Rosa/Zotero/storage/SQ7WZL4S/Blasser - 2015 - Stores at the Mall.pdf}
}

@inproceedings{blevisLuxuryNewLuxury2007,
  title = {Luxury \& New Luxury, Quality \& Equality},
  booktitle = {Proceedings of the 2007 Conference on {{Designing}} Pleasurable Products and Interfaces},
  author = {Blevis, Eli and Makice, Kevin and Odom, William and Roedl, David and Beck, Christian and Blevis, Shunying and Ashok, Arvind},
  year = {2007},
  month = aug,
  pages = {296--311},
  publisher = {ACM},
  address = {Helsinki Finland},
  doi = {10.1145/1314161.1314188},
  urldate = {2025-01-05},
  isbn = {978-1-59593-942-5},
  langid = {english}
}

@article{bowersAllNoisesHijacking,
  title = {All the {{Noises}}: {{Hijacking Listening Machines}} for {{Performative Research}}},
  author = {Bowers, John and Green, Owen},
  abstract = {Research into machine listening has intensified in recent years creating a variety of techniques for recognising musical features suitable, for example, in musicological analysis or commercial application in song recognition. Within NIME, several projects exist seeking to make these techniques useful in real-time music making. However, we debate whether the functionally-oriented approaches inherited from engineering domains that much machine listening research manifests is fully suited to the exploratory, divergent, boundary-stretching, uncertainty-seeking, playful and irreverent orientations of many artists. To explore this, we engaged in a concerted collaborative design exercise in which many different listening algorithms were implemented and presented with input which challenged their customary range of application and the implicit norms of musicality which research can take for granted. An immersive 3D spatialised multichannel environment was created in which the algorithms could be explored in a hybrid installation/performance/lecture form of research presentation. The paper closes with reflections on the creative value of `hijacking' formal approaches into deviant contexts, the typically undocumented practical know-how required to make algorithms work, the productivity of a playfully irreverent relationship between engineering and artistic approaches to NIME, and a sketch of a sonocybernetic aesthetics for our work.},
  langid = {english},
  file = {/Users/Rosa/Zotero/storage/2ZLACHGS/Bowers and Green - All the Noises Hijacking Listening Machines for Performative Research.pdf}
}

@misc{bowersNotHyperNot2005,
  title = {Not {{Hyper}}, {{Not Meta}}, {{Not Cyber}} but {{Infra-Instruments}}},
  author = {Bowers, John and Archer, Phil},
  year = {2005},
  month = jun,
  journal = {Proceedings of the International Conference on New Interfaces for Musical Expression},
  pages = {5--10},
  publisher = {Zenodo},
  doi = {10.5281/zenodo.1176713},
  urldate = {2025-01-05},
  abstract = {Description},
  file = {/Users/Rosa/Zotero/storage/77GB79E3/Bowers and Archer - 2005 - Not Hyper, Not Meta, Not Cyber but Infra-Instruments.pdf}
}

@article{bowersRawDataRough,
  title = {Raw {{Data}}, {{Rough Mix}}: {{Towards}} an {{Integrated Practice}} of {{Making}}, {{Performance}} and {{Pedagogy}}},
  author = {Bowers, John and Richards, John and Shaw, Tim and Foster, Robin and Kubota, Akihiro},
  abstract = {This paper describes an extended intercontinental collaboration between multiple artists, institutions, and their publics, to develop an integrated musical practice which combines experimental making, performance, and pedagogy. We build on contributions to NIME which work with art and design-led methods to explore alternatives to, for example, more engineering-oriented approaches, without loss of practical utility and theoretical potential. We describe two week-long workshop-residencies and three performance-installations done under the provocative title Raw Data, Rough Mix which was intended to encourage exploration of basic processes in physical, mechanical, electrical, electronic and computational domains to develop musical artefacts that were frugal in their resource-demands but enabled the interrogation of human/non-human relationships, performativity, musical ecologies, aesthetics, and other matters. We close by elaborating our contribution to NIME as offering an integrated practice combining making, playing and learning, which is critically informed and practically productive.},
  langid = {english},
  keywords = {list,prio:high},
  file = {/Users/Rosa/Zotero/storage/RHWZJBUD/Bowers et al. - Raw Data, Rough Mix Towards an Integrated Practice of Making, Performance and Pedagogy.pdf}
}

@misc{byWhyResistorsHave2020,
  title = {Why {{Do Resistors Have A Color Code}}?},
  author = {By},
  year = {2020},
  month = jan,
  journal = {Hackaday},
  urldate = {2025-01-28},
  abstract = {One of the first things you learn in electronics is how to identify a resistor's value. Through-hole resistors have color codes, and that's generally where beginners begin. But why are {\dots}},
  langid = {american}
}

@book{collinsHandmadeElectronicMusic2009,
  title = {Handmade Electronic Music: The Art of Hardware Hacking},
  shorttitle = {Handmade Electronic Music},
  author = {Collins, Nicolas},
  year = {2009},
  edition = {Second edition},
  publisher = {Routledge},
  address = {New York},
  isbn = {978-0-415-99609-9 978-0-415-99873-4 978-0-203-87962-7},
  lccn = {ML1092 .C66 2009},
  keywords = {Construction,Electronic musical instruments,toppertje}
}

@article{collinsIntroductionComposersElectronics2004,
  title = {Introduction: {{Composers}} inside {{Electronics}}: {{Music}} after {{David Tudor}}},
  author = {Collins, Nicolas},
  year = {2004},
  journal = {Leonardo Music Journal},
  volume = {14},
  eprint = {1513497},
  eprinttype = {jstor},
  pages = {1--3},
  publisher = {The MIT Press},
  issn = {09611215, 15314812},
  urldate = {2025-01-14},
  keywords = {list,summarised}
}

@misc{CooperativeExperimentalismSharing,
  title = {Cooperative {{Experimentalism}}: {{Sharing}} to Enhance Electronic Media},
  urldate = {2025-01-27},
  howpublished = {https://research-repository.griffith.edu.au/items/b8fa545b-32c9-4d68-866f-8549ead9e3ef}
}

@article{devalkRefusingBurdenComputation2021,
  title = {Refusing the {{Burden}} of {{Computation}}: {{Edge Computing}} and {{Sustainable ICT}}},
  shorttitle = {Refusing the {{Burden}} of {{Computation}}},
  author = {De Valk, Marloes},
  year = {2021},
  month = aug,
  journal = {A Peer-Reviewed Journal About},
  volume = {10},
  number = {1},
  pages = {14--29},
  issn = {2245-7755},
  doi = {10.7146/aprja.v10i1.128184},
  urldate = {2025-01-05},
  abstract = {This paper asks what we can learn from edge computing about the commitment of Big Tech to diminish its ecological footprint. The text starts with the COVID-19 pandemic being framed as opportunity for more sustainability and unpacks edge computing as one of the elements proposed as a solution, next to working from home. It interrogates the discourse behind these solutions, one of technological fixes that allow `business as usual' to continue, undisturbed by government regulations, outsourcing the burden of environmental responsibility to citizens. The paper draws parallels between edge computing, Big Tech's approach to sustainability and the history of the Sustainable ICT discourse and proposes that to truly diminish ICT's footprint, a refusal of the burden of computation and digital enclosure (vendor lock-in) is needed, by collectively building and financing network services.},
  copyright = {http://creativecommons.org/licenses/by-nc-sa/4.0},
  langid = {english},
  file = {/Users/Rosa/Zotero/storage/NFQC58VX/De Valk - 2021 - Refusing the Burden of Computation Edge Computing and Sustainable ICT.pdf}
}

@misc{DirtyElectronicsPopup2020,
  title = {Dirty {{Electronics Pop-up}} for {{Collaborative Music-making}}},
  year = {2020},
  month = jun,
  journal = {Dirty Electronics Pop-up for Collaborative Music-making},
  urldate = {2025-01-16},
  howpublished = {https://popupforcollaborativemusicmaking.wordpress.com/},
  langid = {english},
  file = {/Users/Rosa/Zotero/storage/D6EBFKZU/popupforcollaborativemusicmaking.wordpress.com.html}
}

@article{fennisOntologyElectronicWaste,
  title = {Ontology {{Of Electronic Waste}}},
  author = {Fennis, Maurits},
  langid = {english},
  keywords = {list,prio:high,summarised},
  file = {/Users/Rosa/Zotero/storage/PZ45G9QF/Fennis - Ontology Of Electronic Waste.pdf}
}

@article{fernandezCircuitBendingDIYCulture,
  title = {Circuit-{{Bending}} and {{DIY Culture}}},
  author = {Fernandez, Alexandre Marino and Iazzetta, Fernando},
  abstract = {This article analyses Circuit-Bending and its relation to the Do-ityourself (DIY) culture. Circuit-bending is an experimental music practice which consists of opening up low voltage (battery powered) electronic devices (musical toys, radio devices, cd players, etc. -- mostly technological waste) and of changing (bend) the way electricity flows through their circuits in order to achieve an `interesting' result. After presenting the work of some artists who make use of this methodology we introduce the concept of proletarianisation by philosopher Bernard Stiegler and how such methodologies can act as de-proletarianisation tactics. Then, we present the Do-it-together (DIT) or Do-it-with-others (DIWO) discussion to bring into scene the notion of Relational Aesthetics.},
  langid = {english},
  keywords = {list,prio:high},
  file = {/Users/Rosa/Zotero/storage/4HTDFEDL/Fernandez and Iazzetta - Circuit-Bending and DIY Culture.pdf}
}

@article{fullerIntroductionAutomaticInstruments1983,
  title = {An Introduction to Automatic Instruments},
  author = {Fuller, David},
  year = {1983},
  month = apr,
  journal = {Early Music},
  volume = {11},
  number = {2},
  pages = {164--166},
  issn = {0306-1078},
  doi = {10.1093/earlyj/11.2.164},
  urldate = {2025-01-05},
  file = {/Users/Rosa/Zotero/storage/IAGI7P47/334230.html}
}

@book{gabrysDigitalRubbishNatural2011,
  title = {Digital Rubbish: A Natural History of Electronics},
  shorttitle = {Digital Rubbish},
  author = {Gabrys, Jennifer},
  year = {2011},
  publisher = {University of Michigan press},
  address = {Ann Arbor},
  isbn = {978-0-472-11761-1},
  langid = {english},
  lccn = {363.728 8},
  keywords = {list,prio:high,reading atm,summarised,to summarise,toppertje},
  file = {/Users/Rosa/Zotero/storage/PZB4D642/Gabrys - 2011 - Digital rubbish a natural history of electronics.pdf}
}

@book{heimsCyberneticsGroup1991,
  title = {The Cybernetics Group},
  author = {Heims, Steve J.},
  year = {1991},
  publisher = {MIT Press},
  address = {Cambridge, Mass},
  isbn = {978-0-262-08200-6},
  langid = {english},
  lccn = {H62.5.U5 H45 1991},
  keywords = {Cybernetics,Josiah Macy Jr. Foundation,Philosophy,Research,Science,Social aspects,Social sciences,United States},
  file = {/Users/Rosa/Zotero/storage/F7GQ3EYL/Heims - 1991 - The cybernetics group.pdf}
}

@book{hertzArtDIYElectronics2023,
  title = {Art + {{DIY}} Electronics},
  author = {Hertz, Garnet},
  year = {2023},
  publisher = {The MIT Press},
  address = {Cambridge, Massachusetts},
  abstract = {"The first rigorous and systematic theory of Do-It-Yourself (DIY) electronic culture"--},
  isbn = {978-0-262-04493-6},
  langid = {english},
  lccn = {N72.E53 H47 2023},
  keywords = {Art and electronics,Arts,Experimental methods,list,Maker movement,prio:high,Social aspects,summarised,Technology},
  file = {/Users/Rosa/Zotero/storage/E8IXZVMU/Hertz - 2023 - Art + DIY electronics.pdf}
}

@book{hertzDisobedientElectronics,
  title = {Disobedient {{Electronics}}},
  author = {Hertz, Garnet},
  file = {/Users/Rosa/Zotero/storage/8I52Q9NN/Hertz-Disobedient-Electronics-Protest-201801081332c.pdf}
}

@article{hertzZombieMediaCircuit2012,
  title = {Zombie {{Media}}: {{Circuit Bending Media Archaeology}} into an {{Art Method}}},
  shorttitle = {Zombie {{Media}}},
  author = {Hertz, Garnet and Parikka, Jussi},
  year = {2012},
  month = oct,
  journal = {Leonardo},
  volume = {45},
  number = {5},
  pages = {424--430},
  issn = {0024-094X, 1530-9282},
  doi = {10.1162/LEON_a_00438},
  urldate = {2025-01-05},
  abstract = {This text is an investigation into media culture, temporalities of media objects and planned obsolescence in the midst of ecological crisis and electronic waste. The authors approach the topic under the umbrella of media archaeology and aim to extend this historiographically oriented field of media theory into a methodology for contemporary artistic practice. Hence, media archaeology becomes not only a method for excavation of repressed and forgotten media discourses, but extends itself into an artistic method close to Do-It-Yourself (DIY) culture, circuit bending, hardware hacking and other hacktivist exercises that are closely related to the political economy of information technology. The concept of dead media is discussed as ``zombie media''---dead media revitalized, brought back to use, reworked.},
  langid = {english},
  keywords = {list,summarised,toppertje},
  file = {/Users/Rosa/Zotero/storage/K5SZIEPI/Hertz and Parikka - 2012 - Zombie Media Circuit Bending Media Archaeology into an Art Method.pdf}
}

@book{holmesElectronicExperimentalMusic2012,
  title = {Electronic and Experimental Music: Technology, Music, and Culture},
  shorttitle = {Electronic and Experimental Music},
  author = {Holmes, Thom and Pender, Terence M.},
  year = {2012},
  edition = {4th ed},
  publisher = {Routledge},
  address = {New York},
  isbn = {978-0-415-89646-7 978-0-415-89636-8 978-0-203-12842-8},
  lccn = {ML1380 .H64 2012},
  keywords = {Computer music,Electronic music,History and criticism},
  annotation = {OCLC: ocn703208713},
  file = {/Users/Rosa/Zotero/storage/HUAVMT2T/Electronic and Experimental Music.pdf}
}

@book{horowitzArtElectronics2024,
  title = {The Art of Electronics},
  author = {Horowitz, Paul and Hill, Winfield},
  year = {2024},
  edition = {Third edition, 20th printing with corrections},
  publisher = {Cambridge University Press},
  address = {Cambridge, New York},
  isbn = {978-0-521-80926-9},
  langid = {english}
}

@article{ilesMappingEnvironmentalJustice2004,
  title = {Mapping {{Environmental Justice}} in {{Technology Flows}}: {{Computer Waste Impacts}} in {{Asia}}},
  shorttitle = {Mapping {{Environmental Justice}} in {{Technology Flows}}},
  author = {Iles, Alastair},
  year = {2004},
  month = nov,
  journal = {Global Environmental Politics},
  volume = {4},
  number = {4},
  pages = {76--107},
  issn = {1526-3800, 1536-0091},
  doi = {10.1162/glep.2004.4.4.76},
  urldate = {2025-01-17},
  abstract = {In the 21st century, technology and material flows constitute an ever-growing set of global environmental change. In particular, electronic wastes are emerging as a major transnational problem. Industrial nations are shipping millions of obsolete computers to Asia yearly; Asian countries are emerging as generators of e-waste in their own right. This article argues that an environmental justice approach can help illuminate the impacts of technology and material flows. To do so, however, environmental justice definitions and methodologies need to account for how and why such flows occur. Using the case of computers, the article analyses some factors shaping the e-waste recycling chain, shows how e-waste risks depend on design and manufacturing chains, and evaluates inequalities in the ecological and health impacts of e-wastes across Asia. It proposes a definition of environmental justice as obviating the production of risk, using a framework that brings together the global production system, development models, and regulatory action.},
  langid = {english}
}

@book{illichToolsConviviality2009,
  title = {Tools for Conviviality},
  author = {Illich, Ivan},
  year = {2009},
  publisher = {Marion Boyars},
  address = {London},
  isbn = {978-1-84230-011-4},
  langid = {english},
  file = {/Users/Rosa/Zotero/storage/2DJBTUR7/Illich - 2009 - Tools for conviviality.pdf;/Users/Rosa/Zotero/storage/ZJDVPEGI/LoRENZ - LORD KENNETH CLARK WERNER HEISENBERG Sm FRED HoYLE IvAN ILLICH.pdf}
}

@book{instituteofnetworkculturesDepletionDesignGlossary2012,
  title = {Depletion Design: A Glossary of Network Ecologies},
  shorttitle = {Depletion Design},
  author = {{Institute of Network Cultures}},
  year = {2012},
  series = {Theory on Demand},
  number = {8},
  publisher = {Institute of Network Cultures},
  address = {Amsterdam},
  collaborator = {Wiedemann, Carolin and Zehle, Soenke},
  isbn = {978-90-818575-1-2},
  langid = {american},
  keywords = {list,summarised},
  file = {/Users/Rosa/Zotero/storage/XAC25TL3/TOD8_DEPLETION_DESIGN.pdf}
}

@article{InterchangeableParts2024,
  title = {Interchangeable Parts},
  year = {2024},
  month = nov,
  journal = {Wikipedia},
  urldate = {2025-01-27},
  abstract = {Interchangeable parts are parts (components) that are identical for practical purposes. They are made to specifications that ensure that they are so nearly identical that they will fit into any assembly of the same type. One such part can freely replace another, without any custom fitting, such as filing. This interchangeability allows easy assembly of new devices, and easier repair of existing devices, while minimizing both the time and skill required of the person doing the assembly or repair. The concept of interchangeability was crucial to the introduction of the assembly line at the beginning of the 20th century, and has become an important element of some modern manufacturing but is missing from other important industries. Interchangeability of parts was achieved by combining a number of innovations and improvements in machining operations and the invention of several machine tools, such as the slide rest lathe, screw-cutting lathe, turret lathe, milling machine and metal planer.  Additional innovations included jigs for guiding the machine tools, fixtures for holding the workpiece in the proper position, and blocks and gauges to check the accuracy of the finished parts.  Electrification allowed individual machine tools to be powered by electric motors, eliminating line shaft drives from steam engines or water power and allowing higher speeds, making modern large-scale manufacturing possible. Modern machine tools often have numerical control (NC) which evolved into CNC (computerized numeric control) when microprocessors became available. Methods for industrial production of interchangeable parts in the United States were first developed in the nineteenth century. The term American system of manufacturing was sometimes applied to them at the time, in distinction from earlier methods. Within a few decades such methods were in use in various countries, so American system is now a term of historical reference rather than current industrial nomenclature.},
  copyright = {Creative Commons Attribution-ShareAlike License},
  langid = {english},
  annotation = {Page Version ID: 1255830111},
  file = {/Users/Rosa/Zotero/storage/ILURMSC5/Interchangeable_parts.html}
}

@inproceedings{jangUnplannedObsolescenceHardware2017,
  title = {Unplanned {{Obsolescence}}: {{Hardware}} and {{Software After Collapse}}},
  shorttitle = {Unplanned {{Obsolescence}}},
  booktitle = {Proceedings of the 2017 {{Workshop}} on {{Computing Within Limits}}},
  author = {Jang, Esther and Johnson, Matthew and Burnell, Edward and Heimerl, Kurtis},
  year = {2017},
  month = jun,
  pages = {93--101},
  publisher = {ACM},
  address = {Santa Barbara California USA},
  doi = {10.1145/3080556.3080566},
  urldate = {2025-01-05},
  isbn = {978-1-4503-4950-5},
  langid = {english},
  keywords = {list,prio:high},
  file = {/Users/Rosa/Zotero/storage/ZGWSKZXI/Jang et al. - 2017 - Unplanned Obsolescence Hardware and Software After Collapse.pdf}
}

@article{jordanDIYElectronicsRevealing2015,
  title = {{{DIY Electronics}}: {{Revealing}} the {{Material Systems}} of {{Computation}}},
  author = {JORDAN, {\relax RYAN}},
  year = {2015},
  journal = {Leonardo Music Journal},
  volume = {25},
  eprint = {43832529},
  eprinttype = {jstor},
  pages = {41--46},
  publisher = {The MIT Press},
  issn = {09611215, 15314812},
  urldate = {2025-01-14},
  abstract = {The author sets out an extension of do-it-yourself (DIY) electronics as a literal critical practice addressing the social, economic and geological systems shaping technologies we use, presenting several real-world examples and concluding with future directions.},
  keywords = {list,summarised}
}

@article{kastnerDomesticationGarage2019,
  title = {The {{Domestication}} of the {{Garage}}},
  author = {Kastner, Jeffrey},
  year = {2019},
  month = feb,
  journal = {Places Journal},
  issn = {21647798},
  doi = {10.22269/190205},
  urldate = {2025-01-16},
  abstract = {J.B. Jackson's 1976 essay on the evolution of the American garage displays his rare ability to combine deep erudition with eloquent and plainspoken analysis.},
  langid = {american},
  file = {/Users/Rosa/Zotero/storage/Q9BZWJUI/j-b-jackson-the-domestication-of-the-garage.html}
}

@article{kostakisProductionGovernanceHackerspaces2015,
  title = {Production and Governance in Hackerspaces: {{A}} Manifestation of {{Commons-based}} Peer Production in the Physical Realm?},
  shorttitle = {Production and Governance in Hackerspaces},
  author = {Kostakis, Vasilis and Niaros, Vasilis and Giotitsas, Christos},
  year = {2015},
  month = sep,
  journal = {International Journal of Cultural Studies},
  volume = {18},
  number = {5},
  pages = {555--573},
  issn = {1367-8779, 1460-356X},
  doi = {10.1177/1367877913519310},
  urldate = {2025-01-05},
  abstract = {This article deals with the phenomenon of hackerspaces and sheds light on the relationship of their underlying values, organizational structures and productive processes to those of the online communities of Commons-based peer production projects. While hackerspaces adopt hybrid modes of governance, this article attempts to identify patterns, trends and theory that can frame their production and governance mechanisms. Using a diverse amount of literature and case studies, it is argued that, in many cases, hackerspaces exemplify several aspects of peer production projects' principles and governance mechanisms.},
  langid = {english},
  file = {/Users/Rosa/Zotero/storage/K3379N2W/Kostakis et al. - 2015 - Production and governance in hackerspaces A manifestation of Commons-based peer production in the p.pdf}
}

@article{lemmensInterviewBernardStiegler,
  title = {Interview with {{Bernard Stiegler}}},
  author = {Lemmens, Pieter},
  langid = {english},
  file = {/Users/Rosa/Zotero/storage/VUJHFQ4Q/Lemmens - Interview with Bernard Stiegler.pdf}
}

@inproceedings{lepawskyWorldFixersExamining2020,
  title = {Towards a {{World}} of {{Fixers Examining}} Barriers and Enablers of Widely Deployed Third-Party Repair for Computing within Limits},
  booktitle = {Proceedings of the 7th {{International Conference}} on {{ICT}} for {{Sustainability}}},
  author = {Lepawsky, Josh},
  year = {2020},
  month = jun,
  pages = {314--320},
  publisher = {ACM},
  address = {Bristol United Kingdom},
  doi = {10.1145/3401335.3401816},
  urldate = {2025-01-05},
  isbn = {978-1-4503-7595-5},
  langid = {english},
  keywords = {list,prio:high},
  file = {/Users/Rosa/Zotero/storage/NEBEZJ9M/Lepawsky - 2020 - Towards a World of Fixers Examining barriers and enablers of widely deployed third-party repair for.pdf}
}

@inproceedings{lepri10000InstrumentsWorkshop2022,
  title = {The 10,000 {{Instruments Workshop}} - ({{Im}})Practical {{Research}} for {{Critical Speculation}}},
  booktitle = {International {{Conference}} on {{New Interfaces}} for {{Musical Expression}}},
  author = {Lepri, Giacomo and Bowers, John and Topley, Samantha and Stapleton, Paul and Bennett, Peter and Andersen, Kristina and McPherson, Andrew},
  year = {2022},
  month = jun,
  doi = {10.21428/92fbeb44.9e7c9ba3},
  urldate = {2025-01-16},
  abstract = {This paper describes the 10,000 Instruments workshop, a collaborative online event conceived to generate interface ideas and speculate on music technology through open-ended artefacts and playful design explorations. We first present the activity, setting its research and artistic scope. We then report on a selection of outcomes created by workshop attendees, and examine the critical design statements they convey. The paper concludes with reflections on the make-believe, whimsical and troublemaking approach to instrument design adopted in the workshop. In particular, we consider the ways this activity can support individuals' creativity, unlock shared musical visions and reveal unconventional perspectives on music technology development.},
  langid = {english},
  file = {/Users/Rosa/Zotero/storage/BQ8EBRU6/Lepri et al. - 2022 - The 10,000 Instruments Workshop - (Im)practical Research for Critical Speculation.pdf}
}

@misc{LoudObjectsVague2014,
  title = {Loud {{Objects}} {\textbar} {{Vague Terrain}}},
  year = {2014},
  month = jul,
  urldate = {2025-01-26},
  howpublished = {https://web.archive.org/web/20140723160643/http://vagueterrain.net/journal19/loud-objects/01},
  file = {/Users/Rosa/Zotero/storage/F3MGCLPY/01.html}
}

@misc{lovinkPrinciplesPermaHybridity,
  title = {Principles of {{Perma-Hybridity}}},
  author = {Lovink, Geert},
  urldate = {2025-01-05},
  langid = {american},
  keywords = {list,summarised},
  file = {/Users/Rosa/Zotero/storage/XFGEV94M/Principles of Perma-Hybridity.pdf;/Users/Rosa/Zotero/storage/HYCEANK3/principles-of-perma-hybridity.html}
}

@book{magielsRECYCLEAlsAfval,
  title = {{{RECYCLE}}! {{Als}} Afval Grondstof Wordt},
  author = {Magiels, Geerdt},
  keywords = {list,summarised}
}

@book{magnussonSonicWritingTechnologies2019,
  title = {Sonic Writing: Technologies of Material, Symbolic and Signal Inscriptions},
  shorttitle = {Sonic Writing},
  author = {Magnusson, Thor},
  year = {2019},
  publisher = {Bloomsbury Academic},
  address = {New York, NY},
  isbn = {978-1-5013-1386-8 978-1-5013-1388-2 978-1-5013-1387-5},
  langid = {english},
  keywords = {list,prio:high},
  file = {/Users/Rosa/Zotero/storage/URF6ZN4I/Sonic Writing Technologies.pdf}
}

@article{matternMaintenanceCare2018,
  title = {Maintenance and {{Care}}},
  author = {Mattern, Shannon},
  year = {2018},
  month = nov,
  journal = {Places Journal},
  issn = {21647798},
  doi = {10.22269/181120},
  urldate = {2025-01-20},
  abstract = {A working guide to the repair of rust, dust, cracks, and corrupted code in our cities, our homes, and our social relations.},
  langid = {american},
  file = {/Users/Rosa/Zotero/storage/R6T6XGMT/maintenance-and-care.html}
}

@article{matternStepStepThinking2024,
  title = {Step by {{Step Thinking}} through and beyond the Repair Manual},
  author = {Mattern, Shannon},
  year = {2024},
  month = feb,
  journal = {Places Journal},
  issn = {21647798},
  doi = {10.22269/240227},
  urldate = {2025-01-05},
  abstract = {The best repair manuals present a vision of repair that is social, embodied, intuitive, and accessible. What if we extend these principles beyond material objects, to the scale of civic systems and spaces?},
  langid = {american},
  keywords = {list,manual,prio:high,repair,to summarise},
  file = {/Users/Rosa/Zotero/storage/CVR3A5FM/step-by-step-repair-manuals-political-ecology.html}
}

@article{MediaArcheologyLab2017,
  title = {Media {{Archeology Lab}}: {{Experimentation}}, {{Tinkering}}, {{Probing}}. {{Lori Emerson}} in Conversation with {{Piotr Marecki}}},
  shorttitle = {Media {{Archeology Lab}}},
  year = {2017},
  journal = {Przegl{\k a}d Kulturoznawczy},
  volume = {33},
  issn = {20843860},
  doi = {10.4467/20843860PK.17.030.7800},
  urldate = {2025-01-05},
  langid = {english},
  keywords = {list,prio:high},
  file = {/Users/Rosa/Zotero/storage/EHFWEG5S/2017 - Media Archeology Lab Experimentation, Tinkering, Probing. Lori Emerson in conversation with Piotr M.pdf}
}

@misc{mersonSixDifficultInconvenient2021,
  title = {Six ({{Difficult}} and {{Inconvenient}}) {{Values}} to {{Reclaim}} the {{Future}} with {{Old Media}}￼},
  author = {Merson, Lorie},
  year = {2021},
  month = nov,
  journal = {loriemerson},
  urldate = {2025-01-05},
  abstract = {Below is the pre-print version of a book chapter I wrote for The Bloomsbury Handbook to the Digital Humanities, edited by James O'Sullivan and forthcoming in 2022. Gratitude to James for the {\dots}},
  langid = {english},
  keywords = {list,prio:high,to summarise},
  file = {/Users/Rosa/Zotero/storage/2PN2LXDW/loriemerson-net-20.pdf;/Users/Rosa/Zotero/storage/UULUI9MB/six-difficult-and-inconvenient-values-to-reclaim-the-future-with-old-media￼.html}
}

@book{mindellHumanMachineFeedback2002,
  title = {Between Human and Machine: Feedback, Control, and Computing before Cybernetics},
  shorttitle = {Between Human and Machine},
  author = {Mindell, David A.},
  year = {2002},
  series = {Johns {{Hopkins}} Studies in the History of Technology},
  publisher = {Johns Hopkins University Press},
  address = {Baltimore},
  isbn = {978-0-8018-6895-5 978-0-8018-7774-2},
  langid = {english},
  file = {/Users/Rosa/Zotero/storage/X5EIETEA/Mindell - 2002 - Between human and machine feedback, control, and computing before cybernetics.pdf}
}

@article{moslangHowDoesBicycle2004,
  title = {How {{Does}} a {{Bicycle Light Sound}}?: {{Cracked Everyday Electronics}}},
  author = {M{\"o}slang, Norbert and Br{\"a}uninger, Brigitte},
  year = {2004},
  journal = {Leonardo Music Journal},
  volume = {14},
  eprint = {1513511},
  eprinttype = {jstor},
  pages = {83--83},
  publisher = {The MIT Press},
  issn = {09611215, 15314812},
  urldate = {2025-01-14},
  abstract = {[Every electronic appliance contains a unique sonic potential, which the author "cracks" to create music.]},
  keywords = {list,summarised}
}

@book{oliverosSoftwarePeopleCollected2015,
  title = {Software for {{People}}: Collected Writings 1963-80},
  shorttitle = {Software for {{People}}},
  author = {Oliveros, Pauline},
  year = {2015},
  edition = {Second Edition},
  publisher = {Pauline Oliveros Publications},
  address = {Kingston, NY},
  isbn = {978-1-5175-2574-3},
  langid = {english},
  file = {/Users/Rosa/Zotero/storage/9F7HAMJ9/Oliveros_Pauline_Software_for_People_Collected_Writings_1963-80.pdf}
}

@article{parksFallingApartElectronics,
  title = {Falling {{Apart}}: {{Electronics Salvaging}} and the {{Global Media Economy}}},
  author = {Parks, Lisa},
  langid = {english},
  keywords = {list,prio:high,summarised,toppertje},
  file = {/Users/Rosa/Zotero/storage/CAIF3ZWR/Parks - Falling Apart Electronics Salvaging and the Global Media Economy.pdf}
}

@book{pellowGarbageWarsStruggle2002,
  title = {Garbage {{Wars}}: {{The Struggle}} for {{Environmental Justice}} in {{Chicago}}},
  shorttitle = {Garbage {{Wars}}},
  author = {Pellow, David Naguib},
  year = {2002},
  publisher = {The MIT Press},
  doi = {10.7551/mitpress/3195.001.0001},
  urldate = {2025-01-17},
  isbn = {978-0-262-28135-5},
  langid = {english}
}

@book{postmaWeggooienMooiNiet,
  title = {Weggooien, Mooi Niet!},
  author = {Postma, Martine},
  isbn = {978-94-90298-06-7},
  keywords = {list,summarised}
}

@inproceedings{raghavanMacroscopicallySustainableNetworking2016,
  title = {Macroscopically Sustainable Networking: On Internet Quines},
  shorttitle = {Macroscopically Sustainable Networking},
  booktitle = {Proceedings of the {{Second Workshop}} on {{Computing}} within {{Limits}}},
  author = {Raghavan, Barath and Hasan, Shaddi},
  year = {2016},
  month = jun,
  pages = {1--6},
  publisher = {ACM},
  address = {Irvine California},
  doi = {10.1145/2926676.2926685},
  urldate = {2025-01-05},
  isbn = {978-1-4503-4260-5},
  langid = {english}
}

@article{remyLimitsSustainableInteraction2015,
  title = {Limits and Sustainable Interaction Design: Obsolescence in a Future of Collapse and Resource Scarcity},
  shorttitle = {Limits and Sustainable Interaction Design},
  author = {Remy, Christian and Huang, Elaine May},
  year = {2015},
  month = jun,
  publisher = {s.n.},
  doi = {10.5167/UZH-110997},
  urldate = {2025-01-05},
  keywords = {list,prio:high}
}

@article{richardsDIYElectronicMusic2013,
  title = {Beyond {{DIY}} in {{Electronic Music}}},
  author = {Richards, John},
  year = {2013},
  month = dec,
  journal = {Organised Sound},
  volume = {18},
  number = {3},
  pages = {274--281},
  issn = {1355-7718, 1469-8153},
  doi = {10.1017/S1355771813000241},
  urldate = {2025-01-05},
  abstract = {Do-it-yourself (DIY) in electronic music represents a new paradigm that is not just about DIY. Doing-it-together (DIT) and the idea of community and shared experiences are at the root of DIY practice. This article discusses how the workshop and the event have become central to practitioners working in the field of DIY. Collective instrument building, the concept of the living installation, and performance are viewed as a holistic event. Some specific examples of the author's work known as Dirty Electronics are considered, where emphasis is placed upon experience rather than the `something to take home' factor. These include the following works:ICA Solder a Score, Composing `outside' electronics is regarded as a method for revealing processes that can be represented in other areas of the work beyond sound-generating circuits. The article also looks at how building circuits and sound devices acts as a way to create a tabula rasa, and how the idea of delegated performance, where instruments are played by `non-experts', serves to establish a na{\"i}ve approach and authenticity in performance. Through the sharing of information online and in workshops, the DIY community has become knowledgeable, which has resulted in a community `full of experts' and the growth of custom-designed circuits. The rise of discrete hand-held music players, such as the Buddha Machine, and the boutique synthesiser are also discussed, and the physical artefact and sound object are seen as a vehicle for the dissemination of ideas. Finally, the question is asked: `In DIY practice, where does the authentic document of the work lie?'},
  copyright = {https://www.cambridge.org/core/terms},
  langid = {english},
  keywords = {list,summarised},
  file = {/Users/Rosa/Zotero/storage/PJMVSHEX/Richards - 2013 - Beyond DIY in Electronic Music.pdf}
}

@inproceedings{richardsSpeculativeSoundCircuits2018,
  title = {Speculative {{Sound Circuits}}},
  booktitle = {Politics of the {{Machines}} - {{Art}} and {{After}}},
  author = {Richards, John},
  year = {2018},
  doi = {10.14236/ewic/EVAC18.33},
  urldate = {2025-01-05},
  copyright = {http://creativecommons.org/licenses/by/4.0/},
  langid = {english},
  keywords = {list,prio:high,to summarise,toppertje},
  file = {/Users/Rosa/Zotero/storage/WJS3URT5/Richards - 2018 - Speculative Sound Circuits.pdf}
}

@misc{RightRepairGiving,
  title = {The {{Right To Repair}}: {{Giving Consumers}} the {{Ability}} to {{Fix}} Their {{Own Electronics}} - {{News}}},
  shorttitle = {The {{Right To Repair}}},
  urldate = {2025-01-28},
  abstract = {Many U.S. states are considering a bill to give consumers the protected right to repair their own electronics without fear of manufacturer retaliation.},
  howpublished = {https://www.allaboutcircuits.com/news/right-to-repair-laws-for-consumer-electronics/},
  langid = {english}
}

@article{rodgersPinkNoisesWomen,
  title = {Pink {{Noises}}: {{Women}} on {{Electronic Music}} and {{Sound}}},
  author = {Rodgers, Tara},
  langid = {english},
  file = {/Users/Rosa/Zotero/storage/MRR2KAEV/Rodgers - Pink Noises Women on Electronic Music and Sound.pdf}
}

@misc{RoolzGeweiJagerspracheVague,
  title = {Roolz-{{Gewei}} \& {{Jagersprache}} {\textbar} {{Vague Terrain}}},
  urldate = {2025-01-26},
  howpublished = {https://web.archive.org/web/20140723131951/http://vagueterrain.net/journal19/peter-blasser/01}
}

@misc{RoolzGeweiJagerspracheVaguea,
  title = {Roolz-{{Gewei}} \& {{Jagersprache}} {\textbar} {{Vague Terrain}}},
  urldate = {2025-01-26},
  howpublished = {https://web.archive.org/web/20140723131951/http://vagueterrain.net/journal19/peter-blasser/01}
}

@inproceedings{rouraCircularDigitalDevices2021,
  title = {Circular Digital Devices: Lessons about the Social and Planetary Boundaries},
  shorttitle = {Circular Digital Devices},
  booktitle = {Computing within {{Limits}}},
  author = {Roura, Mireia and Franquesa, David and Navarro, Leandro and Meseguer, Roc},
  year = {2021},
  month = jun,
  publisher = {LIMITS},
  doi = {10.21428/bf6fb269.3881c46e},
  urldate = {2025-01-05},
  abstract = {LIMITS '21 Paper},
  langid = {english},
  keywords = {list,prio:high},
  file = {/Users/Rosa/Zotero/storage/EE6U37KD/Roura et al. - 2021 - Circular digital devices lessons about the social and planetary boundaries.pdf}
}

@misc{selwynWhatMightDegrowth2022,
  title = {What Might Degrowth Computing Look Like?},
  author = {Selwyn, Neil},
  year = {2022},
  month = apr,
  journal = {Critical Studies of EDUCATION \& TECHNOLOGY},
  urldate = {2025-01-05},
  abstract = {The past few years have seen various attempts within computing, programming and hacker communities to apply `degrowth' principles to their work -- i.e. sketching out ways to de-couple digital techno{\dots}},
  langid = {english},
  keywords = {niet gebruiken},
  file = {/Users/Rosa/Zotero/storage/ABFRIUPV/PDF document.pdf;/Users/Rosa/Zotero/storage/9ZAFPFDB/2022 - What might degrowth computing look like.html}
}

@book{sladeMadeBreakTechnology2006,
  title = {Made to Break: Technology and Obsolescence in {{America}}},
  shorttitle = {Made to Break},
  author = {Slade, Giles},
  year = {2006},
  publisher = {Harvard university press},
  address = {Cambridge},
  isbn = {978-0-674-02203-4},
  langid = {english},
  lccn = {609.730 9},
  keywords = {list,prio:high},
  file = {/Users/Rosa/Zotero/storage/HC67UT6D/Slade - 2006 - Made to break technology and obsolescence in America.pdf}
}

@incollection{sterneOutTrash,
  title = {Out with the Trash},
  booktitle = {Residual {{Media}}},
  author = {Sterne},
  isbn = {0-8166-4471-3},
  keywords = {list,prio:high,summarised},
  file = {/Users/Rosa/Zotero/storage/334DAPWQ/OutwiththeTrash.pdf}
}

@article{sutherlandDesignAspirationsEnergy2021,
  title = {Design {{Aspirations}} for {{Energy Autarkic Information Systems}} in a {{Future}} with {{Limits}}},
  author = {Sutherland, Brian},
  year = {2021},
  month = jun,
  journal = {LIMITS Workshop on Computing within Limits},
  doi = {10.21428/bf6fb269.8b56b095},
  urldate = {2025-01-05},
  langid = {english},
  file = {/Users/Rosa/Zotero/storage/ZSGCB24X/Sutherland - 2021 - Design Aspirations for Energy Autarkic Information Systems in a Future with Limits.pdf}
}

@misc{SynthSchematicsWords,
  title = {Synth Schematics--::-- {{Some}} Words},
  urldate = {2025-01-23},
  howpublished = {https://www.schmitzbits.de/w.html},
  file = {/Users/Rosa/Zotero/storage/6RN53QAS/w.html}
}

@misc{VagueTerrain192014,
  title = {Vague {{Terrain}} 19: {{Schematic}} as {{Score}} {\textbar} {{Vague Terrain}}},
  shorttitle = {Vague {{Terrain}} 19},
  year = {2014},
  month = jul,
  urldate = {2025-01-26},
  howpublished = {https://web.archive.org/web/20140723013316/http://vagueterrain.net/journal19},
  file = {/Users/Rosa/Zotero/storage/4BKQP8SX/journal19.html}
}

@article{vanbovenHaveThatQuestion2003,
  title = {To {{Do}} or to {{Have}}? {{That Is}} the {{Question}}},
  shorttitle = {To {{Do}} or to {{Have}}? i},
  author = {Van Boven, Leaf and Gilovich, Thomas},
  year = {2003},
  month = dec,
  journal = {Journal of personality and social psychology},
  volume = {85},
  pages = {1193--202},
  doi = {10.1037/0022-3514.85.6.1193},
  abstract = {Do experiences make people happier than material possessions? In two surveys, respondents from various demographic groups indicated that experiential purchases-those made with the primary intention of acquiring a life experience--made them happier than material purchases. In a follow-up laboratory experiment, participants experienced more positive feelings after pondering an experiential purchase than after pondering a material purchase. In another experiment, participants were more likely to anticipate that experiences would make them happier than material possessions after adopting a temporally distant, versus a temporally proximate, perspective. The discussion focuses on evidence that experiences make people happier because they are more open to positive reinterpretations, are a more meaningful part of one's identity, and contribute more to successful social relationships.},
  keywords = {niet gebruiken},
  file = {/Users/Rosa/Zotero/storage/GY7RMHVZ/Van Boven and Gilovich - 2003 - To Do or to Have That Is the Question.pdf}
}

@misc{viznutPermacomputingUpdate2021,
  title = {Permacomputing {{Update}} 2021 {\textbar}},
  author = {{viznut}},
  urldate = {2025-01-05},
  howpublished = {http://viznut.fi/texts-en/permacomputing\_update\_2021.html},
  file = {/Users/Rosa/Zotero/storage/AD776H64/permacomputing_update_2021.html}
}

@book{vonfoersterMusicComputers1969,
  title = {Music by Computers},
  editor = {Von Foerster, Heinz and Beauchamp, James W.},
  year = {1969},
  publisher = {J. Wiley},
  address = {New York},
  isbn = {978-0-471-91030-5},
  lccn = {ML55.V575 M9},
  keywords = {Computer music,niet gebruiken},
  file = {/Users/Rosa/Zotero/storage/YKUYA5BZ/Beauchamp - EDITORS HEINZ VON FOERSTER.pdf}
}

@article{wallendorfMyFavoriteThings1988,
  title = {"{{My Favorite Things}}": {{A Cross-Cultural Inquiry}} into {{Object Attachment}}, {{Possessiveness}}, and {{Social Linkage}}},
  shorttitle = {"{{My Favorite Things}}"},
  author = {Wallendorf, Melanie and Arnould, Eric J.},
  year = {1988},
  journal = {Journal of Consumer Research},
  volume = {14},
  number = {4},
  eprint = {2489159},
  eprinttype = {jstor},
  pages = {531--547},
  publisher = {Oxford University Press},
  issn = {0093-5301},
  urldate = {2025-01-14},
  abstract = {We explore the meaning and histories of favorite objects in two cultures using surveys and photographs. Favorite object attachment is differentiated from the possessiveness component of materialism and from attachment to other people. Meanings of favorite objects derive more from personal memories in the U.S. and from social status in Niger than from object characteristics. Since favorite objects serve as storehouses of personal meanings, gender, age, and culture reflect differences in object selected as well as reasons for selection. In the U.S., photographs show greater proximity to objects that are symbols of others or experiences than to objects enjoyed for their own attributes.},
  file = {/Users/Rosa/Zotero/storage/FHJBKZHZ/Wallendorf and Arnould - 1988 - My Favorite Things A Cross-Cultural Inquiry into Object Attachment, Possessiveness, and Social Li.pdf}
}

@misc{What2017sPotential,
  title = {What 2017's {{Potential Component Shortage Means}} for {{Design Engineers}} - {{News}}},
  urldate = {2025-01-28},
  abstract = {Veteran engineers and market forecasters alike have fears of an impending component shortage this year. What evidence is there to suggest such a claim and if true, how will engineers be affected?},
  howpublished = {https://www.allaboutcircuits.com/news/what-2017s-potential-component-shortage-means-for-design-engineers/},
  langid = {english},
  file = {/Users/Rosa/Zotero/storage/FKZVA9QW/what-2017s-potential-component-shortage-means-for-design-engineers.html}
}

@misc{XXIIVVPermacomputing,
  title = {{{XXIIVV}} --- Permacomputing},
  urldate = {2025-01-05},
  howpublished = {https://wiki.xxiivv.com/site/permacomputing.html?utm\_source=pocket\_shared},
  keywords = {list,summarised},
  file = {/Users/Rosa/Zotero/storage/QM25W9ZH/permacomputing.html}
}
