diff --git a/.gitignore b/.gitignore
index 4875259..25c01e9 100644
--- a/.gitignore
+++ b/.gitignore
@@ -1,3 +1,4 @@
venv
dist
-feedback
\ No newline at end of file
+feedback
+backup
\ No newline at end of file
diff --git a/app.py b/app.py
index 17ef8de..f13798b 100644
--- a/app.py
+++ b/app.py
@@ -126,8 +126,9 @@ def get_existing_page(path, slug):
return False
for doc in documents[folder]:
- if doc["slug"] == slug:
- return doc
+ if doc:
+ if doc["slug"] == slug:
+ return doc
return False
@@ -154,6 +155,7 @@ def get_page_data(path, isPreload=False):
page['slug'] = slug
page.filename = filename
page.folder = folder
+
latex = page.content
if "start_datetime" in page:
@@ -166,8 +168,6 @@ def get_page_data(path, isPreload=False):
to='md',
format='md',
extra_args=[
- "-N",
- "--section-divs",
"--lua-filter=include-files.lua"
])
@@ -176,8 +176,6 @@ def get_page_data(path, isPreload=False):
to="html",
format="md",
extra_args=[
- "-N",
- "--section-divs",
"--citeproc",
"--bibliography=library.bib",
"--csl=apa.csl",
@@ -215,10 +213,11 @@ def save_circuit_svg(filepath, outpath, name):
def render_posts(path, output_path=OUTPUT_D):
name = Path(path).stem
- for filename in os.listdir(path):
+ for filename in sorted(os.listdir(path)):
file_path = os.path.join(path, filename)
if filename.endswith(".md"):
+ print("is md", filename)
page = get_page_data(file_path)
render_single_file(page, file_path, f"{output_path}/{name}", name)
elif os.path.isdir(file_path):
@@ -226,6 +225,7 @@ def render_posts(path, output_path=OUTPUT_D):
elif filename.endswith(".svg"):
save_circuit_svg(file_path, f"{output_path}/{name}", filename)
elif Path(filename).suffix in [".jpeg", ".mp3", ".jpg", ".png"]:
+ os.makedirs(f"{output_path}/{name}", exist_ok = True)
shutil.copyfile(file_path, f"{output_path}/{name}/{filename}")
else:
print("doing nothing with", filename)
@@ -243,6 +243,7 @@ def preload_documents():
documents.setdefault(name, [])
for filename in sorted(os.listdir(path)):
+ print(filename)
cpath = os.path.join(path, filename)
if filename.endswith(".md"):
documents[name].append(get_page_data(cpath, isPreload=True))
@@ -288,6 +289,7 @@ def main():
print("rendering posts", path)
render_posts(path)
elif Path(path).suffix == '.md':
+ print("rendering single", path);
render_single_file(get_page_data(path), path, OUTPUT_D)
elif Path(path).suffix in [".csv"]:
print("not compiling this file!")
diff --git a/content/chapters/-1-intro.md b/content/chapters/-1-intro.md
deleted file mode 100644
index d1554ab..0000000
--- a/content/chapters/-1-intro.md
+++ /dev/null
@@ -1,56 +0,0 @@
----
-title: "About this guide"
-type: Chapter
-slug: true
-front: false
----
-
-
-Feedback Thijs: Vertellen over Catu/Repair nights, dat het in Rotterdam is. This field guide is created during and around unrepair nights held at Catu
-Feedback thijs: who is I
-How to read the guide! Dus dat het hyperlinks zijn
-
----
-Hello! You are looking at a printed or web version of the *Field guide to salvaging sound devices*. This guide is currently being created at the (un)repair cafe in Klankschoool[^about-klankschool], and will help you in your "journey"(blergh) of becoming a hardcore hardware salvager.
-
-[^about-klankschool]: A bit about klankschool..
-
-The guide is divided in 4 chapters[^footnotes], each discussing a step in the salvaging process.
-
-1. Gathering hardware
-2. Dismantling devices
-3. Components to salvage
-4. Recipes
-
-[^footnotes]: extra context and additional notes are provided through these footnotes.
-
-## How to hack this guide
-In the true spirit of Re-Use/Re-Claim, you are hereby officially invited to make this guide your own. Grab a marker and a knife, and correct me where I'm wrong. Ctrl + S this web page and host it on your own server, or create a [pull request](theserverisdown.internetissues) for more permanent changes.
-
-## Why salvage?
-Buying new (electronic) parts and components is usually cheaper than repairing or salvaging. Even more conveniently, in the online community of DIY synthesizers, it is common practice to share a Mouser Project Cart alongside the schematics, when publishing your project, allowing forkers to buy all parts within just a few clicks. But what if that one ultra important part is no longer produced? Or you’d rather make use of all these other electronic parts that already exist?
-
-This is where *A field guide to salvaging electronic sound devices* comes into play. We’ll go trough the process of finding, unmaking and then remaking again together, using the growing pile of electronic waste[^e-waste], whilst also sometimes talking a bit about the practice of salvaging[^about-salvaging].
-
-[^e-waste]: The pile of e-waste grows at the same rate as technological innovation does, as every product update makes it older brother outdated and read for replacement.
-
-[^about-salvaging]: Salvaging, as Jennifer Gabrys describes it, is not only about the transforming discarded materials into valuable resources, but also about “engaging with the conditions that led to the dispair in the first place” (@instituteofnetworkculturesDepletionDesignGlossary2012). moet hier nog een juiste chapterdoen
-
-### Do It With Others (DIWO)
-This field guide is created during and around unrepair nights held at Catu (where you are very much invited to!). Here, we try and figure these electronics out together. Because, electronics is super difficult, and it’s advised to thread these quests together.
-
-Repair is social, Maintenance and Care tekst (@matternMaintenanceCare2018)
-
-
-
-### Reading the guide
-An invitation to add, substract, reuse and abuse this fieldguide
-Feedback Thijs mbt bovenstaande tekst: Uitleggen hoe je dat dan zou kunnen doen.
-
-
-### A few notes on safety
-Short list of safety things
-
-- Power supply - always unplug and I don’t mess with power supplies.
-- super high voltage hardware
-- Don’t drink & solder (@collinsHandmadeElectronicMusic2009)
\ No newline at end of file
diff --git a/content/chapters/0-gather.md b/content/chapters/0-gather.md
deleted file mode 100644
index af13b6e..0000000
--- a/content/chapters/0-gather.md
+++ /dev/null
@@ -1,45 +0,0 @@
----
-title: "Gathering"
-type: Chapter
-slug: true
-front: true
-
----
-
-
-When salvaging components, we are looking for abandoned hardware. Hardware that is still fine on the inside, but no longer deemed as functional by its previous owners[^no-longer-functional] in our consumer culture. These devices can be a literal goldmine[^goldmine] of working parts that could be repurposed, as their hardware probably exceeded their stylistic obsolescence[^stylistic-obsolescence].
-
-[^no-longer-functional]:The spectrum of "still fine" and "no longer deemed as functional" is very wide. Think about printers for which their specific cartridges are no longer produced, Blu-ray players, the E.T. game that was buried, that iPhone 8 with a bad battery, Spotify's "Car Thing", etc.
-
-[^goldmine]: Something about the metals/minerals to be found
-
-[^stylistic-obsolescence]: **stylistic obsolescence** The idea that objects can go out of fashion the idea, and therefore needed to be replaced every season (@sterneOutTrash)
-
-
-
-I’ve identified 3 strategies in gathering the electronic hardware.
-
-##### 1. Browsing the streets
-I feel like with great waste “comes to you”. Keep your eyes open, look around. Actively going on waste walks has not been very fruitful for me. The success is dependent on where you live and the waste regulations and activities[^waste-activities]. Information about waste management should[^should-be-communicated] be communicated via the municipality[^unbinair-waste].
-
-[^unbinair-waste]: Hier de Unbinare tekst gebruiken mbt hidden waste en de verandering hierin. En ergens heb ik ook een andere tekst gelezen over het verstoppen van waste streams
-
-[^waste-activities]: In Rotterdam, there are various Whatsapp & Facebook groups exchanging geo loctions for great trash.
-
-[^should-be-communicated]: The municipality waste guide website & app of Rotterdam is not functioning and has not been updated since 2022.
-
-##### 2. Donations from friends & family
-As you’ll enthusiastically keep your friends & family in the loop about your salvaging endeavours, you’ll notice the phenomenon of donations. A large portion of our replaced computing devices still reside in our storage units, waiting to be of any value (@gabrysDigitalRubbishNatural2011). hier moet nog eenpagina nummer bij
-Ik zou eigenlijk nog wel meer willen weten over waarom we zoveel devices bewaren
-
-##### 3. Institutional discards
-Institutions where electronic hardware is not their day-to-day business usually[^usually-solution] do not have a systematic solution for their e-waste. Many have a system in place to replace their hardware (printers, computers, etc. ), every 5 years. The remainders are put in storage.
-
-[^usually-solution]: Is dat zo of denk je dat maar?
-
-Hier en donations from friends & family heeft ook nog iets te maken met een soort greenwashing/shift in responsibility, maar dat nog niet helemaal kunnen duiden.
-
-
-## Salvaging vs. Hoarding
-
-When inspecting a device for salvage possibilities, I try to imagine what the inside of the device looks like. What kind of components might I find? Are there any motors or moving parts? What kind of material is the device made off? What time period is it from? Which companies manufactured the device and it's parts? Do I see any use for it now? If I don’t expect much, I’ll leave it for the next person to salvage.
\ No newline at end of file
diff --git a/content/chapters/1-dismantling.md b/content/chapters/1-dismantling.md
deleted file mode 100644
index 92c3600..0000000
--- a/content/chapters/1-dismantling.md
+++ /dev/null
@@ -1,59 +0,0 @@
----
-title: "Dismantling"
-type: Chapter
-slug: true
-front: true
-nested: "devices"
----
-
-### Some tools for opening devices
-
-
-For this, the following tools are recommended:
-
-- A set of screwdrivers
-- A plastic “thing” (e.g. a plectrum, or a dull plastic knife)
-- multimeter
--
-Dependent on your device, additional specialty tools might be required, such as:
-
-- A hot air gun
-- A drill/dremmel/saw to cut away plastic
-- Apple's 10k repair tools
-
-## Opening the device
-In some cases, product manufacturers provide service manuals[^repair-manual]. These service manuals contain valuable information that can help you to understand the device and to take it apart. Unfortunately, most of the devices I’ve taken apart did not publish their service manuals, meaning we have to figure it out ourselves. Luckily, there are online communities that create their own dismantling guides[^lack].
-
-
-[^repair-manual]:  [This](https://elektrotanya.com/panasonic_rs-768us.pdf/download.html#dl) repair manual that passed the Repair Club contains a schematic, disassembly information, parts list and multiple trouble shouting guides.
-
-[^lack]: [IFixIt](https://ifix.com/) is known for their teirdown guides online, and work in the Right to Repair movement.
-
-Let’s take a look at the device. Do you spot any screws? They might be hidden behind stickers noting you that you are now voiding your warranty[^warranty]. I found it helpful to follow the seams of the material of the device since, especially with plastics, it’s not just screws holding your device together.
-
-[^warranty]: These warranty stickers are not always legally binding. [^warranty-source]. Plus, do you have the receipt for something you found in the bin?
-
-[^warranty-source]: Aragon, N. (2024, December 17). Warranty Void Stickers: Are they legal outside the US? iFixit. https://www.ifixit.com/News/74736/warranty-void-stickers-are-illegal-in-the-us-what-about-elsewhere
-
-If you’ve managed to get a gap in a seam somewhere, stick a thin plastic “thing” in there and carefully push it along the seam. There might be tiny tabs holding the parts together. If the manufacturer really didn’t want you to get in there, they’ve glued it all up, and it is impossible to get in the device without causing permanent damage [^black-box]. A hot air gun could help to dissolve the glue (I’m afraid of melting plastic), or you could cut out the plastic using a knife or drill.
-
-This process really is about finding small gaps in the enclosures[^black-boxism], until you’ve dismantled the entire device. Did you manage? Amazing! You're now looking at all of the inner bits and pieces of your device, made up of all kinds of materials [^inside].
-
-[^black-box]: These glued up personal devices are clearly not made to be opened. They are black boxes by design, designed to become obsolete @hertzZombieMediaCircuit2012. verder over black boxes (maar miss op een ander punt, bijv. bij een device specifiek)
-
-[^black-boxism]: slowly removing the outer layer of your black box, revealing the inner mechanisms.
-
-[^inside]: The inside can tell you more about the time the device was made in. For instance, I mostly find aluminum and iron type materials on the inside of older machines.
-
-Dit verhaal gaan ondersteunen met illustraties/foto's
-
-Maybe a suggestion to be discarded, but I would find it fun if the found devices could have a little fictional backstory -- like the airport game: 'I imagine this person (device) did this and this'. On the one hand maybe that's not what you're going for at all, but on the other hand I feel like it could a way to still acknowledge a device's history even when unknown, and in that way exercise the running theme of circulating tech.
-
-
-## Hardware to look out for, or to avoid
-
-In retrospect, i'll write here something about what to look out for and what to avoid.
-Something about educated guessing what is inside?
-
-
-Feedback: It might be fun and insightful to add a step-by-step example of opening a device. I don't mind the longer text so much, but so far this guide has had a pretty fast pace!
\ No newline at end of file
diff --git a/content/chapters/2-component-salvaging.md b/content/chapters/2-component-salvaging.md
deleted file mode 100644
index bebb853..0000000
--- a/content/chapters/2-component-salvaging.md
+++ /dev/null
@@ -1,20 +0,0 @@
----
-title: "Components"
-type: Chapter
-slug: true
-nested: "components"
-front: true
----
-
-
-Once you've uncovered the PCB[^PCB] and other loose parts of the device[^parts], we can try to identify the various components. In general PCB's are made with either "trough hole" (THT) or "surface mount" (SMD) components. SMD components are _extremely_ tiny[^tiny] and soldered _on top of_ a PCB. Due to their size, they are really difficult to handle. Their size makes it difficult to read any type of value notation, and actually soldering SMD components is such a frustrating process.[^collapse-OS]. THT components are bigger and have "legs" which are pushed trough holes drilled in the PCB, making them easier to solder & desolder.
-
-[^PCB]: Printed Circuit Board
-[^parts]: Illustration of all parts
-[^tiny]: how tiny, include an image
-[^collapse-OS]: reference naar Collapse OS mbt THT vs SMD en de apocalypse.
-
-There are an almost infinite number of parts[^interchangeable_part] that can be found in electronic devices. I’ve limited the field guide to the parts that I have found, and found relevant to mention, but you’re welcome to update.
-
-[^interchangeable_part]: To research [interchangable parts](https://en.wikipedia.org/wiki/Interchangeable_parts#Late_19th_and_early_20th_centuries:_dissemination_throughout_manufacturing) n.a.v. deze [post](https://northcoastsynthesis.com/news/preferred-values-for-resistors-and-capacitors/)
-
diff --git a/content/chapters/3-recipes.md b/content/chapters/3-recipes.md
deleted file mode 100644
index e5f147c..0000000
--- a/content/chapters/3-recipes.md
+++ /dev/null
@@ -1,25 +0,0 @@
----
-title: "Recipes (or Re-cipes, or Re-making)"
-type: Chapter
-slug: true
-front: true
-nested: "recipes"
----
-
-
-
-Something about how you cannot force material(Collins, N. (2004). Introduction: Composers inside Electronics: Music after David Tudor. Leonardo Music Journal, 14, 1–3. http://www.jstor.org/stable/1513497)
-
-
-Rule #17: If it sounds good and doesn’t smoke, don’t worry if you don’t understand it
-(@collinsHandmadeElectronicMusic2009)
-
-
-{{ show grid recipes}}
-
-How to Build a Paper Circuit PCB
-
-Paper circuits use thick paper or cardboard as a base instead of traditional fiberglass PCBs. The conductive traces are made with copper tape, aluminum foil, or conductive ink. Inspired by Ciat-Lonbarde’s designs, this method allows for flexible, handmade circuits that are easy to modify and repair.
-
-To make a paper PCB, start with a sturdy sheet of cardstock. Print or draw the circuit layout onto the surface. Lay down copper tape along the traced paths, ensuring clean connections at intersections. If using aluminum foil, glue it down with conductive adhesive or attach components with eyelets. Soldering directly onto paper is possible but requires low heat and quick contact to avoid burning. For durability, add a layer of clear tape over the traces to prevent oxidation. Finally, secure components with tape or conductive paint, creating a rugged yet flexible circuit ready for experimentation.
-
diff --git a/content/chapters/4-reflection.md b/content/chapters/4-reflection.md
deleted file mode 100644
index 8ec1883..0000000
--- a/content/chapters/4-reflection.md
+++ /dev/null
@@ -1,11 +0,0 @@
----
-title: "Chapter 5: Reflection"
-type: Chapter
-slug: true
----
-
-
-### About the narrative of recycling
-Within recycling there is loads of greenwashing. Falling apart (Parks, n.d.)[^parksFallingApartElectronics] text gebruiken hier.
-
-[^parksFallingApartElectronics]: Parks, L. (n.d.). Falling Apart: Electronics Salvaging and the Global Media Economy.
\ No newline at end of file
diff --git a/content/chapters/5-bib.md b/content/chapters/5-bib.md
deleted file mode 100644
index e2a98e9..0000000
--- a/content/chapters/5-bib.md
+++ /dev/null
@@ -1,10 +0,0 @@
----
-title: "References (generated)"
-type: Chapter
-slug: true
-front: false
----
-
-
-::: {#refs}
-:::
\ No newline at end of file
diff --git a/content/component-inventory.csv b/content/component-inventory.csv
deleted file mode 100644
index d1a3da5..0000000
--- a/content/component-inventory.csv
+++ /dev/null
@@ -1,248 +0,0 @@
-ID,Amount,Name,Value,type,Date,Where,Mounting-etype
-1,1,Electrolytic capacitor,?,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-2,1,Electrolytic capacitor,??,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-3,1,Electrolytic capacitor,??,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-4,1,Electrolytic capacitor,??,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-5,1,Electrolytic capacitor,??,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-6,1,Film Capacitor,0.033 160,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-7,1,Film Capacitor,0.15 100 898,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-8,1,Film Capacitor,0.33 63,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-9,1,Film Capacitor,0.47 63,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-10,1,Film Capacitor,0.47 63 598,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-11,1,Film Capacitor,1000 160-89m,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-12,1,Electrolytic capacitor,1000 uF,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-13,1,Electrolytic capacitor,2500 uF,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-14,1,Electrolytic capacitor,25uF,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-15,1,Film Capacitor,4700 100-79m,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-16,1,Electrolytic capacitor,50uF,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-17,1,Film Capacitor,5600 100 79m,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-18,1,Film Capacitor,6500-100 89M,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-19,1,Film Capacitor,9 47 63 - 259,Capacitor,25/11/2024,Reel to Reel recorder,Through-Hole
-20,1,Not sure which type,-,Diode,25/11/2024,Reel to Reel recorder,Through-Hole
-21,1,-,3x 5 pin input,Inputs,25/11/2024,Reel to Reel recorder,Through-Hole
-22,1,-,1x 5 pin input,Inputs,25/11/2024,Reel to Reel recorder,Through-Hole
-23,1,axial-lead,10Ω,resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-24,1,axial-lead,75Ω,resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-25,1,axial-lead,460Ω,resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-26,2,axial-lead,750Ω,resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-27,1,axial-lead,1.5kΩ,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-28,2,axial-lead,10kΩ,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-29,1,axial-lead,14KΩ,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-30,1,axial-lead,17kΩ,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-31,3,axial-lead,220Ω,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-32,1,axial-lead,3.2KΩ,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-33,1,axial-lead,4.7KΩ,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-34,1,axial-lead,40kΩ,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-35,1,axial-lead,50kΩ,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-36,1,axial-lead,70KΩ,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-37,2,axial-lead,7kΩ,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-38,2,axial-lead,80kΩ,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-39,2,axial-lead,8KΩ,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-40,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-41,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-42,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-43,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-44,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-45,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-46,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-47,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-48,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-49,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-50,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-51,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-52,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-53,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-54,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-55,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-56,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-57,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-58,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-59,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-60,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-61,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-62,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-63,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-64,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-65,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-66,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-67,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-68,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-69,1,axial-lead,To measure,Resistor,25/11/2024,Reel to Reel recorder,Through-Hole
-70,1,NPN Transistor,BC109B,Transistor,25/11/2024,Reel to Reel recorder,Through-Hole
-71,2,NPN Transistor,BC107B NPN Transistor,Transistor,25/11/2024,Reel to Reel recorder,Through-Hole
-72,1,NPN Transistor,BC183c,Transistor,25/11/2024,Reel to Reel recorder,Through-Hole
-73,1,-,S277B,Transistor,25/11/2024,Reel to Reel recorder,Through-Hole
-74,1,NPN Transistor,BC183c,Transistor,25/11/2024,Reel to Reel recorder,Through-Hole
-75,1,About 17 Unidentified parts, Unidentified, Unidentified,25/11/2024,Reel to Reel recorder,Through-Hole
-76,1,FM Tuner,5807M,Chip,12/12/2024,MP3 FM Radio,SMD
-77,1,-,7533-1,Chip,12/12/2024,MP3 FM Radio,SMD
-78,1,a digital audio processor,PT2314,Chip,12/12/2024,MP3 FM Radio,SMD
-79,1,-,A1shb,Transistor,12/12/2024,MP3 FM Radio,SMD
-80,1,motor driver for cds,CD5888,Chip,12/12/2024,MP3 FM Radio,SMD
-81,1,-,M5677,Chip,12/12/2024,MP3 FM Radio,SMD
-82,1,Flash Memory,F20 100GCP,Chip,12/12/2024,MP3 FM Radio,SMD
-83,1,-,ATMLH730,Chip,12/12/2024,MP3 FM Radio,SMD
-84,1,-,WT1V,Chip,12/12/2024,MP3 FM Radio,SMD
-85,1,-,J3Y,Transistor,12/12/2024,MP3 FM Radio,SMD
-86,3,8-stage shift-and-store bus register,74HC4094D,Chip,05/12/2024,Telephone,SMD
-87,2,-,S2A,Chip,05/12/2024,Telephone,SMD
-88,3,-,S1A,Chip,05/12/2024,Telephone,SMD
-89,1,-,N187,Transistor,05/12/2024,Telephone,SMD
-90,1,photocoupler,Lv7 356T X8,Chip,05/12/2024,Telephone,SMD
-91,1, SCHOTTKY BARRIER RECTIFIER,PJ74 SX34,Chip,05/12/2024,Telephone,SMD
-92,1,MOSFET,FR220N 711P,Chip,05/12/2024,Telephone,SMD
-93,1,-,2A,Chip,05/12/2024,Telephone,SMD
-94,1,-,572,Chip,05/12/2024,Telephone,SMD
-95,2,Bridge Rectifiers,62 HD04,Chip,05/12/2024,Telephone,SMD
-96,1,Flash memory,FLO82A 084,Chip,05/12/2024,Telephone,SMD
-97,1,An audio power IC with built-in two channels developed for portable radio cassette tape recorder with power ON / OFF switch,TA8227P,Chip,12/12/2024,MP3 FM Radio,Through-Hole
-98,1,PNP Transistor,58550 D 331,Transistor,12/12/2024,MP3 FM Radio,Through-Hole
-99,8,signal diode,1N4148,Diode,19/01/2025,Magnet Detector,Through-Hole
-100,1,-,LM324N,Chip,19/01/2025,Magnet Detector,Through-Hole
-101,1,-,TC4069,Chip,19/01/2025,Magnet Detector,Through-Hole
-102,1,PNP Transistor,C9015 c913,Transistor,19/01/2025,Magnet Detector,Through-Hole
-103,2,NPN Transistor,C9014,Transistor,19/01/2025,Magnet Detector,Through-Hole
-104,1,Unknown things that says 222j,-,-,19/01/2025,Magnet Detector,Through-Hole
-105,3,-,10nF,Capacitor,19/01/2025,Magnet Detector,Through-Hole
-106,2,-,100nF,Capacitor,19/01/2025,Magnet Detector,Through-Hole
-107,1,-,22pF,Capacitor,19/01/2025,Magnet Detector,Through-Hole
-108,1,Red LED,-,Output,19/01/2025,Magnet Detector,Through-Hole
-109,1,Trimpot,5K,Resistor,19/01/2025,Magnet Detector,Through-Hole
-110,1,Trimpot,50k,Resistor,19/01/2025,Magnet Detector,Through-Hole
-111,3,axial-lead,10K,Resistor,19/01/2025,Magnet Detector,Through-Hole
-112,3,axial-lead,1.2MΩ,Resistor,19/01/2025,Magnet Detector,Through-Hole
-113,1,axial-lead,2.2M,Resistor,19/01/2025,Magnet Detector,Through-Hole
-114,1,axial-lead,2.2K,Resistor,19/01/2025,Magnet Detector,Through-Hole
-115,1,axial-lead,470,Resistor,19/01/2025,Magnet Detector,Through-Hole
-116,1,axial-lead,1.5MΩ,Resistor,19/01/2025,Magnet Detector,Through-Hole
-117,1,axial-lead,10m,Resistor,19/01/2025,Magnet Detector,Through-Hole
-118,1,axial-lead,12M,Resistor,19/01/2025,Magnet Detector,Through-Hole
-119,1,axial-lead,100k,Resistor,19/01/2025,Magnet Detector,Through-Hole
-120,1,axial-lead,1k,Resistor,19/01/2025,Magnet Detector,Through-Hole
-121,1,axial-lead,1.8KΩ,Resistor,19/01/2025,Magnet Detector,Through-Hole
-122,1,axial-lead,330k,Resistor,19/01/2025,Magnet Detector,Through-Hole
-123,1,axial-lead,1M,Resistor,19/01/2025,Magnet Detector,Through-Hole
-124,1,axial-lead,8.2K,Resistor,19/01/2025,Magnet Detector,Through-Hole
-125,1,axial-lead,47K,Resistor,19/01/2025,Magnet Detector,Through-Hole
-126,2,Dolby-B Noise Processor,NE545B,Chip,19/01/2025,cassette recorder,Through-Hole
-127,2,Blue electrolytic capacitor,100uF 10V,Capacitor,19/01/2025,cassette recorder,Through-Hole
-128,6,Blue electrolytic capacitor,10 uF / 10V,Capacitor,19/01/2025,cassette recorder,Through-Hole
-129,2,Blue electrolytic capacitor,4.7uF / 50V,Capacitor,19/01/2025,cassette recorder,Through-Hole
-130,5,bipolar junction transistor (BJT) with an NPN-type configuration. T,C1737 67C,Transistor,19/01/2025,cassette recorder,Through-Hole
-131,3,NPN Transistor,C1312 R45F,Transistor,19/01/2025,cassette recorder,Through-Hole
-132,2,Unknown diode,-,Diode,19/01/2025,cassette recorder,Through-Hole
-133,6,Unknown capacitor,Ceramic capacitor,Capacitor,19/01/2025,cassette recorder,Through-Hole
-134,2,Ceramic capacitor,1.5nF,Capacitor,19/01/2025,cassette recorder,Through-Hole
-135,2,Ceramic capacitor,1.8nF,Capacitor,19/01/2025,cassette recorder,Through-Hole
-136,2,Ceramic capacitor,270 pF,Capacitor,19/01/2025,cassette recorder,Through-Hole
-137,2,Ceramic capacitor,680 pF,Capacitor,19/01/2025,cassette recorder,Through-Hole
-138,2,metallized polyester capacitor,100nF,Capacitor,19/01/2025,cassette recorder,Through-Hole
-139,1,metallized polyester capacitor,47nF,Capacitor,19/01/2025,cassette recorder,Through-Hole
-140,4,metallized polyester capacitor,23000uF,Capacitor,19/01/2025,cassette recorder,Through-Hole
-141,2,metallized polyester capacitor,330nF,Capacitor,19/01/2025,cassette recorder,Through-Hole
-142,1,-,B0338 2526z,Transistor,24/01/2025,cassette recorder,Through-Hole
-143,3,-,C1737 67B,Transistor,24/01/2025,cassette recorder,Through-Hole
-144,6,-,C1738 69C,Transistor,24/01/2025,cassette recorder,Through-Hole
-145,8,-,C1737 69B,Transistor,24/01/2025,cassette recorder,Through-Hole
-146,2,-,C1737 68C,Transistor,24/01/2025,cassette recorder,Through-Hole
-147,1,-,C1737 65C,Transistor,24/01/2025,cassette recorder,Through-Hole
-148,1,-,C1737 67C,Transistor,24/01/2025,cassette recorder,Through-Hole
-149,7,-,BC548A P627,Transistor,24/01/2025,cassette recorder,Through-Hole
-150,1,-,BC548B P627,Transistor,24/01/2025,cassette recorder,Through-Hole
-151,1,-,BC5488 P540,Transistor,24/01/2025,cassette recorder,Through-Hole
-152,2,-,BC549C P640,Transistor,24/01/2025,cassette recorder,Through-Hole
-153,2,Capacitor,1000uF,Capacitor,24/01/2025,cassette recorder,Through-Hole
-154,1,Capacitor,220 mfd 16wv,Capacitor,24/01/2025,cassette recorder,Through-Hole
-155,1,Capacitor,2200mfd 16wv,Capacitor,24/01/2025,cassette recorder,Through-Hole
-156,3,Capacitor,68MFD 16 WV,Capacitor,24/01/2025,cassette recorder,Through-Hole
-157,12,Capacitor,4.7MFD,Capacitor,24/01/2025,cassette recorder,Through-Hole
-158,16,Blue Capacitor,4.7,Capacitor,24/01/2025,cassette recorder,Through-Hole
-159,4,Bluesss Capacitor,0.47,Capacitor,24/01/2025,cassette recorder,Through-Hole
-160,2,Blue Capacitor,15,Capacitor,24/01/2025,cassette recorder,Through-Hole
-161,2,Blue Capacitor,22,Capacitor,24/01/2025,cassette recorder,Through-Hole
-162,1,Blue Capacitor,33,Capacitor,24/01/2025,cassette recorder,Through-Hole
-163,1,Blue Capacitor,47,Capacitor,24/01/2025,cassette recorder,Through-Hole
-164,1,Blue Capacitor,68,Capacitor,24/01/2025,cassette recorder,Through-Hole
-165,6,Resistor,2.2K,Resistor,26/01/2025,cassette recorder,Through-Hole
-166,3,Resistor,27K,Resistor,26/01/2025,cassette recorder,Through-Hole
-167,3,Resistor,2.2M,Resistor,26/01/2025,cassette recorder,Through-Hole
-168,1,Blue Capacitor,22,Resistor,26/01/2025,cassette recorder,Through-Hole
-169,1,Blue Capacitor,20,Resistor,26/01/2025,cassette recorder,Through-Hole
-170,2,Resistor,220K,Resistor,26/01/2025,cassette recorder,Through-Hole
-171,5,Resistor,22K,Resistor,26/01/2025,cassette recorder,Through-Hole
-172,5,Resistor,270K,Resistor,26/01/2025,cassette recorder,Through-Hole
-173,157,unidentifief,Resistor,Resistor,26/01/2025,cassette recorder,Through-Hole
-174,43,Ceramic capacitor,Capacitor,26/01/2025,cassette recorder,Through-Hole
-175,23,Various diodes,Diode,Diode,26/01/2025,cassette recorder,Through-Hole
-176,3,coils,Coils,Misc,26/01/2025,cassette recorder,Through-Hole
-177,2,Semikron SKB 2,Misc,26/01/2025,cassette recorder,Through-Hole
-178,1,Polystyrene Capacitors,270H,Capacitor,26/01/2025,cassette recorder,Through-Hole
-179,2,Polystyrene Capacitors,330H,Capacitor,26/01/2025,cassette recorder,Through-Hole
-180,2,Polystyrene Capacitors,27n f63 86,Capacitor,26/01/2025,cassette recorder,Through-Hole
-181,2,Polystyrene Capacitors,5n6,Capacitor,26/01/2025,cassette recorder,Through-Hole
-182,2,Polystyrene Capacitors,4n7,Capacitor,26/01/2025,cassette recorder,Through-Hole
-183,2,Polystyrene Capacitors,1n1,Capacitor,26/01/2025,cassette recorder,Through-Hole
-184,7,Triangle 6?,Polystyrene Capacitors,Capacitor,26/01/2025,cassette recorder,Through-Hole
-185,2,Gloeilampjes,Output,26/01/2025,cassette recorder,Through-Hole
-186,3,Fuse,Fuse,Misc,26/01/2025,cassette recorder,Through-Hole
-187,3,potentiometer,47K,Resistor,26/01/2025,cassette recorder,Through-Hole
-188,1,Stereo Potentiometer,100K,Resistor,26/01/2025,cassette recorder,Through-Hole
-189,2,Trimpot,1K,Resistor,26/01/2025,cassette recorder,Through-Hole
-190,1,Trimpot,4K,Resistor,26/01/2025,cassette recorder,Through-Hole
-191,3,Trimpot,22K,Resistor,26/01/2025,cassette recorder,Through-Hole
-192,5,Trimpot,47K,Resistor,26/01/2025,cassette recorder,Through-Hole
-193,1,Trimpot,5K,Resistor,26/01/2025,cassette recorder,Through-Hole
-194,1,PNP Epitaxial Silicon Transisto,BD136,Transistor,26/01/2025,cassette recorder,Through-Hole
-195,6,Electrolytic capacitor,10uF 16V,Capacitor,2/2/2025,V2 Video splitter,Through-Hole
-196,39,Electrolytic capacitor,100uF 16V,Capacitor,2/2/2025,V2 Video splitter,Through-Hole
-197,20,NPN Bipolar junction transistor. It is,IMBC 547C,Transistor,2/2/2025,V2 Video splitter,Through-Hole
-198,12,General purpose NPN transistor ,2N 3904,Transistor,2/2/2025,V2 Video splitter,Through-Hole
-199,1,Trimpot,100,Resistor,2/2/2025,V2 Video splitter,Through-Hole
-200,2,Trimpot,100K,Resistor,2/2/2025,V2 Video splitter,Through-Hole
-201,1,Trimpot,2k2,Resistor,2/2/2025,V2 Video splitter,Through-Hole
-202,4,Diode,1n4007,Diode,2/2/2025,V2 Video splitter,Through-Hole
-203,6,unknown,unknown,Diode,2/2/2025,V2 Video splitter,Through-Hole
-204,1,unknown1,unknown,2/2/2025,V2 Video splitter,Through-Hole
-205,1,T7805CT QWT614,Voltage Regulator,2/2/2025,V2 Video splitter,Through-Hole
-206,1,7905CT QKX515,Voltage Regulator,2/2/2025,V2 Video splitter,Through-Hole
-207,24,axial-lead,1K,Resistor,2/2/2025,V2 Video splitter,Through-Hole
-208,4,axial-lead,2.7K,Resistor,2/2/2025,V2 Video splitter,Through-Hole
-209,9,axial-lead,330,Resistor,2/2/2025,V2 Video splitter,Through-Hole
-210,19,axial-lead,150,Resistor,2/2/2025,V2 Video splitter,Through-Hole
-211,23,axial-lead,100,Resistor,2/2/2025,V2 Video splitter,Through-Hole
-212,5,axial-lead,100K,Resistor,2/2/2025,V2 Video splitter,Through-Hole
-213,1,axial-lead,1.5K,Resistor,2/2/2025,V2 Video splitter,Through-Hole
-214,9,axial-lead,270,Resistor,2/2/2025,V2 Video splitter,Through-Hole
-215,2,axial-lead,10,Resistor,2/2/2025,V2 Video splitter,Through-Hole
-216,9,axial-lead,75,Resistor,2/2/2025,V2 Video splitter,Through-Hole
-217,2,axial-lead,10K,Resistor,2/2/2025,V2 Video splitter,Through-Hole
-218,1,axial-lead,47K,Resistor,2/2/2025,V2 Video splitter,Through-Hole
-219,1,axial-lead,390,Resistor,2/2/2025,V2 Video splitter,Through-Hole
-220,1,axial-lead,16K,Resistor,2/2/2025,V2 Video splitter,Through-Hole
-221,1,Op Amp,TL082CN,Chip,2/2/2025,V2 Video splitter,Through-Hole
-222,1,Op Amp,OPA658P,Chip,2/2/2025,V2 Video splitter,Through-Hole
-223,4,Ceramic Capacitor,10nF,Capacitor,2/2/2025,V2 Video splitter,Through-Hole
-224,1,Ceramic Capacitor,47pF,Capacitor,2/2/2025,V2 Video splitter,Through-Hole
-225,4,Electrolytic capacitor,220uF,Capacitor,2/2/2025,Video/Audio Mixer,Through-Hole
-226,12,Electrolytic capacitor,47uF,Capacitor,2/2/2025,Video/Audio Mixer,Through-Hole
-227,13,Electrolytic capacitor,1uF,Capacitor,2/2/2025,Video/Audio Mixer,Through-Hole
-228,6,Electrolytic capacitor,100uF,Capacitor,2/2/2025,Video/Audio Mixer,Through-Hole
-229,4,Op amp,BA15218n 208 328AT,Chip,2/2/2025,Video/Audio Mixer,Through-Hole
-230,1,Voltage Comparator,CA311E H9206,Chip,2/2/2025,Video/Audio Mixer,Through-Hole
-231,1,Op Amp,072D JRC 2039B,Chip,2/2/2025,Video/Audio Mixer,Through-Hole
-232,1,Voltage regulator,79L09 A 218,Undedfined,2/2/2025,Video/Audio Mixer,Through-Hole
-233,1,PNP Transistor,106 2N3906 ,Transistor,2/2/2025,Video/Audio Mixer,Through-Hole
-234,2,NPN Transistor,C1740,Transistor,2/2/2025,Video/Audio Mixer,Through-Hole
-235,3,Electrolytic capacitor,10uF,Capacitor,2/2/2025,Video/Audio Mixer,Through-Hole
-236,4,Schuiver,100K,Resistor,2/2/2025,Video/Audio Mixer,Through-Hole
-237,1,Schuiver,1k,Resistor,2/2/2025,Video/Audio Mixer,Through-Hole
-238,5,Button,-,Input,2/2/2025,Video/Audio Mixer,Through-Hole
-239,1,LED,-,OUTPUT,2/2/2025,Video/Audio Mixer,Through-Hole
-240,2,-,-,Diode,2/2/2025,Video/Audio Mixer,Through-Hole
-241,1,-,-,Diode,2/2/2025,Video/Audio Mixer,Through-Hole
-242,11,Video plug,,Input,2/2/2025,Video/Audio Mixer,Through-Hole
-243,3,Audio Jack,Input,,2/2/2025,Video/Audio Mixer,Through-Hole
-244,1,DC power,Input,,2/2/2025,Video/Audio Mixer,Through-Hole
-245,2,Ceramic Capacitor,100nF,Capacitor,2/2/2025,Video/Audio Mixer,Through-Hole
-246,1,Ceramic Capacitor,1nF,Capacitor,2/2/2025,Video/Audio Mixer,Through-Hole
-247,1,Ceramic Capacitor,220 pF,Capacitor,2/2/2025,Video/Audio Mixer,Through-Hole
\ No newline at end of file
diff --git a/content/thesis.md b/content/thesis.md
deleted file mode 100644
index 4971318..0000000
--- a/content/thesis.md
+++ /dev/null
@@ -1,15 +0,0 @@
----
-excerpt: A documentation page
-title: A field guide to salvaging sound devices
-version: 0.3
-layout: index
-description: This is the description of the about us page
----
-
-Dear reader,
-
-This web page includes the WIP version of my thesis. For (limited) information about Klankschool's repair cafe, go to [https://unrepair.klank.school](https://unrepair.klank.school)[^server-down]. The text you'll find below is a draft of the thesis. This thesis will be a field guide to salvaging electronics to make sound devices. This field guide is compact and is meant to be taken "into the wild".
-
-At the I'm leaving notes for myself of things i'd like to include later. These notes can be recognized by their `` tags .
-
-[^server-down]: At the moment, the klank server is down. As far as I understand, there is an issue with the amount of electricity the server is hoarding.
diff --git a/library.bib b/library.bib
index df409dc..b21e6e5 100644
--- a/library.bib
+++ b/library.bib
@@ -119,6 +119,19 @@
langid = {american}
}
+@misc{calmaWomenWhoMade2025,
+ title = {The Women Who Made {{America}}'s Microchips and the Children Who Paid for It},
+ author = {Calma, Justine},
+ year = {2025},
+ month = feb,
+ journal = {The Verge},
+ urldate = {2025-02-20},
+ abstract = {The US wants to manufacture chips again --- but there's a dark, overlooked history.},
+ howpublished = {https://www.theverge.com/features/611297/manufacturing-workers-semiconductor-computer-chip-birth-defect},
+ langid = {american},
+ file = {/Users/Rosa/Zotero/storage/6G8IIDT5/article.pdf}
+}
+
@book{collinsHandmadeElectronicMusic2009,
title = {Handmade Electronic Music: The Art of Hardware Hacking},
shorttitle = {Handmade Electronic Music},
@@ -128,8 +141,10 @@
publisher = {Routledge},
address = {New York},
isbn = {978-0-415-99609-9 978-0-415-99873-4 978-0-203-87962-7},
+ langid = {american},
lccn = {ML1092 .C66 2009},
- keywords = {Construction,Electronic musical instruments,toppertje}
+ keywords = {Construction,Electronic musical instruments,toppertje},
+ file = {/Users/Rosa/Zotero/storage/T5E3CZ4S/Collins - 2009 - Handmade electronic music the art of hardware hacking.pdf}
}
@article{collinsIntroductionComposersElectronics2004,
@@ -187,7 +202,7 @@
title = {Ontology {{Of Electronic Waste}}},
author = {Fennis, Maurits},
langid = {english},
- keywords = {list,prio:high,summarised},
+ keywords = {list,summarised},
file = {/Users/Rosa/Zotero/storage/PZ45G9QF/Fennis - Ontology Of Electronic Waste.pdf}
}
@@ -229,6 +244,23 @@
file = {/Users/Rosa/Zotero/storage/PZB4D642/Gabrys - 2011 - Digital rubbish a natural history of electronics.pdf}
}
+@inproceedings{gegenbauerIPodsAtarisPolaroids2012,
+ title = {{{iPods}}, {{Ataris}}, and {{Polaroids}}: A Personal Inventories Study of out-of-Use Electronics in {{Swiss}} Households},
+ shorttitle = {{{iPods}}, {{Ataris}}, and {{Polaroids}}},
+ booktitle = {Proceedings of the 2012 {{ACM Conference}} on {{Ubiquitous Computing}}},
+ author = {Gegenbauer, Silke and Huang, Elaine M.},
+ year = {2012},
+ month = sep,
+ pages = {531--535},
+ publisher = {ACM},
+ address = {Pittsburgh Pennsylvania},
+ doi = {10.1145/2370216.2370294},
+ urldate = {2025-02-25},
+ isbn = {978-1-4503-1224-0},
+ langid = {english},
+ file = {/Users/Rosa/Zotero/storage/47YW9WJG/Gegenbauer and Huang - 2012 - iPods, Ataris, and Polaroids a personal inventories study of out-of-use electronics in Swiss househ.pdf}
+}
+
@book{heimsCyberneticsGroup1991,
title = {The Cybernetics Group},
author = {Heims, Steve J.},
@@ -296,6 +328,14 @@
file = {/Users/Rosa/Zotero/storage/HUAVMT2T/Electronic and Experimental Music.pdf}
}
+@misc{holzerSchematicScoreUses2011,
+ title = {Schematic as {{Score}}: {{Uses}} and {{Abuses}} of the ({{In}}){{Deterministic Possibilities}} of {{Sound Technology}}},
+ author = {Holzer, Derek},
+ year = {2011},
+ month = may,
+ file = {/Users/Rosa/Zotero/storage/ZK479XQZ/web.archive.org-Vague Terrain 19 Schematic as Score.pdf}
+}
+
@book{horowitzArtElectronics2024,
title = {The Art of Electronics},
author = {Horowitz, Paul and Hill, Winfield},
@@ -485,6 +525,22 @@
file = {/Users/Rosa/Zotero/storage/XFGEV94M/Principles of Perma-Hybridity.pdf;/Users/Rosa/Zotero/storage/HYCEANK3/principles-of-perma-hybridity.html}
}
+@inproceedings{maestriUnderstandingRepairCreative2011,
+ title = {Understanding Repair as a Creative Process of Everyday Design},
+ booktitle = {Proceedings of the 8th {{ACM}} Conference on {{Creativity}} and Cognition},
+ author = {Maestri, Leah and Wakkary, Ron},
+ year = {2011},
+ month = nov,
+ pages = {81--90},
+ publisher = {ACM},
+ address = {Atlanta Georgia USA},
+ doi = {10.1145/2069618.2069633},
+ urldate = {2025-02-25},
+ isbn = {978-1-4503-0820-5},
+ langid = {english},
+ file = {/Users/Rosa/Zotero/storage/BQJQJ2RJ/Maestri and Wakkary - 2011 - Understanding repair as a creative process of everyday design.pdf;/Users/Rosa/Zotero/storage/JTLM4PHV/Maestri and Wakkary - 2011 - Understanding repair as a creative process of everyday design.pdf}
+}
+
@book{magielsRECYCLEAlsAfval,
title = {{{RECYCLE}}! {{Als}} Afval Grondstof Wordt},
author = {Magiels, Geerdt},
@@ -515,7 +571,8 @@
urldate = {2025-01-20},
abstract = {A working guide to the repair of rust, dust, cracks, and corrupted code in our cities, our homes, and our social relations.},
langid = {american},
- file = {/Users/Rosa/Zotero/storage/R6T6XGMT/maintenance-and-care.html}
+ keywords = {to summarise},
+ file = {/Users/Rosa/Zotero/storage/MPNZ8HWX/Mattern - 2018 - Maintenance and Care.pdf;/Users/Rosa/Zotero/storage/R6T6XGMT/maintenance-and-care.html}
}
@article{matternStepStepThinking2024,
@@ -543,7 +600,7 @@
doi = {10.4467/20843860PK.17.030.7800},
urldate = {2025-01-05},
langid = {english},
- keywords = {list,prio:high},
+ keywords = {list},
file = {/Users/Rosa/Zotero/storage/EHFWEG5S/2017 - Media Archeology Lab Experimentation, Tinkering, Probing. Lori Emerson in conversation with Piotr M.pdf}
}
@@ -589,6 +646,22 @@
keywords = {list,summarised}
}
+@inproceedings{odomUnderstandingWhyWe2009,
+ title = {Understanding Why We Preserve Some Things and Discard Others in the Context of Interaction Design},
+ booktitle = {Proceedings of the {{SIGCHI Conference}} on {{Human Factors}} in {{Computing Systems}}},
+ author = {Odom, William and Pierce, James and Stolterman, Erik and Blevis, Eli},
+ year = {2009},
+ month = apr,
+ pages = {1053--1062},
+ publisher = {ACM},
+ address = {Boston MA USA},
+ doi = {10.1145/1518701.1518862},
+ urldate = {2025-02-25},
+ isbn = {978-1-60558-246-7},
+ langid = {english},
+ file = {/Users/Rosa/Zotero/storage/32TJFWXX/Odom et al. - 2009 - Understanding why we preserve some things and discard others in the context of interaction design.pdf}
+}
+
@book{oliverosSoftwarePeopleCollected2015,
title = {Software for {{People}}: Collected Writings 1963-80},
shorttitle = {Software for {{People}}},
@@ -606,7 +679,7 @@
title = {Falling {{Apart}}: {{Electronics Salvaging}} and the {{Global Media Economy}}},
author = {Parks, Lisa},
langid = {english},
- keywords = {list,prio:high,summarised,toppertje},
+ keywords = {list,summarised,to summarise,toppertje},
file = {/Users/Rosa/Zotero/storage/CAIF3ZWR/Parks - Falling Apart Electronics Salvaging and the Global Media Economy.pdf}
}
@@ -654,7 +727,26 @@
publisher = {s.n.},
doi = {10.5167/UZH-110997},
urldate = {2025-01-05},
- keywords = {list,prio:high}
+ langid = {american},
+ keywords = {list,prio:high,to summarise},
+ file = {/Users/Rosa/Zotero/storage/DYCDWWC4/Remy and Huang - 2015 - Limits and sustainable interaction design obsolescence in a future of collapse and resource scarcit.pdf}
+}
+
+@article{remyTakingNoteMarketing2013,
+ title = {Taking a Note from Marketing Research in Sustainable {{HCI}}},
+ author = {Remy, Christian},
+ year = {2013},
+ month = may,
+ journal = {Interactions},
+ volume = {20},
+ number = {3},
+ pages = {12--15},
+ issn = {1072-5520, 1558-3449},
+ doi = {10.1145/2451856.2451861},
+ urldate = {2025-02-25},
+ abstract = {Sustainability in (Inter)Action provides a forum for innovative thought, design, and research in the area of interaction design and environmental sustainability. The column explores how HCI can contribute to the complex and interdisciplinary efforts to address sustainability challenges. Elaine M. Huang, Editor},
+ langid = {english},
+ file = {/Users/Rosa/Zotero/storage/548NRMEI/remy2013.pdf;/Users/Rosa/Zotero/storage/F4CPRFHH/Remy - 2013 - Taking a note from marketing research in sustainable HCI.pdf}
}
@article{richardsDIYElectronicMusic2013,
@@ -733,6 +825,11 @@
file = {/Users/Rosa/Zotero/storage/EE6U37KD/Roura et al. - 2021 - Circular digital devices lessons about the social and planetary boundaries.pdf}
}
+@article{SalvagedComputing,
+ title = {Salvaged Computing},
+ file = {/Users/Rosa/Zotero/storage/MQW7QESH/PDF document.pdf}
+}
+
@misc{selwynWhatMightDegrowth2022,
title = {What Might Degrowth Computing Look Like?},
author = {Selwyn, Neil},
@@ -756,7 +853,7 @@
isbn = {978-0-674-02203-4},
langid = {english},
lccn = {609.730 9},
- keywords = {list,prio:high},
+ keywords = {list,to summarise},
file = {/Users/Rosa/Zotero/storage/HC67UT6D/Slade - 2006 - Made to break technology and obsolescence in America.pdf}
}
@@ -765,7 +862,7 @@
booktitle = {Residual {{Media}}},
author = {Sterne},
isbn = {0-8166-4471-3},
- keywords = {list,prio:high,summarised},
+ keywords = {list,summarised,toppertje},
file = {/Users/Rosa/Zotero/storage/334DAPWQ/OutwiththeTrash.pdf}
}
@@ -795,6 +892,7 @@
month = jul,
urldate = {2025-01-26},
howpublished = {https://web.archive.org/web/20140723013316/http://vagueterrain.net/journal19},
+ keywords = {to summarise},
file = {/Users/Rosa/Zotero/storage/4BKQP8SX/journal19.html}
}
diff --git a/src/assets/app.js b/src/assets/app.js
index d351f8a..da35044 100644
--- a/src/assets/app.js
+++ b/src/assets/app.js
@@ -1,13 +1,5 @@
-let filter = [];
-document.querySelectorAll(".csl-entry").forEach((e) => {
- if (filter.indexOf(e.id) == -1) {
- filter.push(e.id);
- document.querySelector('[data-template-type="bib"]').appendChild(e);
- } else {
- e.parentNode.removeChild(e);
- }
-})
+
const dialog = document.querySelector("dialog");
const closeDialog = (e) => {
e.stopPropagation();
diff --git a/src/assets/icons/ic--cut.svg b/src/assets/icons/ic--cut.svg
new file mode 100644
index 0000000..0105486
--- /dev/null
+++ b/src/assets/icons/ic--cut.svg
@@ -0,0 +1,3 @@
+
diff --git a/src/assets/repair-logs/pokemon.jpeg b/src/assets/repair-logs/pokemon.jpeg
deleted file mode 100644
index 93369c9..0000000
Binary files a/src/assets/repair-logs/pokemon.jpeg and /dev/null differ
diff --git a/src/assets/repair-logs/pokemon.webp b/src/assets/repair-logs/pokemon.webp
deleted file mode 100644
index 7c41f7b..0000000
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diff --git a/src/assets/styles/layout.css b/src/assets/styles/layout.css
index d161b59..4696396 100644
--- a/src/assets/styles/layout.css
+++ b/src/assets/styles/layout.css
@@ -9,6 +9,7 @@ html {
height: 100%;
}
+
article:not(article article) {
max-width: var(--article-w);
margin-right: 150px;
@@ -22,7 +23,7 @@ article header {
}
article header {
- min-height: 35mm;
+ min-height: 32mm;
}
@@ -63,7 +64,6 @@ dialog[open]::backdrop {
}
sup li:before,
-article li:has(.footnote-back):before,
li[count]:before {
display: inline;
float: left;
@@ -74,7 +74,7 @@ li[count]:before {
color: var(--accent);
}
-li[count], aside:not(.footnotes) {
+li[count], aside:not(.footnotes):not(aside aside) {
float: right;
clear: right;
width: var(--footnote-w);
diff --git a/src/assets/styles/media.css b/src/assets/styles/media.css
new file mode 100644
index 0000000..8821c30
--- /dev/null
+++ b/src/assets/styles/media.css
@@ -0,0 +1,51 @@
+.media--pcb {
+ position: relative;
+ float: left;
+}
+
+.media--pcb:before {
+ content: "";
+ position: absolute;
+ top: -10px;
+ right: -10px;
+ width: 20px;
+ height: 20px;
+ background-color: var(--accent);
+ -webkit-mask-image: url(/assets/icons/ic--cut.svg);
+ mask-image: url(/assets/icons/ic--cut.svg);
+ mask-repeat: no-repeat;
+ transform: rotate(90deg);
+ mask-size: contain;
+}
+
+.sample {
+ border-radius: 20px;
+ display: inline-flex;
+ gap: 0.25rem;
+ padding: 4px;
+ background-color: lightgrey;
+ transition: 0.2s linera;
+ cursor: pointer;
+ align-items: center;
+}
+
+.sample .icon {
+ display: inline-block;
+ width: 12px;
+ height: 12px;
+}
+
+.sample:not([active]) .pause {
+ display: none;
+}
+.sample[active] .play {
+ display: none;
+}
+.sample label {
+ line-height: 100%;
+}
+
+.sample[active],
+.sample:hover {
+ background-color: var(--accent);
+}
diff --git a/src/assets/styles/paged.css b/src/assets/styles/paged.css
index 8c4e595..40f7e23 100644
--- a/src/assets/styles/paged.css
+++ b/src/assets/styles/paged.css
@@ -52,7 +52,7 @@ body {
font-style: italic;
}
@bottom-right {
- content: "right page" counter(page);
+ content: counter(page);
}
}
@@ -101,8 +101,12 @@ body {
.header--meta {
display: none;
}
-.meta:has([data-chapter-title]) {
-/* break-before: page;*/
+
+[data-subchapter-title] {
+ display: none;
+}
+article:has([data-chapter-title]), article:has([data-subchapter-title]) {
+ break-before: page;
}
.page--cover {
page: cover;
diff --git a/src/assets/styles/style.css b/src/assets/styles/style.css
index fb01d61..38a3136 100644
--- a/src/assets/styles/style.css
+++ b/src/assets/styles/style.css
@@ -45,35 +45,3 @@ body {
}
}
-.sample {
- border-radius: 20px;
- display: inline-flex;
- gap: .25rem;
- padding: 4px;
- background-color: lightgrey;
- transition: .2s linera;
- cursor: pointer;
- align-items: center;
-}
-
-.sample .icon {
- display: inline-block;
- width: 12px;
- height: 12px;
-}
-
-.sample:not([active]) .pause {
- display: none;
-}
-.sample[active] .play {
- display: none;
-}
-.sample label {
- line-height: 100%;
-}
-
-
-
-.sample[active], .sample:hover {
- background-color: var(--accent);
-}
diff --git a/src/assets/styles/typography.css b/src/assets/styles/typography.css
index 10b98ff..1609b33 100644
--- a/src/assets/styles/typography.css
+++ b/src/assets/styles/typography.css
@@ -51,7 +51,7 @@ a,
a[visited] {
color: var(--accent);
}
-a p {
+a p, a figcaption {
color: var(--text);
}
ul {
@@ -75,7 +75,7 @@ ins {
ins p {
display: inline;
}
-sup li, article li:has(.footnote-back), li[count] {
+sup li, li[count] {
list-style: none;
}
ins::before {
@@ -89,13 +89,17 @@ ins::before {
font-weight: light;
}
sup:has(li),
-article li:has(.footnote-back),
-aside, figcaption,
+article li[count],
+aside:not(aside aside), figcaption,
.footnote {
font-family: monospace;
font-size: 80%;
line-height: 1.5;
}
+
+figcaption {
+ line-height: 1.1;
+}
.csl-entry {
margin-top: 1rem;
}
@@ -104,8 +108,17 @@ sup li p, article li:has(.footnote-back) p {
margin-top: 0;
}
+aside hr {
+ display: none;
+}
p {
break-inside: avoid;
+}
+
+article ol {
+ padding-left: 2ch;
+ margin-top: .5em;
+ margin-bottom: .5em;
}
\ No newline at end of file
diff --git a/src/content/About this guide.md b/src/content/About this guide.md
new file mode 100644
index 0000000..bda5583
--- /dev/null
+++ b/src/content/About this guide.md
@@ -0,0 +1,52 @@
+# About this guide
+
+*“Figuring out how to make the best possible use out of the millions of devices which already exist.”*[@superquote]
+Reading about salvage computing got me excited. It offered a way to keep building while reducing the consequences of constant consumption. This guide is my attempt to document that approach—messy, hands-on, and unapologetically hacked together.
+
+You’re holding (or scrolling through) *A Field Guide for Salvaging Sound Devices*. This guide, created during and around unrepair nights at Catu in Rotterdam[^about-catu], explores the act of salvaging, making, and the (im)practicalities of the process. It’s structured in four chapters, each covering a key step:
+
+1. Gathering hardware
+2. Dismantling devices
+3. Components to salvage
+4. Recipes
+
+[^about-catu]: Catu is a community space where we tinker with electronics, host unrepair nights, and try to make sense of broken things.
+
+## How to Hack This Guide
+In the spirit of reuse and reclaiming, this guide is yours to break, rebuild, and rewrite.
+Got a marker? A knife? Go ahead—correct, annotate, and cut this up.
+Want to fork it? Hit Ctrl + S to save a local copy, host it yourself, or submit a [pull request](theserverisdown.internetissues).
+
+## Why Salvage?
+Buying new parts is often cheaper than salvaging. The DIY synth community makes it even easier by sharing Mouser project carts alongside schematics—just a few clicks and all your parts arrive in a neat package. But what if that one crucial part is no longer made? Or you just don’t want to add to the endless cycle of production and waste?
+
+This is where *A Field Guide for Salvaging Sound Devices* comes in. We’ll go through the process of finding, unmaking, and remaking—digging through the growing pile of e-waste[^e-waste] while also reflecting on what it means to salvage[^about-salvaging].
+
+[^e-waste]: E-waste grows at the same rate as technological “innovation.” Every new update makes its older sibling obsolete, ready for disposal.
+
+[^about-salvaging]: As Jennifer Gabrys notes, salvaging isn’t just about reclaiming materials—it’s also about confronting the systems that create waste in the first place (@instituteofnetworkculturesDepletionDesignGlossary2012).
+
+## Do It With Others (DIWO)
+This guide was developed during unrepair nights at Catu, where we figure things out together. Because let’s be real—electronics is hard. You don’t have to go it alone. Come by, bring broken things, and let’s make sense of them together.
+
+(Repair is social. See *Maintenance and Care* by Shannon Mattern for more on that[@matternMaintenanceCare2018].)
+
+## Reading the Guide
+This guide is an invitation to add, subtract, reuse, and abuse.
+Want to modify it? Here’s how:
+
+- **Print version:** Scribble, cut, staple your own addendums.
+- **Web version:** Fork it, edit it, host it elsewhere.
+
+## A Few Notes on Safety
+Salvaging is fun, but some things can actually kill you. Keep these in mind:
+
+- **Power supplies:** Always unplug before opening. Mains voltage is no joke.
+- **High-voltage hardware:** Some capacitors hold a charge even after being unplugged.
+- **Soldering safety:** Ventilation is your friend.
+- **Don’t drink & solder:** A classic rule from @collinsHandmadeElectronicMusic2009.
+
+---
+
+This is a living document. If something’s unclear, incomplete, or just plain wrong—fix it.
+
diff --git a/src/content/chapters/-1-intro.md b/src/content/chapters/-1-intro.md
index d1554ab..88cdac1 100644
--- a/src/content/chapters/-1-intro.md
+++ b/src/content/chapters/-1-intro.md
@@ -4,53 +4,34 @@ type: Chapter
slug: true
front: false
---
-
-Feedback Thijs: Vertellen over Catu/Repair nights, dat het in Rotterdam is. This field guide is created during and around unrepair nights held at Catu
-Feedback thijs: who is I
-How to read the guide! Dus dat het hyperlinks zijn
+When building projects with electronics, salvaging and re-usign electronic components is usually the road less travelled. Even more going down this route, online communities of DIY audio & electronics, it is common practice to publish a schematic alongside a pre-filled shopping cart, making the realisation of your project almost as easy as buying new. But with the growing piles of e-waste[^growing-piles-ewaste] and less availability of the minerals that make up our electronic components, it’s important to investigate alternatives. [deze laatste zin mag meer aansluiten bij wat je verder benoemt][TODO: benoemen e-waste monitor] [TODO: benoemen dat de grote challenge van nu is wat te doen met de piles of e-waste]
----
-Hello! You are looking at a printed or web version of the *Field guide to salvaging sound devices*. This guide is currently being created at the (un)repair cafe in Klankschoool[^about-klankschool], and will help you in your "journey"(blergh) of becoming a hardcore hardware salvager.
+In *A field guide for salvaging sound devices*, I explore the practical side of salvage computing[^about-salvaging]: is it possible to *live off* (create with) electronic components salvaged in the wild? And what would such a practice look like? The guide is actively developed and tested during so-called *(un)repair nights[^unrepair-night]* at the klankschool[^klank-school], through a series of hangouts, conversations, and other tinkering methodologies[^tinkering-methodologies].
+TODO: Toevoegen dat je de lezer ook aanmoedigt om het samen met andere te doen.
-[^about-klankschool]: A bit about klankschool..
+Repair is inherently social. As Shannon Mattern argues in *Maintenance and Care* (@matternMaintenanceCare2018), repair practices are not just about fixing things but about fostering connections, sharing knowledge, and creating resilient communities. I encourage you to engage with this guide alongside others—whether that means working with friends, joining a repair group, or sharing your own salvaging insights. [Feedbac: before this you didn't say anything yet at all about repair, so this is a bit sudden.]
-The guide is divided in 4 chapters[^footnotes], each discussing a step in the salvaging process.
+[^about-salvaging]: As Jennifer Gabrys describes, salvaging is not just about transforming discarded materials into valuable resources, but also about _“engaging with the conditions that led to the dispair in the first place”_ (@instituteofnetworkculturesDepletionDesignGlossary2012).
-1. Gathering hardware
-2. Dismantling devices
-3. Components to salvage
-4. Recipes
+[^unrepair-night]: TODO: Include information about how the reader could join
-[^footnotes]: extra context and additional notes are provided through these footnotes.
+[^klank-school]: Klankschool is a Rotterdam-based community of sound practicioners, that (were at least planning to) share a space to collaborate and educate together. [TODO: betere omschrijving]
-## How to hack this guide
-In the true spirit of Re-Use/Re-Claim, you are hereby officially invited to make this guide your own. Grab a marker and a knife, and correct me where I'm wrong. Ctrl + S this web page and host it on your own server, or create a [pull request](theserverisdown.internetissues) for more permanent changes.
+[^tinkering-methodologies]: TODO: Tinkering methodologies is coming from “Zombie Media: Circuit Bending Media Archaeology into an Art Method” although I don’t really know what to add about that here, even though I do want to mention it.
-## Why salvage?
-Buying new (electronic) parts and components is usually cheaper than repairing or salvaging. Even more conveniently, in the online community of DIY synthesizers, it is common practice to share a Mouser Project Cart alongside the schematics, when publishing your project, allowing forkers to buy all parts within just a few clicks. But what if that one ultra important part is no longer produced? Or you’d rather make use of all these other electronic parts that already exist?
-
-This is where *A field guide to salvaging electronic sound devices* comes into play. We’ll go trough the process of finding, unmaking and then remaking again together, using the growing pile of electronic waste[^e-waste], whilst also sometimes talking a bit about the practice of salvaging[^about-salvaging].
-
-[^e-waste]: The pile of e-waste grows at the same rate as technological innovation does, as every product update makes it older brother outdated and read for replacement.
-
-[^about-salvaging]: Salvaging, as Jennifer Gabrys describes it, is not only about the transforming discarded materials into valuable resources, but also about “engaging with the conditions that led to the dispair in the first place” (@instituteofnetworkculturesDepletionDesignGlossary2012). moet hier nog een juiste chapterdoen
-
-### Do It With Others (DIWO)
-This field guide is created during and around unrepair nights held at Catu (where you are very much invited to!). Here, we try and figure these electronics out together. Because, electronics is super difficult, and it’s advised to thread these quests together.
-
-Repair is social, Maintenance and Care tekst (@matternMaintenanceCare2018)
-
-
-
-### Reading the guide
-An invitation to add, substract, reuse and abuse this fieldguide
-Feedback Thijs mbt bovenstaande tekst: Uitleggen hoe je dat dan zou kunnen doen.
+### Using this guide
+In the true spirit of Re-Use/Re-Claim, you are hereby officially invited to make this guide your own. Print [^shortcut-print] your own version, Grab a marker and a knife, and correct me where I'm wrong. Ctrl + S this web page and host it on your own server, or create a [pull request](theserverisdown.internetissues) for more permanent changes.
+[^shortcut-print]: Ctrl + P to print this document
### A few notes on safety
-Short list of safety things
+This guide is about diving headfirst into tinkering with electronics—but before we start swallowing batteries[TODO make this example less weird], let’s go over some basic safety measures & disclaimers.
-- Power supply - always unplug and I don’t mess with power supplies.
-- super high voltage hardware
-- Don’t drink & solder (@collinsHandmadeElectronicMusic2009)
\ No newline at end of file
+I am by no means and expert in electronics. When I write about how things work, please take it with a grain of salt. It's 'my' logic, and i'm sure it's full of incorrect assumptions. If you have improvements, feel free to reach out, or create a pull request with your improvements.
+
+To keep things safe and prevent shocks, **awlways disconnect the battery or power supply** when working on a device. Work thoughtfully and carefully and you'll be fine. If you're not sure, ask a friend, or ask the internet.
+
+[^short]: TODO: what is a short
+
+TODO: include iets over de sound devices zelf. Dus dat je sound devices wil maken die gemakkelijker na te maken zijn, maar ook dat je ze niet te moeilijk moet maken.en dus shit als tuning e.d. achterwegen laat.
\ No newline at end of file
diff --git a/src/content/chapters/0-gather.md b/src/content/chapters/0-gather.md
index af13b6e..b491722 100644
--- a/src/content/chapters/0-gather.md
+++ b/src/content/chapters/0-gather.md
@@ -42,4 +42,9 @@ Institutions where electronic hardware is not their day-to-day business usually[
## Salvaging vs. Hoarding
-When inspecting a device for salvage possibilities, I try to imagine what the inside of the device looks like. What kind of components might I find? Are there any motors or moving parts? What kind of material is the device made off? What time period is it from? Which companies manufactured the device and it's parts? Do I see any use for it now? If I don’t expect much, I’ll leave it for the next person to salvage.
\ No newline at end of file
+When inspecting a device for salvage possibilities, I try to imagine what the inside of the device looks like. What kind of components might I find? Are there any motors or moving parts? What kind of material is the device made off? What time period is it from? Which companies manufactured the device and it's parts? Do I see any use for it now? If I don’t expect much, I’ll leave it for the next person to salvage.
+
+
+Hier kun je nog iets zeggen over die paper met waaarom mensen dingen bewaren @gegenbauerIPodsAtarisPolaroids2012
+
+ According to the permacomputing[^permacomputing] wiki, scavenge friendly parts are “*are available by the billions in landfills.*”[@SalvageComputing], so there must be loads.
\ No newline at end of file
diff --git a/src/content/chapters/3-recipes.md b/src/content/chapters/3-recipes.md
index e5f147c..beacbf8 100644
--- a/src/content/chapters/3-recipes.md
+++ b/src/content/chapters/3-recipes.md
@@ -1,25 +1,45 @@
---
-title: "Recipes (or Re-cipes, or Re-making)"
+title: "Recipes for reuse"
type: Chapter
slug: true
front: true
nested: "recipes"
---
-
+Hopefully, you’ve salvaged a variety of components by now, and we can start to actually build some sound with them. In this chapter you'll find a bunch of recipes; the starting points for sound devices. These modular recipes can be used standalone or connected together into a bigger system. This modularity makes problem-solving slightly easier[^easier], and you can pick and choose your modules based on your salvaged inventory.
-Something about how you cannot force material(Collins, N. (2004). Introduction: Composers inside Electronics: Music after David Tudor. Leonardo Music Journal, 14, 1–3. http://www.jstor.org/stable/1513497)
+[^easier]: Still a headache! But now you only have to triple check a handful of components, instead of 120
+
+Every recipe contains a paper circuit[^paper-circuit-ciat] to print[^printing]. These circuits are the blueprint of your device, between a schematic and a industrial PCB. The biggest advantage of using paper, apart from being able to solder the connections of your components right on top of the circuit, is that it is paper. You can take notes, draw lines and adjust the schematic as you go.
+
+[^printing]: check for scaling issues!
+
+[^paper-circuit-ciat]: I've copied the method from Synthesizer builder Ciat Lonbarde, who used paper circuits to prototype and to distribute circuits and ideas for free @blasserStoresMall2015 .
+
+### Assembling the circuit[^assembly]
+1. Cut out the circuit and fold it in half, creating a two sided print
+2. Gather the components listed in the "Bill of Materials" (BOM)
+3. Populate the first components by pinning the legs trough the paper in their designated areas. Keep an eye on the orientation[^orientation]. Start small (resistors) then move to larger parts.
+4. Create the connections according circuit by soldering the legs together. I've found bare copper wire is the fastest.
+5. Repeat until all components are in place!
+6. Test & triple-check all connections [^triple-check].
+
+[^assembly]: something about tools
+
+[^orientation]: Some capacitors, LED's and other components all have a specific polarity/orientation.
+
+[^triple-check]: With salvaged components you'll have a limited supply. Test to prevent component loss.
+
+There is no need to understand every single component on each recipe [^no-need], but try to follow the connections on the circuit. Which road is the audio signal taking? This will help you a lot with troubleshooting.
+
+[^no-need]:Rule #17 from Handmade Electronic Music states "If it sounds good and doesn’t smoke, don’t worry if you don’t understand it." @collinsHandmadeElectronicMusic2009.
-Rule #17: If it sounds good and doesn’t smoke, don’t worry if you don’t understand it
-(@collinsHandmadeElectronicMusic2009)
+ If you want to build a modular, my advice is not to do it if you want to have any friends, it takes too much time. > https://web.archive.org/web/20151011091344/http://www.irfp.net/Projects/machines/Modular.html
-{{ show grid recipes}}
-
-How to Build a Paper Circuit PCB
-
-Paper circuits use thick paper or cardboard as a base instead of traditional fiberglass PCBs. The conductive traces are made with copper tape, aluminum foil, or conductive ink. Inspired by Ciat-Lonbarde’s designs, this method allows for flexible, handmade circuits that are easy to modify and repair.
-
-To make a paper PCB, start with a sturdy sheet of cardstock. Print or draw the circuit layout onto the surface. Lay down copper tape along the traced paths, ensuring clean connections at intersections. If using aluminum foil, glue it down with conductive adhesive or attach components with eyelets. Soldering directly onto paper is possible but requires low heat and quick contact to avoid burning. For durability, add a layer of clear tape over the traces to prevent oxidation. Finally, secure components with tape or conductive paint, creating a rugged yet flexible circuit ready for experimentation.
+ ## Safety notes
+ - **Audio can be surprisingly loud**. Use small speakers (never headphones!) you wouldn’t miss if they break, and keep your hand on the volume dial when plugging in your sound device for the first time
+- **Use batteries** plugging into a wall (120V) can be incredibly dangerous. When making changes
+- - **watch that smell** “magic smoke” has a certain smell. Unplug
\ No newline at end of file
diff --git a/src/content/recipes/555.md b/src/content/recipes/555.md
deleted file mode 100644
index 1021a3b..0000000
--- a/src/content/recipes/555.md
+++ /dev/null
@@ -1,8 +0,0 @@
----
-title: 555 Timer oscillator
-source: Horowitz, P., & Hill, W. (2024). The art of electronics (Third edition, 20th printing with corrections). Cambridge University Press.
-type: oscillator
-schematic: "/assets/recipes/555-timer.png"
----
-
-Iets over de 555 timer
\ No newline at end of file
diff --git a/src/content/recipes/Kick/index.md b/src/content/recipes/Kick/index.md
new file mode 100644
index 0000000..fe3b3aa
--- /dev/null
+++ b/src/content/recipes/Kick/index.md
@@ -0,0 +1,13 @@
+---
+title: Kick
+BOMTable: true
+order: 3
+shortDescription:
+ "A keyboard to play your oscillator"
+BOM:
+ - type: Misc
+ label: "A completely clean PCB"
+ - type: Resistor
+ label: "Multiple resistors between 1K and 100K"
+
+---
diff --git a/src/content/recipes/PCB-keyboard/index.md b/src/content/recipes/PCB-keyboard/index.md
new file mode 100644
index 0000000..be96b4d
--- /dev/null
+++ b/src/content/recipes/PCB-keyboard/index.md
@@ -0,0 +1,13 @@
+---
+title: PCB Keyboard
+BOMTable: true
+order: 3
+shortDescription:
+ "A keyboard to play your oscillator"
+BOM:
+ - type: Misc
+ label: "A completely clean PCB"
+ - type: Resistor
+ label: "Multiple resistors between 1K and 100K"
+
+---
diff --git a/src/content/recipes/SingleTransistorOsc/BOM.csv b/src/content/recipes/SingleTransistorOsc/BOM.csv
index 697dce8..430d9bf 100644
--- a/src/content/recipes/SingleTransistorOsc/BOM.csv
+++ b/src/content/recipes/SingleTransistorOsc/BOM.csv
@@ -1,7 +1,17 @@
-"Reference","Value","Datasheet","Footprint","Qty","DNP"
-"BT1,BT2,BT3","Battery","~","TerminalBlock:TerminalBlock_bornier-2_P5.08mm","3",""
-"C1,C2","10uF","","Capacitor_SMD:CP_Elec_4x5.3","2",""
-"J1","+V","~","MountingHole:MountingHole_2.2mm_M2_DIN965_Pad","1",""
-"J2","GND","~","MountingHole:MountingHole_2.2mm_M2_DIN965_Pad","1",""
-"J3","-V","~","MountingHole:MountingHole_2.2mm_M2_DIN965_Pad","1",""
-"R1,R2","10","","PCM_4ms_Resistor:R_Axial_DIN0207_L6.3mm_D2.5mm_P7.62mm_Horizontal","2",""
+"Reference","Value","Qty"
+"Q1","2N3906","1"
+"C1","10uF","1"
+"D1","LED","1"
+"J1","AudioJack2","1"
+"J2","18V","1"
+"J3","GND","1"
+"R1","1k","1"
+"R2","100K","1"
+"RV1","10K","1"
+
+
+BOM:
+ - type: Transistor
+ count: 1
+ value: "2N3906"
+ alternative: "Apperantly there are loads of alternatives but its trail and error"
\ No newline at end of file
diff --git a/src/content/recipes/SingleTransistorOsc/PaperCircuit.svg b/src/content/recipes/SingleTransistorOsc/PaperCircuit.svg
index bb59979..862b161 100644
--- a/src/content/recipes/SingleTransistorOsc/PaperCircuit.svg
+++ b/src/content/recipes/SingleTransistorOsc/PaperCircuit.svg
@@ -1,413 +1,950 @@
-