re-add website
2
.gitignore
vendored
Normal file
@ -0,0 +1,2 @@
|
||||
dist
|
||||
venv
|
59
README.md
Normal file
@ -0,0 +1,59 @@
|
||||
# README.md
|
||||
|
||||
### Installation
|
||||
Create a virtual python environment using ` python -m venv venv`
|
||||
Activate the virtual environment using `source venv/bin/activate`
|
||||
Install the packages using `pip install -r requirements.txt`
|
||||
|
||||
|
||||
### Running
|
||||
Compile the content into a static site using
|
||||
```
|
||||
python app.py
|
||||
```
|
||||
|
||||
This creates the "dist" directory, with all of the HTML in there.
|
||||
At the moment, `dist` is part of the `.gitignore`!
|
||||
|
||||
|
||||
### Writing Content
|
||||
Within the `content` directory, you can create/edit markdown files. When compiling the markdown content, `app.py` will look for jinja templates in the `templates` directory. If the markdown file is in the root of `content`, it will try to load a template with the same filename as the markdown file. For instance, `about.md` will look for `about.jinja`.
|
||||
If the markdown file is in a subdirectory, it will look for a template with the same name as the subdirectory. At the moment, there is no functionality for deep nested folders. So, `recipes/tomato-soup.md` wants `recipes.jinja`. If the template does not exist, the default template is `post.jinja`.
|
||||
|
||||
The project uses [Jinja](https://jinja.palletsprojects.com/), which allows for extending templates, using variables, looping trough variables, and other funky features!
|
||||
|
||||
Additionally, `component-inventory.csv` is loaded as a dataset.
|
||||
|
||||
### Transclusion
|
||||
You'll be able to transclude one markdown file into another, by applying the following syntax:
|
||||
|
||||
```MARKDOWN
|
||||
{! path-to-file.md !}
|
||||
```
|
||||
|
||||
The transclusion package also allows for transcluding specific lines:
|
||||
|
||||
```MARKDOWN
|
||||
{! path-to-file.md!lines=1 3 8-10 2}
|
||||
```
|
||||
In the example above, it would read the file and include the lines 1, 3, 8, 9, 10, 2.
|
||||
|
||||
|
||||
|
||||
|
||||
### Metadata
|
||||
Metadata can be applied to markdown files using FrontMatters YAML. The metadata is accessable in the jinja tempaltes using `page.{metadata}`. In the example below, this could be, `page.title`.
|
||||
|
||||
```MARKDOWN
|
||||
---
|
||||
|
||||
title: Capacitors
|
||||
type: Capacitor
|
||||
valueSymbol: unf
|
||||
description: This is the description
|
||||
---
|
||||
```
|
||||
|
||||
|
||||
### Assets
|
||||
At the moment, the `src/assets` directory is copied to the `dist` folder, to apply CSS.
|
202
app.py
Normal file
@ -0,0 +1,202 @@
|
||||
import os
|
||||
from pathlib import Path
|
||||
import shutil
|
||||
import re
|
||||
from datetime import datetime
|
||||
|
||||
from jinja2 import Environment, PackageLoader, select_autoescape
|
||||
import frontmatter
|
||||
from slugify import slugify
|
||||
import pypandoc
|
||||
|
||||
# TODO make newsletter URL's absolute to klank.school
|
||||
|
||||
env = Environment(
|
||||
loader=PackageLoader("src"),
|
||||
autoescape=select_autoescape()
|
||||
)
|
||||
|
||||
CONTENT_D = os.path.abspath("src/content")
|
||||
OUTPUT_D = "dist"
|
||||
documents = {}
|
||||
|
||||
def listDocuments(params):
|
||||
param = params.split(" ")
|
||||
|
||||
template = env.select_template([f"snippets/list-documents.jinja"])
|
||||
html = template.render(documents=documents, layout=param[0], type=param[1])
|
||||
|
||||
return html
|
||||
|
||||
|
||||
def getParam(params, index):
|
||||
if len(params) > index:
|
||||
return params[index]
|
||||
else:
|
||||
return False
|
||||
|
||||
|
||||
def listEvents(params):
|
||||
param = params.split(" ")
|
||||
tag=getParam(param, 1)
|
||||
|
||||
if "events" not in documents:
|
||||
return ""
|
||||
|
||||
events = []
|
||||
if tag:
|
||||
for event in documents["events"]:
|
||||
if tag in event["tags"]:
|
||||
events.append(event)
|
||||
else:
|
||||
events = documents["events"]
|
||||
|
||||
template = env.select_template([f"snippets/list-events.jinja"])
|
||||
html = template.render(events=events, filter=param[0], tag=getParam(param, 1))
|
||||
|
||||
return html
|
||||
|
||||
|
||||
def slugify_filter(value):
|
||||
return slugify(value)
|
||||
|
||||
|
||||
def prettydate(value, format='%d/%m/%Y'):
|
||||
return datetime.fromtimestamp(int(value)).strftime(format)
|
||||
|
||||
|
||||
def shortcode_filter(value):
|
||||
|
||||
shortcode_callbacks = {
|
||||
"show": listDocuments,
|
||||
"events": listEvents
|
||||
}
|
||||
|
||||
def shortcode_replacer(match):
|
||||
|
||||
shortcode_name = match.group(1).strip()
|
||||
param = match.group(2).strip()
|
||||
|
||||
if shortcode_name in shortcode_callbacks:
|
||||
return shortcode_callbacks[shortcode_name](param)
|
||||
|
||||
return match.group(0)
|
||||
|
||||
pattern = re.compile(r"{{\s*(\w+)\s+([^{}]+?)\s*}}")
|
||||
return pattern.sub(shortcode_replacer, value)
|
||||
|
||||
|
||||
env.filters["shortcode"] = shortcode_filter
|
||||
env.filters["slugify"] = slugify_filter
|
||||
env.filters["prettydate"] = prettydate
|
||||
|
||||
|
||||
def render_single_file(template, page, path, dist, name = False):
|
||||
modifier = False
|
||||
|
||||
print(f"rendering: {path}")
|
||||
|
||||
html = template.render(documents=documents, page=page, name=name)
|
||||
name = Path(path).stem
|
||||
|
||||
if not os.path.exists(dist):
|
||||
os.makedirs(dist)
|
||||
|
||||
with open(f"{dist}/{name}.html", "w", encoding="utf-8") as output_file:
|
||||
output_file.write(html)
|
||||
|
||||
|
||||
def get_page_data(path, isPreload=False):
|
||||
filename = Path(path).stem
|
||||
|
||||
page = frontmatter.load(path)
|
||||
page['slug'] = slugify(filename)
|
||||
page.filename = filename
|
||||
page.folder = os.path.basename(os.path.dirname(path))
|
||||
|
||||
if "start_datetime" in page:
|
||||
now = datetime.now()
|
||||
page["has_passed"] = datetime.fromtimestamp(page["start_datetime"]) < now
|
||||
|
||||
|
||||
|
||||
|
||||
page.body = pypandoc.convert_text(
|
||||
page.content,
|
||||
to='html',
|
||||
format='md',
|
||||
extra_args=[
|
||||
"-N",
|
||||
"--section-divs",
|
||||
"--lua-filter=include-files.lua"
|
||||
])
|
||||
|
||||
|
||||
return page
|
||||
|
||||
|
||||
def render_posts(path):
|
||||
name = Path(path).stem
|
||||
template = env.select_template([f"{name}.jinja", "post.jinja"])
|
||||
|
||||
for filename in os.listdir(path):
|
||||
if filename.endswith(".md"):
|
||||
post_path = os.path.join(path, filename)
|
||||
page = get_page_data(post_path)
|
||||
render_single_file(template, page, post_path, f"{OUTPUT_D}/{name}", name)
|
||||
|
||||
|
||||
def preload_documents():
|
||||
print("preload any needed data")
|
||||
now = datetime.now()
|
||||
documents["meta"] = {}
|
||||
documents["meta"]["now"] = now.strftime("%d %B %Y")
|
||||
|
||||
for subdir in os.listdir(CONTENT_D):
|
||||
path = os.path.join(CONTENT_D, subdir)
|
||||
|
||||
if os.path.isdir(path):
|
||||
name = Path(path).stem
|
||||
if name not in documents:
|
||||
documents[name] = []
|
||||
|
||||
files = os.listdir(path)
|
||||
files.sort()
|
||||
for filename in files:
|
||||
if filename.endswith(".md"):
|
||||
post_path = os.path.join(path, filename)
|
||||
|
||||
documents[name].append(get_page_data(post_path, isPreload=True))
|
||||
|
||||
elif Path(path).suffix == '.md':
|
||||
documents[Path(path).stem] = get_page_data(path, isPreload=True)
|
||||
|
||||
|
||||
def copy_assets():
|
||||
if os.path.exists("dist/assets"):
|
||||
shutil.rmtree("dist/assets")
|
||||
|
||||
shutil.copytree("src/assets", "dist/assets")
|
||||
|
||||
def main():
|
||||
preload_documents()
|
||||
|
||||
|
||||
|
||||
print("render the content")
|
||||
for subdir in os.listdir(CONTENT_D):
|
||||
path = os.path.join(CONTENT_D, subdir)
|
||||
|
||||
if os.path.isdir(path):
|
||||
render_posts(path)
|
||||
elif Path(path).suffix == '.md':
|
||||
template = env.select_template(
|
||||
[f"{Path(path).stem}.jinja", "post.jinja"])
|
||||
page = get_page_data(path)
|
||||
render_single_file(template, page, path, OUTPUT_D)
|
||||
elif Path(path).suffix in [".csv"]:
|
||||
print("not compiling this file!")
|
||||
|
||||
copy_assets()
|
||||
|
||||
main()
|
65
get_events.py
Normal file
@ -0,0 +1,65 @@
|
||||
import os
|
||||
from pathlib import Path
|
||||
import requests
|
||||
import frontmatter
|
||||
|
||||
def get_API(URL):
|
||||
|
||||
try:
|
||||
response = requests.get(URL)
|
||||
response.raise_for_status()
|
||||
return response.json()
|
||||
|
||||
except requests.exceptoins.RequestException as e:
|
||||
raise Exception(f"Failed getting the API response: {e}")
|
||||
|
||||
|
||||
def create_calendar_item(item, filepath):
|
||||
print("i will create an item for", item)
|
||||
|
||||
try:
|
||||
details = get_API("https://calendar.klank.school/api/event/detail/" + item['slug'])
|
||||
print(details)
|
||||
post = frontmatter.Post(content=details["description"])
|
||||
|
||||
for key in details:
|
||||
post[key] = details[key]
|
||||
|
||||
|
||||
with open(filepath, 'wb') as f:
|
||||
frontmatter.dump(post, f)
|
||||
print(f"Created file: {filepath}")
|
||||
|
||||
except Exception as e:
|
||||
print(f"An error occurred while getting the calendar events: {str(e)}")
|
||||
exit(1)
|
||||
|
||||
|
||||
def get_calendar_events():
|
||||
Path("src/content/events").mkdir(parents=True, exist_ok=True)
|
||||
|
||||
|
||||
# Also get non unrepair events.
|
||||
try:
|
||||
items = get_API("https://calendar.klank.school/api/events?start=-1")
|
||||
|
||||
for item in items:
|
||||
filename = f"{item['slug']}.md"
|
||||
filepath = os.path.join("src/content/events", filename)
|
||||
|
||||
if os.path.isfile(filepath):
|
||||
print("oh it already exists")
|
||||
else:
|
||||
print("did not store this yet")
|
||||
create_calendar_item(item, filepath)
|
||||
|
||||
except Exception as e:
|
||||
print(f"An error occurred while getting the calendar events: {str(e)}")
|
||||
exit(1)
|
||||
|
||||
|
||||
def main():
|
||||
get_calendar_events()
|
||||
|
||||
|
||||
main()
|
125
include-files.lua
Normal file
@ -0,0 +1,125 @@
|
||||
--- include-files.lua – filter to include Markdown files
|
||||
---
|
||||
--- Copyright: © 2019–2021 Albert Krewinkel
|
||||
--- License: MIT – see LICENSE file for details
|
||||
|
||||
-- Module pandoc.path is required and was added in version 2.12
|
||||
PANDOC_VERSION:must_be_at_least '2.12'
|
||||
|
||||
local List = require 'pandoc.List'
|
||||
local path = require 'pandoc.path'
|
||||
local system = require 'pandoc.system'
|
||||
|
||||
local warn = pcall(require, 'pandoc.log')
|
||||
and (require 'pandoc.log').warn
|
||||
or warn
|
||||
or function (msg) io.stderr:write(msg .. '\n') end
|
||||
|
||||
--- Get include auto mode
|
||||
local include_auto = false
|
||||
function get_vars (meta)
|
||||
if meta['include-auto'] then
|
||||
include_auto = true
|
||||
end
|
||||
end
|
||||
|
||||
--- Keep last heading level found
|
||||
local last_heading_level = 0
|
||||
function update_last_level(header)
|
||||
last_heading_level = header.level
|
||||
end
|
||||
|
||||
--- Update contents of included file
|
||||
local function update_contents(blocks, shift_by, include_path)
|
||||
local update_contents_filter = {
|
||||
-- Shift headings in block list by given number
|
||||
Header = function (header)
|
||||
if shift_by then
|
||||
header.level = header.level + shift_by
|
||||
end
|
||||
return header
|
||||
end,
|
||||
-- If image paths are relative then prepend include file path
|
||||
Image = function (image)
|
||||
if path.is_relative(image.src) then
|
||||
image.src = path.normalize(path.join({include_path, image.src}))
|
||||
end
|
||||
return image
|
||||
end,
|
||||
-- Update path for include-code-files.lua filter style CodeBlocks
|
||||
CodeBlock = function (cb)
|
||||
if cb.attributes.include and path.is_relative(cb.attributes.include) then
|
||||
cb.attributes.include =
|
||||
path.normalize(path.join({include_path, cb.attributes.include}))
|
||||
end
|
||||
return cb
|
||||
end
|
||||
}
|
||||
|
||||
return pandoc.walk_block(pandoc.Div(blocks), update_contents_filter).content
|
||||
end
|
||||
|
||||
--- Filter function for code blocks
|
||||
local transclude
|
||||
function transclude (cb)
|
||||
-- ignore code blocks which are not of class "include".
|
||||
if not cb.classes:includes 'include' then
|
||||
return
|
||||
end
|
||||
|
||||
-- Markdown is used if this is nil.
|
||||
local format = cb.attributes['format']
|
||||
|
||||
-- Attributes shift headings
|
||||
local shift_heading_level_by = 0
|
||||
local shift_input = cb.attributes['shift-heading-level-by']
|
||||
if shift_input then
|
||||
shift_heading_level_by = tonumber(shift_input)
|
||||
else
|
||||
if include_auto then
|
||||
-- Auto shift headings
|
||||
shift_heading_level_by = last_heading_level
|
||||
end
|
||||
end
|
||||
|
||||
--- keep track of level before recusion
|
||||
local buffer_last_heading_level = last_heading_level
|
||||
|
||||
local blocks = List:new()
|
||||
for line in cb.text:gmatch('[^\n]+') do
|
||||
if line:sub(1,2) ~= '//' then
|
||||
local fh = io.open(line)
|
||||
if not fh then
|
||||
warn("Cannot open file " .. line .. " | Skipping includes")
|
||||
else
|
||||
-- read file as the given format with global reader options
|
||||
local contents = pandoc.read(
|
||||
fh:read '*a',
|
||||
format,
|
||||
PANDOC_READER_OPTIONS
|
||||
).blocks
|
||||
last_heading_level = 0
|
||||
-- recursive transclusion
|
||||
contents = system.with_working_directory(
|
||||
path.directory(line),
|
||||
function ()
|
||||
return pandoc.walk_block(
|
||||
pandoc.Div(contents),
|
||||
{ Header = update_last_level, CodeBlock = transclude }
|
||||
)
|
||||
end).content
|
||||
--- reset to level before recursion
|
||||
last_heading_level = buffer_last_heading_level
|
||||
blocks:extend(update_contents(contents, shift_heading_level_by,
|
||||
path.directory(line)))
|
||||
fh:close()
|
||||
end
|
||||
end
|
||||
end
|
||||
return blocks
|
||||
end
|
||||
|
||||
return {
|
||||
{ Meta = get_vars },
|
||||
{ Header = update_last_level, CodeBlock = transclude }
|
||||
}
|
10
requirements.txt
Normal file
@ -0,0 +1,10 @@
|
||||
importlib_metadata==8.5.0
|
||||
Jinja2==3.1.4
|
||||
Markdown==3.7
|
||||
MarkupSafe==3.0.2
|
||||
python-frontmatter==1.1.0
|
||||
python-slugify==8.0.4
|
||||
requests==2.32.3
|
||||
text-unidecode==1.3
|
||||
zipp==3.21.0
|
||||
pypandoc==1.15
|
31
src/assets/app.js
Normal file
@ -0,0 +1,31 @@
|
||||
|
||||
let filter = [];
|
||||
document.querySelectorAll(".csl-entry").forEach((e) => {
|
||||
if (filter.indexOf(e.id) == -1) {
|
||||
filter.push(e.id);
|
||||
document.querySelector('[data-template-type="bib"]').appendChild(e);
|
||||
} else {
|
||||
e.parentNode.removeChild(e);
|
||||
}
|
||||
})
|
||||
const dialog = document.querySelector("dialog");
|
||||
const closeDialog = (e) => {
|
||||
e.stopPropagation();
|
||||
console.log("close")
|
||||
dialog.close();
|
||||
document.body.removeEventListener("click", closeDialog);
|
||||
}
|
||||
const showLightbox = (e) => {
|
||||
e.preventDefault();
|
||||
e.stopPropagation();
|
||||
const img = dialog.querySelector("img");
|
||||
img.src = e.currentTarget.src;
|
||||
img.alt = e.currentTarget.alt;
|
||||
dialog.querySelector("p").textContent = e.currentTarget.alt;
|
||||
dialog.showModal();
|
||||
document.body.addEventListener("click", closeDialog, false);
|
||||
}
|
||||
document.querySelectorAll("article img").forEach((img) => {
|
||||
console.log(img);
|
||||
img.addEventListener("click", showLightbox);
|
||||
})
|
BIN
src/assets/apple-touch-icon.png
Normal file
After Width: | Height: | Size: 2.4 KiB |
BIN
src/assets/favicon-16x16.png
Normal file
After Width: | Height: | Size: 1.1 KiB |
BIN
src/assets/favicon-32x32.png
Normal file
After Width: | Height: | Size: 2.1 KiB |
BIN
src/assets/favicon.ico
Normal file
After Width: | Height: | Size: 5.2 KiB |
BIN
src/assets/image.png
Normal file
After Width: | Height: | Size: 21 KiB |
BIN
src/assets/pwa-192x192.png
Normal file
After Width: | Height: | Size: 2.5 KiB |
BIN
src/assets/pwa-512x512.png
Normal file
After Width: | Height: | Size: 6.8 KiB |
BIN
src/assets/pwa-maskable-192x192.png
Normal file
After Width: | Height: | Size: 3.8 KiB |
BIN
src/assets/pwa-maskable-512x512.png
Normal file
After Width: | Height: | Size: 5.2 KiB |
BIN
src/assets/reel-to-reel-recorder.jpeg
Normal file
After Width: | Height: | Size: 211 KiB |
BIN
src/assets/repair-logs/klankschool.webm
Normal file
BIN
src/assets/repair-logs/laptops.webp
Normal file
After Width: | Height: | Size: 160 KiB |
BIN
src/assets/repair-logs/network.webp
Normal file
After Width: | Height: | Size: 122 KiB |
BIN
src/assets/repair-logs/pokemon.webp
Normal file
After Width: | Height: | Size: 18 KiB |
BIN
src/assets/repair-logs/server.webp
Normal file
After Width: | Height: | Size: 126 KiB |
BIN
src/assets/repair-logs/video.webp
Normal file
After Width: | Height: | Size: 55 KiB |
BIN
src/assets/repair-logs/voicemail.webp
Normal file
After Width: | Height: | Size: 96 KiB |
96
src/assets/styles/layout.css
Normal file
@ -0,0 +1,96 @@
|
||||
* {
|
||||
box-sizing: border-box;
|
||||
}
|
||||
body,
|
||||
html {
|
||||
margin: 0 0;
|
||||
padding: 0 0;
|
||||
width: 100%;
|
||||
height: 100%;
|
||||
}
|
||||
|
||||
article:not(article article) {
|
||||
max-width: var(--article-w);
|
||||
margin: 4rem auto;
|
||||
padding-right: var(--footnote-w);
|
||||
}
|
||||
|
||||
article header {
|
||||
padding-right: 0;
|
||||
margin-right: calc(var(--footnote-w)*-1);
|
||||
}
|
||||
|
||||
article header {
|
||||
min-height: 35mm;
|
||||
}
|
||||
|
||||
|
||||
dialog {
|
||||
max-width: var(--main-w);
|
||||
height: 100%;
|
||||
max-height: 100%;
|
||||
border: none;
|
||||
overflow: hidden;
|
||||
outline: none;
|
||||
background-color: transparent;
|
||||
margin: 0 auto;
|
||||
padding: 0 0;
|
||||
}
|
||||
|
||||
dialog img {
|
||||
width: 100%;
|
||||
height: 100%;
|
||||
object-fit: contain;
|
||||
max-height: calc(100svh - 2rem);
|
||||
}
|
||||
|
||||
dialog::backdrop {
|
||||
background-color: transparent;
|
||||
transition: .2s linear;
|
||||
}
|
||||
|
||||
dialog[open]::backdrop {
|
||||
background-color: black;
|
||||
opacity: .5;
|
||||
}
|
||||
|
||||
sup li:before,
|
||||
article li:has(.footnote-back):before,
|
||||
li[count]:before {
|
||||
display: inline;
|
||||
float: left;
|
||||
margin-right: 1ch;
|
||||
font-weight: bold;
|
||||
content: attr("count");
|
||||
content: " [" attr(count) "]";
|
||||
color: var(--accent);
|
||||
}
|
||||
|
||||
li[count] {
|
||||
float: right;
|
||||
clear: right;
|
||||
width: var(--footnote-w);
|
||||
margin-right: calc((var(--footnote-w) * -1));
|
||||
padding-left: 1rem;
|
||||
margin-top: -1em;
|
||||
margin-bottom: 1em;
|
||||
}
|
||||
|
||||
article:not(article article) {
|
||||
/* padding-right: var(--footnote-w);;*/
|
||||
}
|
||||
|
||||
|
||||
.list--frontpage {
|
||||
display: grid;
|
||||
grid-template-columns: 1fr 1fr;
|
||||
grid-gap: 1rem;
|
||||
list-style-type: none;
|
||||
padding: 0 0;
|
||||
}
|
||||
|
||||
#logs img, #logs video {
|
||||
max-width: 200px;
|
||||
float: left;
|
||||
margin: .5rem;
|
||||
}
|
180
src/assets/styles/paged-interface.css
Normal file
@ -0,0 +1,180 @@
|
||||
/* CSS for Paged.js interface – v0.4 */
|
||||
|
||||
/* Change the look */
|
||||
:root {
|
||||
--color-background: whitesmoke;
|
||||
--color-pageSheet: #cfcfcf;
|
||||
--color-pageBox: violet;
|
||||
--color-paper: white;
|
||||
--color-marginBox: transparent;
|
||||
--pagedjs-crop-color: black;
|
||||
--pagedjs-crop-shadow: white;
|
||||
--pagedjs-crop-stroke: 1px;
|
||||
}
|
||||
|
||||
/* To define how the book look on the screen: */
|
||||
@media screen, pagedjs-ignore {
|
||||
body {
|
||||
background-color: var(--color-background);
|
||||
}
|
||||
|
||||
.pagedjs_pages {
|
||||
display: flex;
|
||||
width: calc(var(--pagedjs-width) * 2);
|
||||
flex: 0;
|
||||
flex-wrap: wrap;
|
||||
margin: 0 auto;
|
||||
}
|
||||
|
||||
.pagedjs_page {
|
||||
background-color: var(--color-paper);
|
||||
box-shadow: 0 0 0 1px var(--color-pageSheet);
|
||||
margin: 0;
|
||||
flex-shrink: 0;
|
||||
flex-grow: 0;
|
||||
margin-top: 10mm;
|
||||
}
|
||||
|
||||
.pagedjs_first_page {
|
||||
margin-left: var(--pagedjs-width);
|
||||
}
|
||||
|
||||
.pagedjs_page:last-of-type {
|
||||
margin-bottom: 10mm;
|
||||
}
|
||||
|
||||
.pagedjs_pagebox{
|
||||
box-shadow: 0 0 0 1px var(--color-pageBox);
|
||||
}
|
||||
|
||||
.pagedjs_left_page{
|
||||
z-index: 20;
|
||||
width: calc(var(--pagedjs-bleed-left) + var(--pagedjs-pagebox-width))!important;
|
||||
}
|
||||
|
||||
.pagedjs_left_page .pagedjs_bleed-right .pagedjs_marks-crop {
|
||||
border-color: transparent;
|
||||
}
|
||||
|
||||
.pagedjs_left_page .pagedjs_bleed-right .pagedjs_marks-middle{
|
||||
width: 0;
|
||||
}
|
||||
|
||||
.pagedjs_right_page{
|
||||
z-index: 10;
|
||||
position: relative;
|
||||
left: calc(var(--pagedjs-bleed-left)*-1);
|
||||
}
|
||||
|
||||
/* show the margin-box */
|
||||
|
||||
.pagedjs_margin-top-left-corner-holder,
|
||||
.pagedjs_margin-top,
|
||||
.pagedjs_margin-top-left,
|
||||
.pagedjs_margin-top-center,
|
||||
.pagedjs_margin-top-right,
|
||||
.pagedjs_margin-top-right-corner-holder,
|
||||
.pagedjs_margin-bottom-left-corner-holder,
|
||||
.pagedjs_margin-bottom,
|
||||
.pagedjs_margin-bottom-left,
|
||||
.pagedjs_margin-bottom-center,
|
||||
.pagedjs_margin-bottom-right,
|
||||
.pagedjs_margin-bottom-right-corner-holder,
|
||||
.pagedjs_margin-right,
|
||||
.pagedjs_margin-right-top,
|
||||
.pagedjs_margin-right-middle,
|
||||
.pagedjs_margin-right-bottom,
|
||||
.pagedjs_margin-left,
|
||||
.pagedjs_margin-left-top,
|
||||
.pagedjs_margin-left-middle,
|
||||
.pagedjs_margin-left-bottom {
|
||||
box-shadow: 0 0 0 1px inset var(--color-marginBox);
|
||||
}
|
||||
|
||||
/* uncomment this part for recto/verso book : ------------------------------------ */
|
||||
|
||||
/*
|
||||
.pagedjs_pages {
|
||||
flex-direction: column;
|
||||
width: 100%;
|
||||
}
|
||||
|
||||
.pagedjs_first_page {
|
||||
margin-left: 0;
|
||||
}
|
||||
|
||||
.pagedjs_page {
|
||||
margin: 0 auto;
|
||||
margin-top: 10mm;
|
||||
}
|
||||
|
||||
.pagedjs_left_page{
|
||||
width: calc(var(--pagedjs-bleed-left) + var(--pagedjs-pagebox-width) + var(--pagedjs-bleed-left))!important;
|
||||
}
|
||||
|
||||
.pagedjs_left_page .pagedjs_bleed-right .pagedjs_marks-crop{
|
||||
border-color: var(--pagedjs-crop-color);
|
||||
}
|
||||
|
||||
.pagedjs_left_page .pagedjs_bleed-right .pagedjs_marks-middle{
|
||||
width: var(--pagedjs-cross-size)!important;
|
||||
}
|
||||
|
||||
.pagedjs_right_page{
|
||||
left: 0;
|
||||
}
|
||||
*/
|
||||
|
||||
|
||||
|
||||
/*--------------------------------------------------------------------------------------*/
|
||||
|
||||
|
||||
|
||||
/* uncomment this par to see the baseline : -------------------------------------------*/
|
||||
|
||||
|
||||
/* .pagedjs_pagebox {
|
||||
--pagedjs-baseline: 22px;
|
||||
--pagedjs-baseline-position: 5px;
|
||||
--pagedjs-baseline-color: cyan;
|
||||
background: linear-gradient(transparent 0%, transparent calc(var(--pagedjs-baseline) - 1px), var(--pagedjs-baseline-color) calc(var(--pagedjs-baseline) - 1px), var(--pagedjs-baseline-color) var(--pagedjs-baseline)), transparent;
|
||||
background-size: 100% var(--pagedjs-baseline);
|
||||
background-repeat: repeat-y;
|
||||
background-position-y: var(--pagedjs-baseline-position);
|
||||
} */
|
||||
|
||||
|
||||
/*--------------------------------------------------------------------------------------*/
|
||||
}
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
/* Marks (to delete when merge in paged.js) */
|
||||
|
||||
.pagedjs_marks-crop{
|
||||
z-index: 999999999999;
|
||||
|
||||
}
|
||||
|
||||
.pagedjs_bleed-top .pagedjs_marks-crop,
|
||||
.pagedjs_bleed-bottom .pagedjs_marks-crop{
|
||||
box-shadow: 1px 0px 0px 0px var(--pagedjs-crop-shadow);
|
||||
}
|
||||
|
||||
.pagedjs_bleed-top .pagedjs_marks-crop:last-child,
|
||||
.pagedjs_bleed-bottom .pagedjs_marks-crop:last-child{
|
||||
box-shadow: -1px 0px 0px 0px var(--pagedjs-crop-shadow);
|
||||
}
|
||||
|
||||
.pagedjs_bleed-left .pagedjs_marks-crop,
|
||||
.pagedjs_bleed-right .pagedjs_marks-crop{
|
||||
box-shadow: 0px 1px 0px 0px var(--pagedjs-crop-shadow);
|
||||
}
|
||||
|
||||
.pagedjs_bleed-left .pagedjs_marks-crop:last-child,
|
||||
.pagedjs_bleed-right .pagedjs_marks-crop:last-child{
|
||||
box-shadow: 0px -1px 0px 0px var(--pagedjs-crop-shadow);
|
||||
}
|
119
src/assets/styles/paged.css
Normal file
@ -0,0 +1,119 @@
|
||||
body {
|
||||
font-size: var(--font-size-base);
|
||||
}
|
||||
|
||||
.meta [data-generated-date] {
|
||||
position: running(generatedDate);
|
||||
}
|
||||
|
||||
.meta [data-publication-title] {
|
||||
position: running(publicationTitle);
|
||||
}
|
||||
|
||||
.meta [data-chapter-title] {
|
||||
position: running(chapterTitle);
|
||||
}
|
||||
|
||||
|
||||
@page {
|
||||
size: A5;
|
||||
margin: 13mm 8mm;
|
||||
|
||||
}
|
||||
|
||||
@page :left {
|
||||
@bottom-left {
|
||||
content: "page " counter(page);
|
||||
}
|
||||
|
||||
@top-left {
|
||||
content: element(publicationTitle);
|
||||
font-size: var(--font-size-base);
|
||||
font-style: italic;
|
||||
}
|
||||
|
||||
@top-right {
|
||||
content: element(generatedDate);
|
||||
font-size: var(--font-size-base);
|
||||
font-style: italic;
|
||||
}
|
||||
}
|
||||
|
||||
@page: blank {
|
||||
@top-left {
|
||||
content: "blank " counter(page);
|
||||
}
|
||||
}
|
||||
|
||||
@page :right {
|
||||
@top-right {
|
||||
content: element(chapterTitle);
|
||||
font-size: var(--font-size-base);
|
||||
font-style: italic;
|
||||
}
|
||||
@bottom-right {
|
||||
content: "right page" counter(page);
|
||||
}
|
||||
}
|
||||
|
||||
|
||||
|
||||
@page cover {
|
||||
background: var(--accent);
|
||||
margin-top: auto;
|
||||
position: relative;
|
||||
|
||||
header {
|
||||
position: absolute;
|
||||
margin: 0 0;
|
||||
top: 50%;
|
||||
transform: translate3d(0, -50%, 0px);
|
||||
width: 100%;
|
||||
}
|
||||
|
||||
@top-right {
|
||||
content: "coverttt";
|
||||
}
|
||||
}
|
||||
|
||||
@page front {
|
||||
background: lightgrey;
|
||||
position: relative;
|
||||
|
||||
@top-right {
|
||||
content: none;
|
||||
}
|
||||
|
||||
@bottom-right {
|
||||
content: none;
|
||||
}
|
||||
|
||||
|
||||
header {
|
||||
position: absolute;
|
||||
margin: 0 0;
|
||||
top: 50%;
|
||||
transform: translate3d(0, -50%, 0px);
|
||||
width: 100%;
|
||||
}
|
||||
}
|
||||
|
||||
.header--meta {
|
||||
display: none;
|
||||
}
|
||||
.meta:has([data-chapter-title]) {
|
||||
break-before: page;
|
||||
}
|
||||
.page--cover {
|
||||
page: cover;
|
||||
}
|
||||
|
||||
[template-type="front"] {
|
||||
page: front;
|
||||
counter-reset: page;
|
||||
}
|
||||
|
||||
|
||||
.header-section-number {
|
||||
display: none;
|
||||
}
|
66
src/assets/styles/print.css
Normal file
@ -0,0 +1,66 @@
|
||||
/*:root {
|
||||
font-size: 16px;
|
||||
--background: transparent;
|
||||
}
|
||||
|
||||
@page {
|
||||
size: A5;
|
||||
margin: 1cm;
|
||||
font-family: sans-serif;
|
||||
}
|
||||
|
||||
section.level1 {
|
||||
page: default;
|
||||
break-before: page;
|
||||
padding-right: calc(var(--footnote-w) + 16px);
|
||||
}
|
||||
|
||||
section.level1:has([data-template-type="chapter"]) {
|
||||
page: chapter;
|
||||
}
|
||||
|
||||
section.level1:has([data-template-type="bib"]) {
|
||||
page: bib;
|
||||
}
|
||||
|
||||
@page chapter {
|
||||
size: A5;
|
||||
margin: 1cm;
|
||||
font-family: sans-serif;
|
||||
margin-top: 20mm;
|
||||
margin-bottom: 20mm;
|
||||
bleed: 60mm;
|
||||
|
||||
@top-center {
|
||||
content: "This is a chapter";
|
||||
}
|
||||
}
|
||||
|
||||
|
||||
|
||||
@page bib {
|
||||
size: A5;
|
||||
margin: 1cm;
|
||||
font-family: sans-serif;
|
||||
margin-top: 20mm;
|
||||
margin-bottom: 20mm;
|
||||
bleed: 6mm;
|
||||
|
||||
text-align: right;
|
||||
@top-center {
|
||||
content: "This is the bibliography";
|
||||
}
|
||||
}
|
||||
|
||||
.no-print {
|
||||
display: none;
|
||||
}
|
||||
|
||||
p {
|
||||
break-inside: avoid;
|
||||
}
|
||||
|
||||
article h1 {
|
||||
margin-top: 0;
|
||||
}
|
||||
*/
|
5
src/assets/styles/screen.css
Normal file
@ -0,0 +1,5 @@
|
||||
@media screen {
|
||||
[template-type="front"] {
|
||||
display: none;
|
||||
}
|
||||
}
|
45
src/assets/styles/style.css
Normal file
@ -0,0 +1,45 @@
|
||||
:root {
|
||||
--footnote-w: 170px;
|
||||
--article-w: 800px;
|
||||
--main-w: calc(1200px - 2rem);
|
||||
--img-offset: -5ch;
|
||||
--background: floralwhite;
|
||||
--text: black;
|
||||
--accent: orange;
|
||||
font-size: 11px;
|
||||
}
|
||||
|
||||
@media (prefers-color-scheme: dark) {
|
||||
body {
|
||||
--background: #1b1b1b;
|
||||
--text: white;
|
||||
--background-invert: teal;
|
||||
--text-invert: black;
|
||||
}
|
||||
}
|
||||
|
||||
body {
|
||||
background-color: var(--background);
|
||||
color: var(--text);
|
||||
}
|
||||
|
||||
.m-0 {
|
||||
margin: 0 0;
|
||||
}
|
||||
|
||||
.d-print,
|
||||
.d-web {
|
||||
display: none;
|
||||
}
|
||||
|
||||
@media screen {
|
||||
.d-web {
|
||||
display: inline-block;
|
||||
}
|
||||
}
|
||||
|
||||
@media print {
|
||||
.d-print {
|
||||
display: inline-block;
|
||||
}
|
||||
}
|
104
src/assets/styles/typography.css
Normal file
@ -0,0 +1,104 @@
|
||||
body {
|
||||
font-family: "Fira Sans";
|
||||
font-size: 16px;
|
||||
}
|
||||
h1,
|
||||
h2,
|
||||
h3,
|
||||
h4,
|
||||
h5,
|
||||
h6 {
|
||||
margin: 0 0;
|
||||
font-weight: bold;
|
||||
}
|
||||
|
||||
[template-type="front"] h1 {
|
||||
font-size: 48px;
|
||||
}
|
||||
h1 {
|
||||
font-weight: bold;
|
||||
font-size: 32px;
|
||||
margin: 0 0;
|
||||
}
|
||||
|
||||
|
||||
h1,
|
||||
h2,
|
||||
h3 {
|
||||
line-height: 125%;
|
||||
}
|
||||
h3 {
|
||||
}
|
||||
article {
|
||||
line-height: 1.5;
|
||||
}
|
||||
li p {
|
||||
margin: 0 0;
|
||||
}
|
||||
article h2, article h3, article h4, article h5 {
|
||||
margin-top: .5rem;
|
||||
}
|
||||
a,
|
||||
a[visited] {
|
||||
color: var(--accent);
|
||||
}
|
||||
a p {
|
||||
color: var(--text);
|
||||
}
|
||||
ul {
|
||||
padding-left: 2ch;
|
||||
}
|
||||
|
||||
figure {
|
||||
margin: 2rem 0;
|
||||
}
|
||||
article img {
|
||||
max-width: 100%;
|
||||
|
||||
}
|
||||
ins {
|
||||
font-family: monospace;
|
||||
text-decoration: none;
|
||||
font-size: 70%;
|
||||
background: color-mix(in srgb, LawnGreen 15%, transparent);
|
||||
padding: 4px;
|
||||
vertical-align: middle;
|
||||
}
|
||||
ins p {
|
||||
display: inline;
|
||||
}
|
||||
sup li, article li:has(.footnote-back), li[count] {
|
||||
list-style: none;
|
||||
}
|
||||
ins::before {
|
||||
content: "+ ";
|
||||
color: LawnGreen;
|
||||
font-weight: bold;
|
||||
}
|
||||
[template-type="front"] h2 {
|
||||
font-size: 20px;
|
||||
font-style: italic;
|
||||
font-weight: light;
|
||||
}
|
||||
sup:has(li),
|
||||
article li:has(.footnote-back),
|
||||
.footnote {
|
||||
font-family: monospace;
|
||||
font-size: 80%;
|
||||
line-height: 1.5;
|
||||
}
|
||||
.csl-entry {
|
||||
margin-top: 1rem;
|
||||
}
|
||||
|
||||
sup li p, article li:has(.footnote-back) p {
|
||||
margin-top: 0;
|
||||
}
|
||||
|
||||
p {
|
||||
break-inside: avoid;
|
||||
}
|
||||
|
||||
.header-section-number {
|
||||
display: none;
|
||||
}
|
80
src/content/events/25-hour-radio-relay.md
Normal file
@ -0,0 +1,80 @@
|
||||
---
|
||||
boost:
|
||||
- https://newsmast.community/users/tvandradio
|
||||
description: <p>Radio WORM presents, live and direct from UBIK, everything you never
|
||||
realised you needed to hear on the radio…for 25 hours straight.</p><p>The 25 Hour
|
||||
Radio Relay is an all-day, all-night mix of radiomakers and sound artists of all
|
||||
descriptions, sharing old and new work, DIY experiments and high-tech performances
|
||||
for your collective listening pleasure.</p><p>Join us in person or listen online
|
||||
from 5pm on Saturday 25 January as we pass the baton from performers to poets to
|
||||
gameshow hosts to improv musicians to font designers to volkskeuken to ???, all
|
||||
the way through to 6pm on Sunday 26 January.</p><p>Free entry, no booking required,
|
||||
camp out with us for as long as you can handle!</p><p>BYOP (bring your own pillow,
|
||||
yoga mat, camping mattress…)</p>
|
||||
end_datetime: 1737910800
|
||||
id: 27
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 901
|
||||
name: 25 Hour Radio Relay
|
||||
size: 310303
|
||||
url: e3146e26dbf6a3e77600b885da48ebda.jpg
|
||||
width: 1000
|
||||
multidate: true
|
||||
next: null
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Boomgaardsstraat 71, 3012 XA Rotterdam
|
||||
id: 5
|
||||
latitude: null
|
||||
longitude: null
|
||||
name: Worm
|
||||
plain_description: 'Radio WORM presents, live and direct from UBIK, everything you
|
||||
never realised
|
||||
|
||||
you needed to hear on the radio…for 25 hours straight.
|
||||
|
||||
|
||||
The 25 Hour Radio Relay is an all-day, all-night mix of radiomakers and sound
|
||||
|
||||
artists of all descriptions, sharing old and new work, DIY experiments and
|
||||
|
||||
high-tech performances for your collective listening pleasure.
|
||||
|
||||
|
||||
Join us in person or listen online from 5pm on Saturday 25 January as we pass
|
||||
|
||||
the baton from performers to poets to gameshow hosts to improv musicians to font
|
||||
|
||||
designers to volkskeuken to ???, all the way through to 6pm on Sunday 26
|
||||
|
||||
January.
|
||||
|
||||
|
||||
Free entry, no booking required, camp out with us for as long as you can handle!
|
||||
|
||||
|
||||
BYOP (bring your own pillow, yoga mat, camping mattress…)'
|
||||
prev: 3rd-klankschool-dagandavond
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: 25-hour-radio-relay
|
||||
start_datetime: 1737820800
|
||||
tags:
|
||||
- performances
|
||||
- radio
|
||||
- relay
|
||||
- worm
|
||||
title: 25 Hour Radio Relay
|
||||
---
|
||||
|
||||
<p>Radio WORM presents, live and direct from UBIK, everything you never realised you needed to hear on the radio…for 25 hours straight.</p><p>The 25 Hour Radio Relay is an all-day, all-night mix of radiomakers and sound artists of all descriptions, sharing old and new work, DIY experiments and high-tech performances for your collective listening pleasure.</p><p>Join us in person or listen online from 5pm on Saturday 25 January as we pass the baton from performers to poets to gameshow hosts to improv musicians to font designers to volkskeuken to ???, all the way through to 6pm on Sunday 26 January.</p><p>Free entry, no booking required, camp out with us for as long as you can handle!</p><p>BYOP (bring your own pillow, yoga mat, camping mattress…)</p>
|
46
src/content/events/3rd-klankschool-dagandavond.md
Normal file
@ -0,0 +1,46 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Sound performances by </p><ul><li><p>Ardore</p></li></ul><ul><li><p>Dada
|
||||
Phone & Stephen Kerr & joak & ...</p></li><li><p>TBA!</p></li></ul>
|
||||
end_datetime: 1737666000
|
||||
id: 28
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 1698
|
||||
name: 3rd Klankschool Dag&Avond
|
||||
size: 251857
|
||||
url: 79ac9e1617282f521d8027737ed71cbd.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: 25-hour-radio-relay
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: "Sound performances by\n\n * Ardore\n\n * Dada Phone & Stephen\
|
||||
\ Kerr & joak & ...\n\n * TBA!"
|
||||
prev: unrepair-cafe-2
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: 3rd-klankschool-dagandavond
|
||||
start_datetime: 1737658800
|
||||
tags:
|
||||
- klankschool
|
||||
- noise
|
||||
- performances
|
||||
title: 3rd Klankschool Dag&Avond
|
||||
---
|
||||
|
||||
<p>Sound performances by </p><ul><li><p>Ardore</p></li></ul><ul><li><p>Dada Phone & Stephen Kerr & joak & ...</p></li><li><p>TBA!</p></li></ul>
|
49
src/content/events/4-avond.md
Normal file
@ -0,0 +1,49 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Improvisation, noise and other performances on the first floor of
|
||||
Catu:</p><ul><li><p><em> </em>Luis Lopes (guitar) & Johanna Monk (woodwinds,
|
||||
poetry) & Philipp Ernsting (drums)</p></li><li><p>tell me what I'm seeing </p></li><li><p>TBA!</p></li></ul>
|
||||
end_datetime: 1739484000
|
||||
id: 31
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- -0.37
|
||||
- -0.87
|
||||
height: 1700
|
||||
name: 4. avond
|
||||
size: 551708
|
||||
url: 829a860a8a7d9c4c28edc06aa551b0ef.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: unrepair-cafe-3
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: "Improvisation, noise and other performances on the first floor\
|
||||
\ of Catu:\n\n * Luis Lopes (guitar) & Johanna Monk (woodwinds, poetry) & Philipp\
|
||||
\ Ernsting\n (drums)\n\n * tell me what I'm seeing\n\n * TBA!"
|
||||
prev: snackbar-frieda-opening
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: 4-avond
|
||||
start_datetime: 1739473200
|
||||
tags:
|
||||
- klankschool
|
||||
- noise
|
||||
- performances
|
||||
- catu
|
||||
title: 4. avond
|
||||
---
|
||||
|
||||
<p>Improvisation, noise and other performances on the first floor of Catu:</p><ul><li><p><em> </em>Luis Lopes (guitar) & Johanna Monk (woodwinds, poetry) & Philipp Ernsting (drums)</p></li><li><p>tell me what I'm seeing </p></li><li><p>TBA!</p></li></ul>
|
@ -0,0 +1,141 @@
|
||||
---
|
||||
boost: []
|
||||
description: '<p>In this oversaturated, under-moisturised weather we unbox our UBIK
|
||||
theatre and for four days it turnes into an Open Studio complex. 💎💎💎<br>Each day
|
||||
of Art Week Rotterdam from the 27th till 30th of March between 18:00-22:00.<br>?Maybe
|
||||
one performer will be late, but we don’t judge.?</p><p>Our multidisciplinary nights
|
||||
will be built and created as we go— setups will unfold playfully during performances,
|
||||
with pieces like installations, dance performance and music sets still coming to
|
||||
life in real time. Become part of the process!</p><p>We’ve got you all the cream:
|
||||
sour cream, shaving cream, crème fraîche, moisturising cream, whipped cream, single
|
||||
cream, double cream—anything cream. 🧴🧼</p><p>Our Crème-licious creators are working
|
||||
across a variety of media, including:<br>whipped cream dancers, graffiti maintenance
|
||||
painters, pop-up performances, installations, music makers, a sober morning rave
|
||||
with bunny aerobics, an anti-anxiety installation, a record label’s 2nd-anniversary
|
||||
screening, vinyl sets, and Crème Snacks.</p><p>For tonight, our pen plotters and
|
||||
whipped cream dancers are:<br><a target="_blank" href="https://www.instagram.com/penplottingparty/">Pen
|
||||
plotting party</a> by Alessia Vadacca, Victor Utne Stiberg and Thijs van Loenhout<br>Pen
|
||||
Plotting Party is a Rotterdam based collective consisting of 3 interdisciplinary
|
||||
master students from the PZI master Experimental Publishing who bonded over pen
|
||||
plotters.</p><p>Dancers/Perfromers:<br><a target="_blank" href="https://www.instagram.com/senllysamuel/">Senlly
|
||||
Samuel</a> dances a Duet with <a target="_blank" href="https://www.instagram.com/isntshefine.yte/">Aaron
|
||||
Faneyte</a> dance<br><a target="_blank" href="https://www.instagram.com/nicholiam01/">Nicho</a>
|
||||
live experimental electronics<br><a target="_blank" href="https://www.instagram.com/st.elio.s/">Elio
|
||||
Troullakis</a> dance performance<br><a target="_blank" href="https://www.instagram.com/_philip_voetter_/">Lily</a>
|
||||
(Philip Voetter) dance performance</p><p>The installations and graffiti artwork
|
||||
will be ongoing throughout the weekend!<br>There will also be a cutesy Try-Out Bar
|
||||
for hydration and a low-sensory hangout corner.<br>❤️🩹❤️🩹❤️🩹</p>'
|
||||
end_datetime: 1743195600
|
||||
id: 45
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- -0.06
|
||||
- -1
|
||||
height: 814
|
||||
name: Crème de la Crème / pen plotting and dance performances
|
||||
size: 195307
|
||||
url: f97bab79e9fcadd5eca83c9c60b0955d.jpg
|
||||
width: 768
|
||||
multidate: false
|
||||
next: null
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Boomgaardsstraat 71, 3012 XA Rotterdam
|
||||
id: 5
|
||||
latitude: null
|
||||
longitude: null
|
||||
name: Worm
|
||||
plain_description: 'In this oversaturated, under-moisturised weather we unbox our
|
||||
UBIK theatre and
|
||||
|
||||
for four days it turnes into an Open Studio complex. 💎💎💎
|
||||
|
||||
Each day of Art Week Rotterdam from the 27th till 30th of March between
|
||||
|
||||
18:00-22:00.
|
||||
|
||||
?Maybe one performer will be late, but we don’t judge.?
|
||||
|
||||
|
||||
Our multidisciplinary nights will be built and created as we go— setups will
|
||||
|
||||
unfold playfully during performances, with pieces like installations, dance
|
||||
|
||||
performance and music sets still coming to life in real time. Become part of the
|
||||
|
||||
process!
|
||||
|
||||
|
||||
We’ve got you all the cream: sour cream, shaving cream, crème fraîche,
|
||||
|
||||
moisturising cream, whipped cream, single cream, double cream—anything cream.
|
||||
|
||||
🧴🧼
|
||||
|
||||
|
||||
Our Crème-licious creators are working across a variety of media, including:
|
||||
|
||||
whipped cream dancers, graffiti maintenance painters, pop-up performances,
|
||||
|
||||
installations, music makers, a sober morning rave with bunny aerobics, an
|
||||
|
||||
anti-anxiety installation, a record label’s 2nd-anniversary screening, vinyl
|
||||
|
||||
sets, and Crème Snacks.
|
||||
|
||||
|
||||
For tonight, our pen plotters and whipped cream dancers are:
|
||||
|
||||
Pen plotting party [https://www.instagram.com/penplottingparty/] by Alessia
|
||||
|
||||
Vadacca, Victor Utne Stiberg and Thijs van Loenhout
|
||||
|
||||
Pen Plotting Party is a Rotterdam based collective consisting of 3
|
||||
|
||||
interdisciplinary master students from the PZI master Experimental Publishing
|
||||
|
||||
who bonded over pen plotters.
|
||||
|
||||
|
||||
Dancers/Perfromers:
|
||||
|
||||
Senlly Samuel [https://www.instagram.com/senllysamuel/] dances a Duet with Aaron
|
||||
|
||||
Faneyte [https://www.instagram.com/isntshefine.yte/] dance
|
||||
|
||||
Nicho [https://www.instagram.com/nicholiam01/] live experimental electronics
|
||||
|
||||
Elio Troullakis [https://www.instagram.com/st.elio.s/] dance performance
|
||||
|
||||
Lily [https://www.instagram.com/_philip_voetter_/] (Philip Voetter) dance
|
||||
|
||||
performance
|
||||
|
||||
|
||||
The installations and graffiti artwork will be ongoing throughout the weekend!
|
||||
|
||||
There will also be a cutesy Try-Out Bar for hydration and a low-sensory hangout
|
||||
|
||||
corner.
|
||||
|
||||
❤️🩹❤️🩹❤️🩹'
|
||||
prev: interrupcion-los-piranas-fuego-e-cumbia-el-javier_b
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: creme-de-la-creme-pen-plotting-and-dance-performances
|
||||
start_datetime: 1743181200
|
||||
tags:
|
||||
- performances
|
||||
- worm
|
||||
- plotting
|
||||
title: Crème de la Crème / pen plotting and dance performances
|
||||
---
|
||||
|
||||
<p>In this oversaturated, under-moisturised weather we unbox our UBIK theatre and for four days it turnes into an Open Studio complex. 💎💎💎<br>Each day of Art Week Rotterdam from the 27th till 30th of March between 18:00-22:00.<br>?Maybe one performer will be late, but we don’t judge.?</p><p>Our multidisciplinary nights will be built and created as we go— setups will unfold playfully during performances, with pieces like installations, dance performance and music sets still coming to life in real time. Become part of the process!</p><p>We’ve got you all the cream: sour cream, shaving cream, crème fraîche, moisturising cream, whipped cream, single cream, double cream—anything cream. 🧴🧼</p><p>Our Crème-licious creators are working across a variety of media, including:<br>whipped cream dancers, graffiti maintenance painters, pop-up performances, installations, music makers, a sober morning rave with bunny aerobics, an anti-anxiety installation, a record label’s 2nd-anniversary screening, vinyl sets, and Crème Snacks.</p><p>For tonight, our pen plotters and whipped cream dancers are:<br><a target="_blank" href="https://www.instagram.com/penplottingparty/">Pen plotting party</a> by Alessia Vadacca, Victor Utne Stiberg and Thijs van Loenhout<br>Pen Plotting Party is a Rotterdam based collective consisting of 3 interdisciplinary master students from the PZI master Experimental Publishing who bonded over pen plotters.</p><p>Dancers/Perfromers:<br><a target="_blank" href="https://www.instagram.com/senllysamuel/">Senlly Samuel</a> dances a Duet with <a target="_blank" href="https://www.instagram.com/isntshefine.yte/">Aaron Faneyte</a> dance<br><a target="_blank" href="https://www.instagram.com/nicholiam01/">Nicho</a> live experimental electronics<br><a target="_blank" href="https://www.instagram.com/st.elio.s/">Elio Troullakis</a> dance performance<br><a target="_blank" href="https://www.instagram.com/_philip_voetter_/">Lily</a> (Philip Voetter) dance performance</p><p>The installations and graffiti artwork will be ongoing throughout the weekend!<br>There will also be a cutesy Try-Out Bar for hydration and a low-sensory hangout corner.<br>❤️🩹❤️🩹❤️🩹</p>
|
@ -0,0 +1,138 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p><strong>Date:</strong> Friday, 15 November 2024<br><strong>Door:</strong>
|
||||
19:30h CET<br><strong>Start:</strong> 20:00h CET<br><strong>Entrance:</strong> 5
|
||||
euro<br><strong>Location:</strong> Varia (Gouwstraat 3, Rotterdam)</p><p><em>November
|
||||
is home to multiple interventions by </em><a target="_blank" href="https://extratonal.org/"><em>The
|
||||
Platform For Extratonality</em></a><em>. During this intermediate music event we
|
||||
welcome QOA and Primeiro, two artists with a tendency to enthrall through elemental
|
||||
improvisations.</em></p><p><strong>QOA</strong>, is the monikor of Nina Corti, an
|
||||
experimental electroacoustic musician, sound and visual artist from the Argentine
|
||||
and Latin American experimental contemporary music scene. Their sound is characterised
|
||||
by the collage of field recordings in natural environments and their multiple transformations,
|
||||
combined with spoken word, live sampling, drones, synthesis and frequency rhythms,
|
||||
creating an extended listening experience. Qoa is part of <strong>AMPLIFY Digital
|
||||
Arts Initiative</strong> (Amplify D.A.I), international network of artists from
|
||||
Argentina, Canada, Peru and the UK, supported by Mutek and British Council. This
|
||||
year they was one of the 8th Latin American artists selected for Nicolas Jaar's
|
||||
Ladridos project.</p><p><a target="_blank" href="https://qoa.cargo.site/">https://qoa.cargo.site/</a><br><a
|
||||
target="_blank" href="https://qoaqoa.bandcamp.com/album/sauco-2">https://qoaqoa.bandcamp.com/album/sauco-2</a></p><p><strong>Primeiro</strong>
|
||||
blends experimental electronics with samples of acoustic instruments and field recordings
|
||||
made by him, exploring the dynamic relationship between sound and territories. He
|
||||
develops intricate soundscapes with multiple layers that evoke a sense of tranquility
|
||||
and meticulous craft. Additionally, he organizes the <strong>Feed the River</strong>
|
||||
festival, which explores our connection with water bodies as sentient entities requiring
|
||||
our care and nurturing, and the use of sound to foster meaningful transformative
|
||||
dialogues.</p><p><em>This event is made possible with the kind support of Popunie
|
||||
Rotterdam, Stichting Volkskracht, Fonds Podiumkunsten, Gemeente Rotterdam and Stimuleringsfonds
|
||||
Creatieve Industrie</em></p>
|
||||
end_datetime: 1731704400
|
||||
id: 6
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 1
|
||||
- -0.88
|
||||
height: 986
|
||||
name: 'Extratonal Infrastructure #16: QOA en Primeiro'
|
||||
size: 297245
|
||||
url: 43abdc1e52982aeb9040888e2a1127c6.jpg
|
||||
width: 986
|
||||
multidate: false
|
||||
next: sounds-of-making-xpub1-presents-protocols-for-collective-performance
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Gouwstraat 3, Rotterdam
|
||||
id: 3
|
||||
latitude: null
|
||||
longitude: null
|
||||
name: Vaira
|
||||
plain_description: 'Date: Friday, 15 November 2024
|
||||
|
||||
Door: 19:30h CET
|
||||
|
||||
Start: 20:00h CET
|
||||
|
||||
Entrance: 5 euro
|
||||
|
||||
Location: Varia (Gouwstraat 3, Rotterdam)
|
||||
|
||||
|
||||
November is home to multiple interventions by The Platform For Extratonality
|
||||
|
||||
[https://extratonal.org/]. During this intermediate music event we welcome QOA
|
||||
|
||||
and Primeiro, two artists with a tendency to enthrall through elemental
|
||||
|
||||
improvisations.
|
||||
|
||||
|
||||
QOA, is the monikor of Nina Corti, an experimental electroacoustic musician,
|
||||
|
||||
sound and visual artist from the Argentine and Latin American experimental
|
||||
|
||||
contemporary music scene. Their sound is characterised by the collage of field
|
||||
|
||||
recordings in natural environments and their multiple transformations, combined
|
||||
|
||||
with spoken word, live sampling, drones, synthesis and frequency rhythms,
|
||||
|
||||
creating an extended listening experience. Qoa is part of AMPLIFY Digital Arts
|
||||
|
||||
Initiative (Amplify D.A.I), international network of artists from Argentina,
|
||||
|
||||
Canada, Peru and the UK, supported by Mutek and British Council. This year they
|
||||
|
||||
was one of the 8th Latin American artists selected for Nicolas Jaar''s Ladridos
|
||||
|
||||
project.
|
||||
|
||||
|
||||
https://qoa.cargo.site/ [https://qoa.cargo.site/]
|
||||
|
||||
https://qoaqoa.bandcamp.com/album/sauco-2
|
||||
|
||||
[https://qoaqoa.bandcamp.com/album/sauco-2]
|
||||
|
||||
|
||||
Primeiro blends experimental electronics with samples of acoustic instruments
|
||||
|
||||
and field recordings made by him, exploring the dynamic relationship between
|
||||
|
||||
sound and territories. He develops intricate soundscapes with multiple layers
|
||||
|
||||
that evoke a sense of tranquility and meticulous craft. Additionally, he
|
||||
|
||||
organizes the Feed the River festival, which explores our connection with water
|
||||
|
||||
bodies as sentient entities requiring our care and nurturing, and the use of
|
||||
|
||||
sound to foster meaningful transformative dialogues.
|
||||
|
||||
|
||||
This event is made possible with the kind support of Popunie Rotterdam,
|
||||
|
||||
Stichting Volkskracht, Fonds Podiumkunsten, Gemeente Rotterdam and
|
||||
|
||||
Stimuleringsfonds Creatieve Industrie'
|
||||
prev: lets-unrepair-things-together-2
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: extratonal-infrastructure-16-qoa-en-primeiro
|
||||
start_datetime: 1731697200
|
||||
tags:
|
||||
- extratonal
|
||||
- performances
|
||||
- primeiro
|
||||
- qoa
|
||||
- varia
|
||||
title: 'Extratonal Infrastructure #16: QOA en Primeiro'
|
||||
---
|
||||
|
||||
<p><strong>Date:</strong> Friday, 15 November 2024<br><strong>Door:</strong> 19:30h CET<br><strong>Start:</strong> 20:00h CET<br><strong>Entrance:</strong> 5 euro<br><strong>Location:</strong> Varia (Gouwstraat 3, Rotterdam)</p><p><em>November is home to multiple interventions by </em><a target="_blank" href="https://extratonal.org/"><em>The Platform For Extratonality</em></a><em>. During this intermediate music event we welcome QOA and Primeiro, two artists with a tendency to enthrall through elemental improvisations.</em></p><p><strong>QOA</strong>, is the monikor of Nina Corti, an experimental electroacoustic musician, sound and visual artist from the Argentine and Latin American experimental contemporary music scene. Their sound is characterised by the collage of field recordings in natural environments and their multiple transformations, combined with spoken word, live sampling, drones, synthesis and frequency rhythms, creating an extended listening experience. Qoa is part of <strong>AMPLIFY Digital Arts Initiative</strong> (Amplify D.A.I), international network of artists from Argentina, Canada, Peru and the UK, supported by Mutek and British Council. This year they was one of the 8th Latin American artists selected for Nicolas Jaar's Ladridos project.</p><p><a target="_blank" href="https://qoa.cargo.site/">https://qoa.cargo.site/</a><br><a target="_blank" href="https://qoaqoa.bandcamp.com/album/sauco-2">https://qoaqoa.bandcamp.com/album/sauco-2</a></p><p><strong>Primeiro</strong> blends experimental electronics with samples of acoustic instruments and field recordings made by him, exploring the dynamic relationship between sound and territories. He develops intricate soundscapes with multiple layers that evoke a sense of tranquility and meticulous craft. Additionally, he organizes the <strong>Feed the River</strong> festival, which explores our connection with water bodies as sentient entities requiring our care and nurturing, and the use of sound to foster meaningful transformative dialogues.</p><p><em>This event is made possible with the kind support of Popunie Rotterdam, Stichting Volkskracht, Fonds Podiumkunsten, Gemeente Rotterdam and Stimuleringsfonds Creatieve Industrie</em></p>
|
@ -0,0 +1,161 @@
|
||||
---
|
||||
boost: []
|
||||
description: '<p>Date: Saturday, 30 November 2024</p><p>Door: 19:30h CET</p><p>Start:
|
||||
20:00h CET</p><p>Entrance: 5 euro</p><p>Location: Varia (Gouwstraat 3, Rotterdam)</p><p>Join
|
||||
us for a new episode in the extratonal infrastructure series - the extra in Rotterdam''s
|
||||
cultural life. Come and watch three acts that will truly push the boundaries of
|
||||
conventions through approaches that create unpredictability and contingencies. Be
|
||||
on time and it is fine!</p><p>Dianaband (Dooho & Wonjung) is an interdisciplinary
|
||||
artist duo based in Seoul. In their sound performance ''Cats and Paper Boxes'' Dooho
|
||||
plays with feedback resonance. Through various objects placed between a contact
|
||||
microphone and mobile speakers, he creates hidden sounds, subtle coincidences, and
|
||||
unpredictable sound events. Wonjung rides on this tidal wave with the Drawing Synthesizer,
|
||||
an instrument where ''drawing'' is ''making sound''. Exploring the infinite possibilities
|
||||
of drawing with paper and pencil, she manages the momentum of the spatial narrative
|
||||
all around the space.</p><p><a target="_blank" href="https://dianaband.info/">https://dianaband.info/</a></p><p>Vegetable
|
||||
Wife is from Seoul. She yearns for noise and noise-making beings that escape from
|
||||
ethics and morality. She tries to strip away the many ideas attached to these sounds,
|
||||
while simultaneously suturing them with different origins. Her sound exists inside
|
||||
a tear-and-paste loop through synthesising, collaging, recording and mixing. With
|
||||
visual artist Jae-hyung Park, this sound is synthesized with video to extend its
|
||||
scape.</p><p><a target="_blank" href="https://meek-as-a-lamb.github.io/imheeju/">https://meek-as-a-lamb.github.io/imheeju/</a></p><p>Lucija
|
||||
Gregov is a cellist, improviser, composer and programmer. She has been developing
|
||||
projects and researching in the fields of classical music, electroacoustic music,
|
||||
improvisation, experimental music, radio and sound art. Through many interdisciplinary
|
||||
collaborations, Lucija seeks to push the boundaries of traditional cello playing,
|
||||
which further extends her interpretation, technique and ideas. Her instrumental
|
||||
cello practice is the starting point of the sonic exploration, through which, over
|
||||
time, she disintegrated traditional techniques in order to discover a more personal
|
||||
and sincere sound aesthetic.</p><p><a target="_blank" href="https://lugregov.com/">https://lugregov.com/</a></p><p>This
|
||||
event is made possible with the kind support of Popunie Rotterdam, Stichting Volkskracht,
|
||||
Fonds Podiumkunsten, Gemeente Rotterdam and Stimuleringsfonds Creatieve Industrie.</p>'
|
||||
end_datetime: 1733004000
|
||||
id: 14
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 1200
|
||||
name: 'Extratonal Infrastructure #17: Dianaband, Vegetable Wife with Jae-hyung Park
|
||||
and Lucija Gregov'
|
||||
size: 577770
|
||||
url: c8e7b7851a720187cd4fce798f0405fc.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: lets-unrepair-things-together-analog-video-edition
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Gouwstraat 3, Rotterdam
|
||||
id: 3
|
||||
latitude: null
|
||||
longitude: null
|
||||
name: Vaira
|
||||
plain_description: 'Date: Saturday, 30 November 2024
|
||||
|
||||
|
||||
Door: 19:30h CET
|
||||
|
||||
|
||||
Start: 20:00h CET
|
||||
|
||||
|
||||
Entrance: 5 euro
|
||||
|
||||
|
||||
Location: Varia (Gouwstraat 3, Rotterdam)
|
||||
|
||||
|
||||
Join us for a new episode in the extratonal infrastructure series - the extra in
|
||||
|
||||
Rotterdam''s cultural life. Come and watch three acts that will truly push the
|
||||
|
||||
boundaries of conventions through approaches that create unpredictability and
|
||||
|
||||
contingencies. Be on time and it is fine!
|
||||
|
||||
|
||||
Dianaband (Dooho & Wonjung) is an interdisciplinary artist duo based in Seoul.
|
||||
|
||||
In their sound performance ''Cats and Paper Boxes'' Dooho plays with feedback
|
||||
|
||||
resonance. Through various objects placed between a contact microphone and
|
||||
|
||||
mobile speakers, he creates hidden sounds, subtle coincidences, and
|
||||
|
||||
unpredictable sound events. Wonjung rides on this tidal wave with the Drawing
|
||||
|
||||
Synthesizer, an instrument where ''drawing'' is ''making sound''. Exploring the
|
||||
|
||||
infinite possibilities of drawing with paper and pencil, she manages the
|
||||
|
||||
momentum of the spatial narrative all around the space.
|
||||
|
||||
|
||||
https://dianaband.info/ [https://dianaband.info/]
|
||||
|
||||
|
||||
Vegetable Wife is from Seoul. She yearns for noise and noise-making beings that
|
||||
|
||||
escape from ethics and morality. She tries to strip away the many ideas attached
|
||||
|
||||
to these sounds, while simultaneously suturing them with different origins. Her
|
||||
|
||||
sound exists inside a tear-and-paste loop through synthesising, collaging,
|
||||
|
||||
recording and mixing. With visual artist Jae-hyung Park, this sound is
|
||||
|
||||
synthesized with video to extend its scape.
|
||||
|
||||
|
||||
https://meek-as-a-lamb.github.io/imheeju/
|
||||
|
||||
[https://meek-as-a-lamb.github.io/imheeju/]
|
||||
|
||||
|
||||
Lucija Gregov is a cellist, improviser, composer and programmer. She has been
|
||||
|
||||
developing projects and researching in the fields of classical music,
|
||||
|
||||
electroacoustic music, improvisation, experimental music, radio and sound art.
|
||||
|
||||
Through many interdisciplinary collaborations, Lucija seeks to push the
|
||||
|
||||
boundaries of traditional cello playing, which further extends her
|
||||
|
||||
interpretation, technique and ideas. Her instrumental cello practice is the
|
||||
|
||||
starting point of the sonic exploration, through which, over time, she
|
||||
|
||||
disintegrated traditional techniques in order to discover a more personal and
|
||||
|
||||
sincere sound aesthetic.
|
||||
|
||||
|
||||
https://lugregov.com/ [https://lugregov.com/]
|
||||
|
||||
|
||||
This event is made possible with the kind support of Popunie Rotterdam,
|
||||
|
||||
Stichting Volkskracht, Fonds Podiumkunsten, Gemeente Rotterdam and
|
||||
|
||||
Stimuleringsfonds Creatieve Industrie.'
|
||||
prev: lets-unrepair-things-together-4
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: extratonal-infrastructure-17-dianaband-vegetable-wife-with-jae-hyung-park-and-lucija-gregov
|
||||
start_datetime: 1732993200
|
||||
tags:
|
||||
- extratonal
|
||||
- varia
|
||||
title: 'Extratonal Infrastructure #17: Dianaband, Vegetable Wife with Jae-hyung Park
|
||||
and Lucija Gregov'
|
||||
---
|
||||
|
||||
<p>Date: Saturday, 30 November 2024</p><p>Door: 19:30h CET</p><p>Start: 20:00h CET</p><p>Entrance: 5 euro</p><p>Location: Varia (Gouwstraat 3, Rotterdam)</p><p>Join us for a new episode in the extratonal infrastructure series - the extra in Rotterdam's cultural life. Come and watch three acts that will truly push the boundaries of conventions through approaches that create unpredictability and contingencies. Be on time and it is fine!</p><p>Dianaband (Dooho & Wonjung) is an interdisciplinary artist duo based in Seoul. In their sound performance 'Cats and Paper Boxes' Dooho plays with feedback resonance. Through various objects placed between a contact microphone and mobile speakers, he creates hidden sounds, subtle coincidences, and unpredictable sound events. Wonjung rides on this tidal wave with the Drawing Synthesizer, an instrument where 'drawing' is 'making sound'. Exploring the infinite possibilities of drawing with paper and pencil, she manages the momentum of the spatial narrative all around the space.</p><p><a target="_blank" href="https://dianaband.info/">https://dianaband.info/</a></p><p>Vegetable Wife is from Seoul. She yearns for noise and noise-making beings that escape from ethics and morality. She tries to strip away the many ideas attached to these sounds, while simultaneously suturing them with different origins. Her sound exists inside a tear-and-paste loop through synthesising, collaging, recording and mixing. With visual artist Jae-hyung Park, this sound is synthesized with video to extend its scape.</p><p><a target="_blank" href="https://meek-as-a-lamb.github.io/imheeju/">https://meek-as-a-lamb.github.io/imheeju/</a></p><p>Lucija Gregov is a cellist, improviser, composer and programmer. She has been developing projects and researching in the fields of classical music, electroacoustic music, improvisation, experimental music, radio and sound art. Through many interdisciplinary collaborations, Lucija seeks to push the boundaries of traditional cello playing, which further extends her interpretation, technique and ideas. Her instrumental cello practice is the starting point of the sonic exploration, through which, over time, she disintegrated traditional techniques in order to discover a more personal and sincere sound aesthetic.</p><p><a target="_blank" href="https://lugregov.com/">https://lugregov.com/</a></p><p>This event is made possible with the kind support of Popunie Rotterdam, Stichting Volkskracht, Fonds Podiumkunsten, Gemeente Rotterdam and Stimuleringsfonds Creatieve Industrie.</p>
|
126
src/content/events/extratonal-special-3-sound-is-political.md
Normal file
@ -0,0 +1,126 @@
|
||||
---
|
||||
boost: []
|
||||
description: '<p>We are moved to invite you to our 3rd <a target="_blank" href="https://extratonal.org/">Extratonal
|
||||
Special</a>: sound is political. For this edition we ask you to be present with
|
||||
your political ears, to feel with us what it means to have a voice that is (not)
|
||||
heard, to notice which voices are not present in the room, to desire together social
|
||||
transformations, to listen to less heard histories, to pinch our autonomous bubbles,
|
||||
to be touched by sound waves and connect with them consciously. This journey is
|
||||
going to be led by our very special line up:</p><p><strong>Luca Soucant</strong>
|
||||
will perform the lecture-performance ''The Resonance of Gender: Thinking through
|
||||
a Feedbacking Scold’s Bridle.''Luca studies the relationship between sound, gender,
|
||||
power, and social structures within the entanglement of the human and non-human.</p><p><a
|
||||
target="_blank" href="https://www.lucasoudant.com/">https://www.lucasoudant.com/</a></p><p><strong>YoKolina</strong>
|
||||
is an interdisciplinary fashion designer whose artistic practice involves stage
|
||||
clothes, performance, and music. For Extratonal, she will bring to life her moth
|
||||
costume, embodying an insect that deals with existence.</p><p><a target="_blank"
|
||||
href="https://yokolina.hotglue.me/">https://yokolina.hotglue.me/</a></p><p><strong>Natalia
|
||||
Roa</strong> is a writer, editor and interdisciplinary artist. Together with Colombian
|
||||
percussionist <strong>Luis Orobio</strong>, she will weave a tapestry of sound,
|
||||
rhythm, and storytelling around the concept of ashé, which are narratives and soundscapes
|
||||
of Abya Yala that offer an alternative present to a growing dismemory. From a sonic
|
||||
legacy, ashé signifies permanence: the constant gaze for and at the instruments,
|
||||
the bodies, and the tunes with which enslaved people declared their emancipation,
|
||||
blending ritual with celebration, we remember.</p><p><a target="_blank" href="https://nataliaroa.co/about">https://nataliaroa.co/about</a></p><p><em>This
|
||||
event is made possible with the kind support of Popunie Rotterdam, Stichting Volkskracht,
|
||||
Fonds Podiumkunsten, Gemeente Rotterdam and Stimuleringsfonds Creatieve Industrie.</em></p>'
|
||||
end_datetime: 1730494800
|
||||
id: 5
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- -0.03
|
||||
- -1
|
||||
height: 600
|
||||
name: 'Extratonal Special #3: Sound Is Political'
|
||||
size: 179457
|
||||
url: f26012d0e6bf0ccb20941a21e69f54f6.jpg
|
||||
width: 600
|
||||
multidate: false
|
||||
next: palestine-cinema-days-around-the-world-naila-and-the-uprising
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Gouwstraat 3, Rotterdam
|
||||
id: 3
|
||||
latitude: null
|
||||
longitude: null
|
||||
name: Vaira
|
||||
plain_description: 'We are moved to invite you to our 3rd Extratonal Special
|
||||
|
||||
[https://extratonal.org/]: sound is political. For this edition we ask you to be
|
||||
|
||||
present with your political ears, to feel with us what it means to have a voice
|
||||
|
||||
that is (not) heard, to notice which voices are not present in the room, to
|
||||
|
||||
desire together social transformations, to listen to less heard histories, to
|
||||
|
||||
pinch our autonomous bubbles, to be touched by sound waves and connect with them
|
||||
|
||||
consciously. This journey is going to be led by our very special line up:
|
||||
|
||||
|
||||
Luca Soucant will perform the lecture-performance ''The Resonance of Gender:
|
||||
|
||||
Thinking through a Feedbacking Scold’s Bridle.''Luca studies the relationship
|
||||
|
||||
between sound, gender, power, and social structures within the entanglement of
|
||||
|
||||
the human and non-human.
|
||||
|
||||
|
||||
https://www.lucasoudant.com/ [https://www.lucasoudant.com/]
|
||||
|
||||
|
||||
YoKolina is an interdisciplinary fashion designer whose artistic practice
|
||||
|
||||
involves stage clothes, performance, and music. For Extratonal, she will bring
|
||||
|
||||
to life her moth costume, embodying an insect that deals with existence.
|
||||
|
||||
|
||||
https://yokolina.hotglue.me/ [https://yokolina.hotglue.me/]
|
||||
|
||||
|
||||
Natalia Roa is a writer, editor and interdisciplinary artist. Together with
|
||||
|
||||
Colombian percussionist Luis Orobio, she will weave a tapestry of sound, rhythm,
|
||||
|
||||
and storytelling around the concept of ashé, which are narratives and
|
||||
|
||||
soundscapes of Abya Yala that offer an alternative present to a growing
|
||||
|
||||
dismemory. From a sonic legacy, ashé signifies permanence: the constant gaze for
|
||||
|
||||
and at the instruments, the bodies, and the tunes with which enslaved people
|
||||
|
||||
declared their emancipation, blending ritual with celebration, we remember.
|
||||
|
||||
|
||||
https://nataliaroa.co/about [https://nataliaroa.co/about]
|
||||
|
||||
|
||||
This event is made possible with the kind support of Popunie Rotterdam,
|
||||
|
||||
Stichting Volkskracht, Fonds Podiumkunsten, Gemeente Rotterdam and
|
||||
|
||||
Stimuleringsfonds Creatieve Industrie.'
|
||||
prev: lets-un-repair-things-together
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: extratonal-special-3-sound-is-political
|
||||
start_datetime: 1730487600
|
||||
tags:
|
||||
- extratonal
|
||||
- performances
|
||||
- varia
|
||||
title: 'Extratonal Special #3: Sound Is Political'
|
||||
---
|
||||
|
||||
<p>We are moved to invite you to our 3rd <a target="_blank" href="https://extratonal.org/">Extratonal Special</a>: sound is political. For this edition we ask you to be present with your political ears, to feel with us what it means to have a voice that is (not) heard, to notice which voices are not present in the room, to desire together social transformations, to listen to less heard histories, to pinch our autonomous bubbles, to be touched by sound waves and connect with them consciously. This journey is going to be led by our very special line up:</p><p><strong>Luca Soucant</strong> will perform the lecture-performance 'The Resonance of Gender: Thinking through a Feedbacking Scold’s Bridle.'Luca studies the relationship between sound, gender, power, and social structures within the entanglement of the human and non-human.</p><p><a target="_blank" href="https://www.lucasoudant.com/">https://www.lucasoudant.com/</a></p><p><strong>YoKolina</strong> is an interdisciplinary fashion designer whose artistic practice involves stage clothes, performance, and music. For Extratonal, she will bring to life her moth costume, embodying an insect that deals with existence.</p><p><a target="_blank" href="https://yokolina.hotglue.me/">https://yokolina.hotglue.me/</a></p><p><strong>Natalia Roa</strong> is a writer, editor and interdisciplinary artist. Together with Colombian percussionist <strong>Luis Orobio</strong>, she will weave a tapestry of sound, rhythm, and storytelling around the concept of ashé, which are narratives and soundscapes of Abya Yala that offer an alternative present to a growing dismemory. From a sonic legacy, ashé signifies permanence: the constant gaze for and at the instruments, the bodies, and the tunes with which enslaved people declared their emancipation, blending ritual with celebration, we remember.</p><p><a target="_blank" href="https://nataliaroa.co/about">https://nataliaroa.co/about</a></p><p><em>This event is made possible with the kind support of Popunie Rotterdam, Stichting Volkskracht, Fonds Podiumkunsten, Gemeente Rotterdam and Stimuleringsfonds Creatieve Industrie.</em></p>
|
201
src/content/events/extratonal-special-41-graphic-scores.md
Normal file
@ -0,0 +1,201 @@
|
||||
---
|
||||
boost: []
|
||||
description: '<p>Date: Friday, 14 March 2025</p><p>Door: 19:30u CET</p><p>Start: 20:00u
|
||||
CET</p><p>Entrance: 0/3/5/7/10 euro (Pay What You Can)</p><p>Location: Varia (Gouwstraat
|
||||
3, Rotterdam)</p><p>Just one day before the new year started, on December 31, 2024
|
||||
to be precise, the American composer Tom Johnson passed away at his home in Paris.
|
||||
Although The Platform For Extratonality was never able to welcome this pioneer of
|
||||
minimal music to our program, we have always felt a connection to his work within
|
||||
our extratonal efforts. The way in which Johnson combined theatrical and visual
|
||||
elements with theory, philosophy and music has been a great source of inspiration
|
||||
and a direction that we continue to pursue in our programs to this day.</p><p>Therefore,
|
||||
we would like to start 2025 with a celebration of graphic notation and illustrative
|
||||
music in the form of a two-day program. On Friday, March 14, we organize an evening
|
||||
with three lectures/performances on graphic notation at varia. One day later, on
|
||||
Saturday, March 15, we will give a workshop on this same topic during the Rotterdam
|
||||
Illustration Festival at Roodkapje. This functions as a bridge to an evening program
|
||||
at the same location, in which the interaction between illustration and music is
|
||||
explored.</p><p>Floris Vanhoof combines homemade electronic circuits and forgotten
|
||||
projection technologies for installations, expanded cinema performances and music
|
||||
publications. By translating one medium to another, he investigates how our perception
|
||||
operates and what new perspectives arise. Vanhoof is interested in the hybrid form
|
||||
of music, art and cinema. Projections with 16mm film and sounds from a modular synthesizer
|
||||
are central to his work. From this modular musical instrument, in which cables connect
|
||||
electronic sound modules, the belief grew that all possible instruments and ideas
|
||||
can be connected to each other. He makes his own translations from sound to image
|
||||
and vice versa, by connecting one medium to another - not always compatible - medium.</p><p><a
|
||||
href="https://florisvanhoof.com/" target="_blank">https://florisvanhoof.com/</a></p><p>Bodyscores
|
||||
is a workshop/interactive performance by Karina Dukalska, where you play with communicating
|
||||
ideas through scores and control the movements of performers. How would you transcribe
|
||||
movement into graphics, or sound into text? Karina is a graphic designer, dance
|
||||
educator and interdisciplinary workshop facilitator. Her work often revolves around
|
||||
scores, the documentation and (mis)translation of dance, and the socio-cultural
|
||||
impact this may have.</p><p><a href="https://www.karinadukalska.com" target="_blank">https://www.karinadukalska.com</a></p><p>(d)RAW
|
||||
is an electronic instrument controlled by a graphic notation system build Riccardo
|
||||
Marogna. The graphic score acts as a map, navigated by semi-autonomous scanners
|
||||
that translate visual signs into waveforms, patterns, and sound. Inspired by optical
|
||||
sound experiments by Avraamov, Fischinger, McLaren, and Xenakis’ UPIC system, (d)RAW
|
||||
tries to challenge the boundaries between notation, composition, performance, and
|
||||
instrument design. Riccardo Marogna works with electronics, electroacoustic improvisation
|
||||
and fixed media. His works have been featured also at NIME 2018 (US), MusLab 2016
|
||||
(Mexico), Matera Intermedia Festival (Italy, 2017), Biennale Musica (Venice, 2008),
|
||||
Experimental Intermedia (NY), Auditorium Parco Della Musica (Rome).</p><p><a href="https://riccardomarogna.com/"
|
||||
target="_blank">https://riccardomarogna.com/</a></p><p>This event is made possible
|
||||
with the kind support of Popunie Rotterdam, Stichting Volkskracht, Fonds Podiumkunsten,
|
||||
Gemeente Rotterdam and Stimuleringsfonds Creatieve Industrie.</p>'
|
||||
end_datetime: 1741986000
|
||||
id: 41
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 1202
|
||||
name: 'Extratonal Special #4.1: Graphic Scores'
|
||||
size: 833551
|
||||
url: bf2949dca7b36c3a9428ec9ab53c9b64.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: illustration-festival
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Gouwstraat 3, Rotterdam
|
||||
id: 3
|
||||
latitude: null
|
||||
longitude: null
|
||||
name: Vaira
|
||||
plain_description: 'Date: Friday, 14 March 2025
|
||||
|
||||
|
||||
Door: 19:30u CET
|
||||
|
||||
|
||||
Start: 20:00u CET
|
||||
|
||||
|
||||
Entrance: 0/3/5/7/10 euro (Pay What You Can)
|
||||
|
||||
|
||||
Location: Varia (Gouwstraat 3, Rotterdam)
|
||||
|
||||
|
||||
Just one day before the new year started, on December 31, 2024 to be precise,
|
||||
|
||||
the American composer Tom Johnson passed away at his home in Paris. Although The
|
||||
|
||||
Platform For Extratonality was never able to welcome this pioneer of minimal
|
||||
|
||||
music to our program, we have always felt a connection to his work within our
|
||||
|
||||
extratonal efforts. The way in which Johnson combined theatrical and visual
|
||||
|
||||
elements with theory, philosophy and music has been a great source of
|
||||
|
||||
inspiration and a direction that we continue to pursue in our programs to this
|
||||
|
||||
day.
|
||||
|
||||
|
||||
Therefore, we would like to start 2025 with a celebration of graphic notation
|
||||
|
||||
and illustrative music in the form of a two-day program. On Friday, March 14, we
|
||||
|
||||
organize an evening with three lectures/performances on graphic notation at
|
||||
|
||||
varia. One day later, on Saturday, March 15, we will give a workshop on this
|
||||
|
||||
same topic during the Rotterdam Illustration Festival at Roodkapje. This
|
||||
|
||||
functions as a bridge to an evening program at the same location, in which the
|
||||
|
||||
interaction between illustration and music is explored.
|
||||
|
||||
|
||||
Floris Vanhoof combines homemade electronic circuits and forgotten projection
|
||||
|
||||
technologies for installations, expanded cinema performances and music
|
||||
|
||||
publications. By translating one medium to another, he investigates how our
|
||||
|
||||
perception operates and what new perspectives arise. Vanhoof is interested in
|
||||
|
||||
the hybrid form of music, art and cinema. Projections with 16mm film and sounds
|
||||
|
||||
from a modular synthesizer are central to his work. From this modular musical
|
||||
|
||||
instrument, in which cables connect electronic sound modules, the belief grew
|
||||
|
||||
that all possible instruments and ideas can be connected to each other. He makes
|
||||
|
||||
his own translations from sound to image and vice versa, by connecting one
|
||||
|
||||
medium to another - not always compatible - medium.
|
||||
|
||||
|
||||
https://florisvanhoof.com/ [https://florisvanhoof.com/]
|
||||
|
||||
|
||||
Bodyscores is a workshop/interactive performance by Karina Dukalska, where you
|
||||
|
||||
play with communicating ideas through scores and control the movements of
|
||||
|
||||
performers. How would you transcribe movement into graphics, or sound into text?
|
||||
|
||||
Karina is a graphic designer, dance educator and interdisciplinary workshop
|
||||
|
||||
facilitator. Her work often revolves around scores, the documentation and
|
||||
|
||||
(mis)translation of dance, and the socio-cultural impact this may have.
|
||||
|
||||
|
||||
https://www.karinadukalska.com [https://www.karinadukalska.com]
|
||||
|
||||
|
||||
(d)RAW is an electronic instrument controlled by a graphic notation system build
|
||||
|
||||
Riccardo Marogna. The graphic score acts as a map, navigated by semi-autonomous
|
||||
|
||||
scanners that translate visual signs into waveforms, patterns, and sound.
|
||||
|
||||
Inspired by optical sound experiments by Avraamov, Fischinger, McLaren, and
|
||||
|
||||
Xenakis’ UPIC system, (d)RAW tries to challenge the boundaries between notation,
|
||||
|
||||
composition, performance, and instrument design. Riccardo Marogna works with
|
||||
|
||||
electronics, electroacoustic improvisation and fixed media. His works have been
|
||||
|
||||
featured also at NIME 2018 (US), MusLab 2016 (Mexico), Matera Intermedia
|
||||
|
||||
Festival (Italy, 2017), Biennale Musica (Venice, 2008), Experimental Intermedia
|
||||
|
||||
(NY), Auditorium Parco Della Musica (Rome).
|
||||
|
||||
|
||||
https://riccardomarogna.com/ [https://riccardomarogna.com/]
|
||||
|
||||
|
||||
This event is made possible with the kind support of Popunie Rotterdam,
|
||||
|
||||
Stichting Volkskracht, Fonds Podiumkunsten, Gemeente Rotterdam and
|
||||
|
||||
Stimuleringsfonds Creatieve Industrie.'
|
||||
prev: graphics-without-the-cloud-grafischbeeld-zonder-de-cloud
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: extratonal-special-41-graphic-scores
|
||||
start_datetime: 1741978800
|
||||
tags:
|
||||
- noise
|
||||
- extratonal
|
||||
- varia
|
||||
title: 'Extratonal Special #4.1: Graphic Scores'
|
||||
---
|
||||
|
||||
<p>Date: Friday, 14 March 2025</p><p>Door: 19:30u CET</p><p>Start: 20:00u CET</p><p>Entrance: 0/3/5/7/10 euro (Pay What You Can)</p><p>Location: Varia (Gouwstraat 3, Rotterdam)</p><p>Just one day before the new year started, on December 31, 2024 to be precise, the American composer Tom Johnson passed away at his home in Paris. Although The Platform For Extratonality was never able to welcome this pioneer of minimal music to our program, we have always felt a connection to his work within our extratonal efforts. The way in which Johnson combined theatrical and visual elements with theory, philosophy and music has been a great source of inspiration and a direction that we continue to pursue in our programs to this day.</p><p>Therefore, we would like to start 2025 with a celebration of graphic notation and illustrative music in the form of a two-day program. On Friday, March 14, we organize an evening with three lectures/performances on graphic notation at varia. One day later, on Saturday, March 15, we will give a workshop on this same topic during the Rotterdam Illustration Festival at Roodkapje. This functions as a bridge to an evening program at the same location, in which the interaction between illustration and music is explored.</p><p>Floris Vanhoof combines homemade electronic circuits and forgotten projection technologies for installations, expanded cinema performances and music publications. By translating one medium to another, he investigates how our perception operates and what new perspectives arise. Vanhoof is interested in the hybrid form of music, art and cinema. Projections with 16mm film and sounds from a modular synthesizer are central to his work. From this modular musical instrument, in which cables connect electronic sound modules, the belief grew that all possible instruments and ideas can be connected to each other. He makes his own translations from sound to image and vice versa, by connecting one medium to another - not always compatible - medium.</p><p><a href="https://florisvanhoof.com/" target="_blank">https://florisvanhoof.com/</a></p><p>Bodyscores is a workshop/interactive performance by Karina Dukalska, where you play with communicating ideas through scores and control the movements of performers. How would you transcribe movement into graphics, or sound into text? Karina is a graphic designer, dance educator and interdisciplinary workshop facilitator. Her work often revolves around scores, the documentation and (mis)translation of dance, and the socio-cultural impact this may have.</p><p><a href="https://www.karinadukalska.com" target="_blank">https://www.karinadukalska.com</a></p><p>(d)RAW is an electronic instrument controlled by a graphic notation system build Riccardo Marogna. The graphic score acts as a map, navigated by semi-autonomous scanners that translate visual signs into waveforms, patterns, and sound. Inspired by optical sound experiments by Avraamov, Fischinger, McLaren, and Xenakis’ UPIC system, (d)RAW tries to challenge the boundaries between notation, composition, performance, and instrument design. Riccardo Marogna works with electronics, electroacoustic improvisation and fixed media. His works have been featured also at NIME 2018 (US), MusLab 2016 (Mexico), Matera Intermedia Festival (Italy, 2017), Biennale Musica (Venice, 2008), Experimental Intermedia (NY), Auditorium Parco Della Musica (Rome).</p><p><a href="https://riccardomarogna.com/" target="_blank">https://riccardomarogna.com/</a></p><p>This event is made possible with the kind support of Popunie Rotterdam, Stichting Volkskracht, Fonds Podiumkunsten, Gemeente Rotterdam and Stimuleringsfonds Creatieve Industrie.</p>
|
214
src/content/events/extratonal-special-42-illustrations.md
Normal file
@ -0,0 +1,214 @@
|
||||
---
|
||||
boost: []
|
||||
description: '<p>Date: Saturday, 15 March 2025<br>Door: 20:00u CETStart: 20:30u CET<br>Entrance:
|
||||
6 euro (presale)<br>Location: Roodkapje (Delftseplein 39, Rotterdam)</p><p>Not all
|
||||
the connections between performance and illustration have yet been fully explored.
|
||||
On the occasion of the Rotterdam Illustration Festival, the Platform For Extratonality
|
||||
will curate an evening at Roodkapje to bring us closer to this connection. Three
|
||||
acts will showcase the intersections of these two fields. The evening will be opened
|
||||
with the results of the Graphic Notation Workshop that took place earlier that day.</p><p>Happy
|
||||
Fuji News is a surrealistic dive into the world of apps, geology, tourism, love
|
||||
and more, done in a joyously performed proto-cinematic way. It is a live-edited
|
||||
"movie" made out of 201 woodcuts, written, carved and printed by Eric Kinny over
|
||||
the course of 2016 - 2022. Prints are shown and thrown at the rhythm of an audio
|
||||
soundtrack with MIDI guitar music by Raphaël Desmarets and characters voices by
|
||||
McCloud Zicmuse, Siet Phorae, Molly Rex, Ma Clément, Alice Perez & Joey Wright,
|
||||
for a total length of 30min. The story follows the unlikely story of a touristic
|
||||
guide on the foothills of Mt Fuji in Japan, trying to make sense of life after facing
|
||||
harsh Tripadvisor reviews of the mountain</p><p><a target="_blank" href="http://santeloisirs.com/erickinnyhfn">http://santeloisirs.com/erickinnyhfn</a></p><p><em>interstellar
|
||||
is a temporary shared practice collectively brought to life by video artist Video
|
||||
Boy, illustrator Jacco Jansen and musician Pietro Frigato. It spawns from their
|
||||
desire to tell stories together and to appropriate abandoned non-spaces by turning
|
||||
them into places of belonging and self-expression. Together, </em>interstellar tells
|
||||
stories of entangled pasts, presents, and futures—stories that are of desire, hope,
|
||||
and love. It embeds and unfolds these stories into the crevices left behind and
|
||||
unseen. There is hope, and it blossoms in unexpected places; there is resistance,
|
||||
and it sprouts in the cracks. There is belonging and togetherness, and it is here
|
||||
and now — not in the future, nor in the past, not in the big and shiny halls. The
|
||||
beings interacting in this suspended space/time capsule, stirring together a cauldron
|
||||
of different media —a mix of obsolete and advanced technologies — celebrate the
|
||||
mere act of collective crafting as a sacred practice.</p><p><a target="_blank" href="https://www.instagram.com/video_fuel_boy/https://www.jaccojansen.nl/https://pietrofrigato.bandcamp.com/">https://www.instagram.com/video_fuel_boy/https://www.jaccojansen.nl/https://pietrofrigato.bandcamp.com/</a></p><p>DRW
|
||||
is a lightweight web app where participants can contribute quick and gestural drawings
|
||||
transformed into vector graphics for live coding performances. DRW, accessible from
|
||||
smartphones, empowers audiences to directly influence the visuals in real-time.
|
||||
This system has been utilized in live concerts, where audience members'' responses
|
||||
to the music in the form of drawings become part of the visual experience. DRW is
|
||||
in active development by Kamo and Chae. It will be accompanied musically by Logosamphia!
|
||||
The alter ego of Iranian/Dutch audio artist Sadra Hemati who has released more than
|
||||
15 albums on various international labels. He is a frequently booked artist at home
|
||||
and abroad. His live sets are energetic, chaotic and contain homemade instruments,
|
||||
questionable samples and various pieces of fruit with which he makes music.</p><p><a
|
||||
target="_blank" href="https://draw-it-with-others.org/https://chae0.org/https://kamomomomomomo.org/https://logosamphia.bandcamp.com/">https://draw-it-with-others.org/https://chae0.org/https://kamomomomomomo.org/https://logosamphia.bandcamp.com/</a></p><p>This
|
||||
event is made possible with the kind support of Roodkapje, Popunie Rotterdam, Stichting
|
||||
Volkskracht, Fonds Podiumkunsten, Gemeente Rotterdam and Stimuleringsfonds Creatieve
|
||||
Industrie.</p><p>Saturday, Mar 15, 08:00 PM-10:30 AM</p><p>in 11 days</p><p><a target="_blank"
|
||||
href="http://149.154.152.162:13120/place/8/Roodkapje">Roodkapje</a></p><p>Delftseplein
|
||||
39, Rotterdam</p><p><a target="_blank" href="http://149.154.152.162:13120/tag/extratonal">extratonal</a><a
|
||||
target="_blank" href="http://149.154.152.162:13120/tag/roodkapje">roodkapje</a></p>'
|
||||
end_datetime: 1742158800
|
||||
id: 43
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 1215
|
||||
name: 'Extratonal Special #4.2: Illustrations'
|
||||
size: 745943
|
||||
url: e807d67cfab32643dc4db73516d6a5da.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: open-mic-night
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Delftseplein 39, Rotterdam
|
||||
id: 8
|
||||
latitude: null
|
||||
longitude: null
|
||||
name: Roodkapje
|
||||
plain_description: 'Date: Saturday, 15 March 2025
|
||||
|
||||
Door: 20:00u CETStart: 20:30u CET
|
||||
|
||||
Entrance: 6 euro (presale)
|
||||
|
||||
Location: Roodkapje (Delftseplein 39, Rotterdam)
|
||||
|
||||
|
||||
Not all the connections between performance and illustration have yet been fully
|
||||
|
||||
explored. On the occasion of the Rotterdam Illustration Festival, the Platform
|
||||
|
||||
For Extratonality will curate an evening at Roodkapje to bring us closer to this
|
||||
|
||||
connection. Three acts will showcase the intersections of these two fields. The
|
||||
|
||||
evening will be opened with the results of the Graphic Notation Workshop that
|
||||
|
||||
took place earlier that day.
|
||||
|
||||
|
||||
Happy Fuji News is a surrealistic dive into the world of apps, geology, tourism,
|
||||
|
||||
love and more, done in a joyously performed proto-cinematic way. It is a
|
||||
|
||||
live-edited "movie" made out of 201 woodcuts, written, carved and printed by
|
||||
|
||||
Eric Kinny over the course of 2016 - 2022. Prints are shown and thrown at the
|
||||
|
||||
rhythm of an audio soundtrack with MIDI guitar music by Raphaël Desmarets and
|
||||
|
||||
characters voices by McCloud Zicmuse, Siet Phorae, Molly Rex, Ma Clément, Alice
|
||||
|
||||
Perez & Joey Wright, for a total length of 30min. The story follows the unlikely
|
||||
|
||||
story of a touristic guide on the foothills of Mt Fuji in Japan, trying to make
|
||||
|
||||
sense of life after facing harsh Tripadvisor reviews of the mountain
|
||||
|
||||
|
||||
http://santeloisirs.com/erickinnyhfn [http://santeloisirs.com/erickinnyhfn]
|
||||
|
||||
|
||||
interstellar is a temporary shared practice collectively brought to life by
|
||||
|
||||
video artist Video Boy, illustrator Jacco Jansen and musician Pietro Frigato. It
|
||||
|
||||
spawns from their desire to tell stories together and to appropriate abandoned
|
||||
|
||||
non-spaces by turning them into places of belonging and self-expression.
|
||||
|
||||
Together, interstellar tells stories of entangled pasts, presents, and
|
||||
|
||||
futures—stories that are of desire, hope, and love. It embeds and unfolds these
|
||||
|
||||
stories into the crevices left behind and unseen. There is hope, and it blossoms
|
||||
|
||||
in unexpected places; there is resistance, and it sprouts in the cracks. There
|
||||
|
||||
is belonging and togetherness, and it is here and now — not in the future, nor
|
||||
|
||||
in the past, not in the big and shiny halls. The beings interacting in this
|
||||
|
||||
suspended space/time capsule, stirring together a cauldron of different media —a
|
||||
|
||||
mix of obsolete and advanced technologies — celebrate the mere act of collective
|
||||
|
||||
crafting as a sacred practice.
|
||||
|
||||
|
||||
https://www.instagram.com/video_fuel_boy/https://www.jaccojansen.nl/https://pietrofrigato.bandcamp.com/
|
||||
|
||||
[https://www.instagram.com/video_fuel_boy/https://www.jaccojansen.nl/https://pietrofrigato.bandcamp.com/]
|
||||
|
||||
|
||||
DRW is a lightweight web app where participants can contribute quick and
|
||||
|
||||
gestural drawings transformed into vector graphics for live coding performances.
|
||||
|
||||
DRW, accessible from smartphones, empowers audiences to directly influence the
|
||||
|
||||
visuals in real-time. This system has been utilized in live concerts, where
|
||||
|
||||
audience members'' responses to the music in the form of drawings become part of
|
||||
|
||||
the visual experience. DRW is in active development by Kamo and Chae. It will be
|
||||
|
||||
accompanied musically by Logosamphia! The alter ego of Iranian/Dutch audio
|
||||
|
||||
artist Sadra Hemati who has released more than 15 albums on various
|
||||
|
||||
international labels. He is a frequently booked artist at home and abroad. His
|
||||
|
||||
live sets are energetic, chaotic and contain homemade instruments, questionable
|
||||
|
||||
samples and various pieces of fruit with which he makes music.
|
||||
|
||||
|
||||
https://draw-it-with-others.org/https://chae0.org/https://kamomomomomomo.org/https://logosamphia.bandcamp.com/
|
||||
|
||||
[https://draw-it-with-others.org/https://chae0.org/https://kamomomomomomo.org/https://logosamphia.bandcamp.com/]
|
||||
|
||||
|
||||
This event is made possible with the kind support of Roodkapje, Popunie
|
||||
|
||||
Rotterdam, Stichting Volkskracht, Fonds Podiumkunsten, Gemeente Rotterdam and
|
||||
|
||||
Stimuleringsfonds Creatieve Industrie.
|
||||
|
||||
|
||||
Saturday, Mar 15, 08:00 PM-10:30 AM
|
||||
|
||||
|
||||
in 11 days
|
||||
|
||||
|
||||
Roodkapje [http://149.154.152.162:13120/place/8/Roodkapje]
|
||||
|
||||
|
||||
Delftseplein 39, Rotterdam
|
||||
|
||||
|
||||
extratonal [http://149.154.152.162:13120/tag/extratonal]roodkapje
|
||||
|
||||
[http://149.154.152.162:13120/tag/roodkapje]'
|
||||
prev: illustration-festival
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: extratonal-special-42-illustrations
|
||||
start_datetime: 1742151600
|
||||
tags:
|
||||
- noise
|
||||
- extratonal
|
||||
- roodkapje
|
||||
- music
|
||||
title: 'Extratonal Special #4.2: Illustrations'
|
||||
---
|
||||
|
||||
<p>Date: Saturday, 15 March 2025<br>Door: 20:00u CETStart: 20:30u CET<br>Entrance: 6 euro (presale)<br>Location: Roodkapje (Delftseplein 39, Rotterdam)</p><p>Not all the connections between performance and illustration have yet been fully explored. On the occasion of the Rotterdam Illustration Festival, the Platform For Extratonality will curate an evening at Roodkapje to bring us closer to this connection. Three acts will showcase the intersections of these two fields. The evening will be opened with the results of the Graphic Notation Workshop that took place earlier that day.</p><p>Happy Fuji News is a surrealistic dive into the world of apps, geology, tourism, love and more, done in a joyously performed proto-cinematic way. It is a live-edited "movie" made out of 201 woodcuts, written, carved and printed by Eric Kinny over the course of 2016 - 2022. Prints are shown and thrown at the rhythm of an audio soundtrack with MIDI guitar music by Raphaël Desmarets and characters voices by McCloud Zicmuse, Siet Phorae, Molly Rex, Ma Clément, Alice Perez & Joey Wright, for a total length of 30min. The story follows the unlikely story of a touristic guide on the foothills of Mt Fuji in Japan, trying to make sense of life after facing harsh Tripadvisor reviews of the mountain</p><p><a target="_blank" href="http://santeloisirs.com/erickinnyhfn">http://santeloisirs.com/erickinnyhfn</a></p><p><em>interstellar is a temporary shared practice collectively brought to life by video artist Video Boy, illustrator Jacco Jansen and musician Pietro Frigato. It spawns from their desire to tell stories together and to appropriate abandoned non-spaces by turning them into places of belonging and self-expression. Together, </em>interstellar tells stories of entangled pasts, presents, and futures—stories that are of desire, hope, and love. It embeds and unfolds these stories into the crevices left behind and unseen. There is hope, and it blossoms in unexpected places; there is resistance, and it sprouts in the cracks. There is belonging and togetherness, and it is here and now — not in the future, nor in the past, not in the big and shiny halls. The beings interacting in this suspended space/time capsule, stirring together a cauldron of different media —a mix of obsolete and advanced technologies — celebrate the mere act of collective crafting as a sacred practice.</p><p><a target="_blank" href="https://www.instagram.com/video_fuel_boy/https://www.jaccojansen.nl/https://pietrofrigato.bandcamp.com/">https://www.instagram.com/video_fuel_boy/https://www.jaccojansen.nl/https://pietrofrigato.bandcamp.com/</a></p><p>DRW is a lightweight web app where participants can contribute quick and gestural drawings transformed into vector graphics for live coding performances. DRW, accessible from smartphones, empowers audiences to directly influence the visuals in real-time. This system has been utilized in live concerts, where audience members' responses to the music in the form of drawings become part of the visual experience. DRW is in active development by Kamo and Chae. It will be accompanied musically by Logosamphia! The alter ego of Iranian/Dutch audio artist Sadra Hemati who has released more than 15 albums on various international labels. He is a frequently booked artist at home and abroad. His live sets are energetic, chaotic and contain homemade instruments, questionable samples and various pieces of fruit with which he makes music.</p><p><a target="_blank" href="https://draw-it-with-others.org/https://chae0.org/https://kamomomomomomo.org/https://logosamphia.bandcamp.com/">https://draw-it-with-others.org/https://chae0.org/https://kamomomomomomo.org/https://logosamphia.bandcamp.com/</a></p><p>This event is made possible with the kind support of Roodkapje, Popunie Rotterdam, Stichting Volkskracht, Fonds Podiumkunsten, Gemeente Rotterdam and Stimuleringsfonds Creatieve Industrie.</p><p>Saturday, Mar 15, 08:00 PM-10:30 AM</p><p>in 11 days</p><p><a target="_blank" href="http://149.154.152.162:13120/place/8/Roodkapje">Roodkapje</a></p><p>Delftseplein 39, Rotterdam</p><p><a target="_blank" href="http://149.154.152.162:13120/tag/extratonal">extratonal</a><a target="_blank" href="http://149.154.152.162:13120/tag/roodkapje">roodkapje</a></p>
|
@ -0,0 +1,72 @@
|
||||
---
|
||||
boost: []
|
||||
description: '<p>In search of a place to hang out after protest? Come and chill with
|
||||
us in the snackbar. I you are not able to go to the protest, but want to do something?
|
||||
Join us who stay in the snackbar cooking, preparing and chilling! More details will
|
||||
be updated on Radarsquad.</p><p>Pre-chill: 15:00 Evening: 17:30 - 22:00</p><p>Op
|
||||
zoek naar een plek om na het protest rond te hangen? Kom bij ons chillen in de snackbar.
|
||||
Als je niet mee wil protesteren, maar wel iets wil doen? Kom bij ons in de snackbar
|
||||
koken, voorbereiden en chillen! Meer details worden bijgewerkt op Radarsquad.</p><p>Pre-chill:
|
||||
15:00 Avond: 17:30 - 22:00</p>'
|
||||
end_datetime: 1741467600
|
||||
id: 47
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 1200
|
||||
name: Feminist Snackbar evening / Feminist Snackbar avond
|
||||
size: 129218
|
||||
url: 16731d8743c9c42fe7936201c87d9626.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: graphics-without-the-cloud-grafischbeeld-zonder-de-cloud
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Bajonetstraat 49, 3014 ZC Rotterdam
|
||||
id: 7
|
||||
latitude: null
|
||||
longitude: null
|
||||
name: Snackbar Frieda
|
||||
plain_description: 'In search of a place to hang out after protest? Come and chill
|
||||
with us in the
|
||||
|
||||
snackbar. I you are not able to go to the protest, but want to do something?
|
||||
|
||||
Join us who stay in the snackbar cooking, preparing and chilling! More details
|
||||
|
||||
will be updated on Radarsquad.
|
||||
|
||||
|
||||
Pre-chill: 15:00 Evening: 17:30 - 22:00
|
||||
|
||||
|
||||
Op zoek naar een plek om na het protest rond te hangen? Kom bij ons chillen in
|
||||
|
||||
de snackbar. Als je niet mee wil protesteren, maar wel iets wil doen? Kom bij
|
||||
|
||||
ons in de snackbar koken, voorbereiden en chillen! Meer details worden
|
||||
|
||||
bijgewerkt op Radarsquad.
|
||||
|
||||
|
||||
Pre-chill: 15:00 Avond: 17:30 - 22:00'
|
||||
prev: snackbar-is-open-and-rebetiko-concert-mosaic
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: feminist-snackbar-evening-feminist-snackbar-avond
|
||||
start_datetime: 1741451400
|
||||
tags:
|
||||
- snackbarfrieda
|
||||
- food
|
||||
title: Feminist Snackbar evening / Feminist Snackbar avond
|
||||
---
|
||||
|
||||
<p>In search of a place to hang out after protest? Come and chill with us in the snackbar. I you are not able to go to the protest, but want to do something? Join us who stay in the snackbar cooking, preparing and chilling! More details will be updated on Radarsquad.</p><p>Pre-chill: 15:00 Evening: 17:30 - 22:00</p><p>Op zoek naar een plek om na het protest rond te hangen? Kom bij ons chillen in de snackbar. Als je niet mee wil protesteren, maar wel iets wil doen? Kom bij ons in de snackbar koken, voorbereiden en chillen! Meer details worden bijgewerkt op Radarsquad.</p><p>Pre-chill: 15:00 Avond: 17:30 - 22:00</p>
|
@ -0,0 +1,65 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>How is it possible to do graphic and image work on the computer without
|
||||
reliance on cloud software and strange rent models? Come and get introduced to graphic
|
||||
and illustration software that runs locally and offline on your computer. BYOL (Bring
|
||||
your own laptop).</p><p>Hoe maak je grafisch ontwerp op de computer zonder afhankelijk
|
||||
te zijn van cloud software en vreemde software huurovereenkomsten? Dit is een introductie
|
||||
aan illustratiesoftware die je lokaal en offline kunt gebruiken. Neem je eigen laptop
|
||||
mee!</p>
|
||||
end_datetime: 1741636800
|
||||
id: 46
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 1200
|
||||
name: Graphics without the cloud / Grafischbeeld zonder de cloud
|
||||
size: 129218
|
||||
url: 9b4b1218a40be616bf38b3f56f27d43d.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: extratonal-special-41-graphic-scores
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Bajonetstraat 49, 3014 ZC Rotterdam
|
||||
id: 7
|
||||
latitude: null
|
||||
longitude: null
|
||||
name: Snackbar Frieda
|
||||
plain_description: 'How is it possible to do graphic and image work on the computer
|
||||
without reliance
|
||||
|
||||
on cloud software and strange rent models? Come and get introduced to graphic
|
||||
|
||||
and illustration software that runs locally and offline on your computer. BYOL
|
||||
|
||||
(Bring your own laptop).
|
||||
|
||||
|
||||
Hoe maak je grafisch ontwerp op de computer zonder afhankelijk te zijn van cloud
|
||||
|
||||
software en vreemde software huurovereenkomsten? Dit is een introductie aan
|
||||
|
||||
illustratiesoftware die je lokaal en offline kunt gebruiken. Neem je eigen
|
||||
|
||||
laptop mee!'
|
||||
prev: feminist-snackbar-evening-feminist-snackbar-avond
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: graphics-without-the-cloud-grafischbeeld-zonder-de-cloud
|
||||
start_datetime: 1741629600
|
||||
tags:
|
||||
- snackbarfrieda
|
||||
- workshop
|
||||
title: Graphics without the cloud / Grafischbeeld zonder de cloud
|
||||
---
|
||||
|
||||
<p>How is it possible to do graphic and image work on the computer without reliance on cloud software and strange rent models? Come and get introduced to graphic and illustration software that runs locally and offline on your computer. BYOL (Bring your own laptop).</p><p>Hoe maak je grafisch ontwerp op de computer zonder afhankelijk te zijn van cloud software en vreemde software huurovereenkomsten? Dit is een introductie aan illustratiesoftware die je lokaal en offline kunt gebruiken. Neem je eigen laptop mee!</p>
|
77
src/content/events/illustration-festival.md
Normal file
@ -0,0 +1,77 @@
|
||||
---
|
||||
boost: []
|
||||
description: '<p>The Rotterdam Illustration Festival: we’re here to gatebreak the
|
||||
illustration world with real talk and honest insights. Step out of your studio life
|
||||
and join us for fun, community-building activities, engaging and useful workshops,
|
||||
eye-opening talks, a buzzing market full of publishers ready to connect, and plenty
|
||||
of opportunities for being inspired. It’s all about sharing truths, creating opportunities,
|
||||
and building a stronger illustration community.</p><p>From insightful, honest and
|
||||
thought-provoking talks and hands-on workshops to activities that bring people together,
|
||||
our program has it all. Through our talks, we’ll answer the big questions: where,
|
||||
what, who, how, why, and when? Plus, we’ve got more than just talks and workshops.
|
||||
For the program, check out their website! <a href="https://rotterdamillustrationfestival.nl"
|
||||
target="_blank">https://rotterdamillustrationfestival.nl</a></p>'
|
||||
end_datetime: 1742101200
|
||||
id: 42
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 768
|
||||
name: Illustration Festival
|
||||
size: 171287
|
||||
url: c055371d3ad3f4e009a7af8b0e07e569.jpg
|
||||
width: 768
|
||||
multidate: true
|
||||
next: extratonal-special-42-illustrations
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Delftseplein 39, Rotterdam
|
||||
id: 8
|
||||
latitude: null
|
||||
longitude: null
|
||||
name: Roodkapje
|
||||
plain_description: 'The Rotterdam Illustration Festival: we’re here to gatebreak the
|
||||
illustration
|
||||
|
||||
world with real talk and honest insights. Step out of your studio life and join
|
||||
|
||||
us for fun, community-building activities, engaging and useful workshops,
|
||||
|
||||
eye-opening talks, a buzzing market full of publishers ready to connect, and
|
||||
|
||||
plenty of opportunities for being inspired. It’s all about sharing truths,
|
||||
|
||||
creating opportunities, and building a stronger illustration community.
|
||||
|
||||
|
||||
From insightful, honest and thought-provoking talks and hands-on workshops to
|
||||
|
||||
activities that bring people together, our program has it all. Through our
|
||||
|
||||
talks, we’ll answer the big questions: where, what, who, how, why, and when?
|
||||
|
||||
Plus, we’ve got more than just talks and workshops. For the program, check out
|
||||
|
||||
their website! https://rotterdamillustrationfestival.nl
|
||||
|
||||
[https://rotterdamillustrationfestival.nl]'
|
||||
prev: extratonal-special-41-graphic-scores
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: illustration-festival
|
||||
start_datetime: 1742032800
|
||||
tags:
|
||||
- roodkapje
|
||||
- illustration
|
||||
title: Illustration Festival
|
||||
---
|
||||
|
||||
<p>The Rotterdam Illustration Festival: we’re here to gatebreak the illustration world with real talk and honest insights. Step out of your studio life and join us for fun, community-building activities, engaging and useful workshops, eye-opening talks, a buzzing market full of publishers ready to connect, and plenty of opportunities for being inspired. It’s all about sharing truths, creating opportunities, and building a stronger illustration community.</p><p>From insightful, honest and thought-provoking talks and hands-on workshops to activities that bring people together, our program has it all. Through our talks, we’ll answer the big questions: where, what, who, how, why, and when? Plus, we’ve got more than just talks and workshops. For the program, check out their website! <a href="https://rotterdamillustrationfestival.nl" target="_blank">https://rotterdamillustrationfestival.nl</a></p>
|
@ -0,0 +1,182 @@
|
||||
---
|
||||
boost: []
|
||||
description: '<p>People who were there at the first edition of INTERRUPCIÓN back in
|
||||
2022 will surely remember the savage night that unfolded. The groovy tropical rhythms
|
||||
of Los Pirañas led to a frantic dance and mosh pit: it was pura Piraña mania!</p><p>So,
|
||||
when Pedro, Mario and Eblis announced a European tour, with a new record under their
|
||||
arms to boot , we of course wanted to bring them back to Rotterdam. Add to that
|
||||
the gaita music of Fuego e’ Cumbia and the vinyl selections by El Javier_B… you
|
||||
know this is going to be another memorable one indeed.</p><p>Los Pirañas</p><p>The
|
||||
Colombian supergroup consisting of guitarist Eblis Álvarez (Meridian Brothers, Chupame
|
||||
El Dedo), bassist Mario Galeano (Frente Cumbiero) and drummer Pedro Ojeda (Romperayo,
|
||||
Chupame El Dedo) has been successfully carving out a wildly idiosyncratic musical
|
||||
world since the release of their debut album ‘Toma Tu Jabón Kapax’ in 2010, pushing
|
||||
the boundaries of instrumental Latin tropical music with bold infusions of psychedelia,
|
||||
dub, minimalism and more. The three high school friends have been diving into punk,
|
||||
Colombian tropical music and African rhythms, amalgamating these into a potent brew
|
||||
fit for the dance floor. And now they are back with a new album, ‘Una Oportunidad
|
||||
Más de Triunfar en la Vida’, which is an infectious trip into the dark, pulsating
|
||||
heart of Bogota’s thrilling underground music scene.</p><p>Fuego e’ Cumbia</p><p>Fuego
|
||||
e’ Cumbia continues the centuries-old Gaita music tradition from the Colombian Montes
|
||||
de Maria. The melodies of Indigenous Gaita, a sweet-sounding woodwind with origins
|
||||
in the Kogui tribes, combined with the enchanting drum rhythms of runaway slaves,
|
||||
generate an infectious synergy that transcends time. This fusion of Indigenous and
|
||||
African influences creates a vibrant tapestry of sound, embodying the resilience
|
||||
and creativity of Colombia’s diverse heritage. The music pulses with life, inviting
|
||||
listeners to move, reflect, and connect with the stories of those who came before.
|
||||
It’s not just a rhythm; it’s a celebration of identity, history, and the unbreakable
|
||||
spirit of a people.</p><p>El Javier_B</p><p>After years of experimenting with his
|
||||
band Lola’s Dice (NYCT, Music with Soul and Bongo Joe), along with a passion for
|
||||
collecting vinyl, he embarked on an extensive journey to explore rhythms and sounds
|
||||
from around the globe. Hailing from Maracaibo, Venezuela, his spirit is deeply connected
|
||||
to the vibrant tropical beats of the Caribbean and the enchanting sounds of Africa.
|
||||
Currently, he is a resident Dj at Worm and Operator radio hosting his biweekly show
|
||||
Crema. El Javier_B is a creative force, dedicated to crafting eclectic mixes that
|
||||
ignite energy and groove on the dance floor.</p><p>About the program: INTERRUPCIÓN
|
||||
is dedicated to music from Latin America and its diaspora. There will be two more
|
||||
events in WORM: on the 15th of May and on the 3rd of July.</p><p>The events are
|
||||
organized by the team of Cinema Colombiano, who are this year celebrating the 10th
|
||||
edition of the film festival Cinema Colombiano on the 20th and 27th of September.</p><p>More
|
||||
info: <a target="_blank" href="https://www.cinecol.nl">www.cinecol.nl</a></p><p>Poster
|
||||
by Kevin Simón Mancera</p>'
|
||||
end_datetime: 1742509800
|
||||
id: 48
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- -0.04
|
||||
- -0.74
|
||||
height: 1222
|
||||
name: 'INTERRUPCIÓN: Los Pirañas + Fuego e'' Cumbia + El Javier_B'
|
||||
size: 326292
|
||||
url: 2a48b3b7ec777548e41551eeb337c42e.jpg
|
||||
width: 939
|
||||
multidate: false
|
||||
next: creme-de-la-creme-pen-plotting-and-dance-performances
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Boomgaardsstraat 71, 3012 XA Rotterdam
|
||||
id: 5
|
||||
latitude: null
|
||||
longitude: null
|
||||
name: Worm
|
||||
plain_description: 'People who were there at the first edition of INTERRUPCIÓN back
|
||||
in 2022 will
|
||||
|
||||
surely remember the savage night that unfolded. The groovy tropical rhythms of
|
||||
|
||||
Los Pirañas led to a frantic dance and mosh pit: it was pura Piraña mania!
|
||||
|
||||
|
||||
So, when Pedro, Mario and Eblis announced a European tour, with a new record
|
||||
|
||||
under their arms to boot , we of course wanted to bring them back to Rotterdam.
|
||||
|
||||
Add to that the gaita music of Fuego e’ Cumbia and the vinyl selections by El
|
||||
|
||||
Javier_B… you know this is going to be another memorable one indeed.
|
||||
|
||||
|
||||
Los Pirañas
|
||||
|
||||
|
||||
The Colombian supergroup consisting of guitarist Eblis Álvarez (Meridian
|
||||
|
||||
Brothers, Chupame El Dedo), bassist Mario Galeano (Frente Cumbiero) and drummer
|
||||
|
||||
Pedro Ojeda (Romperayo, Chupame El Dedo) has been successfully carving out a
|
||||
|
||||
wildly idiosyncratic musical world since the release of their debut album ‘Toma
|
||||
|
||||
Tu Jabón Kapax’ in 2010, pushing the boundaries of instrumental Latin tropical
|
||||
|
||||
music with bold infusions of psychedelia, dub, minimalism and more. The three
|
||||
|
||||
high school friends have been diving into punk, Colombian tropical music and
|
||||
|
||||
African rhythms, amalgamating these into a potent brew fit for the dance floor.
|
||||
|
||||
And now they are back with a new album, ‘Una Oportunidad Más de Triunfar en la
|
||||
|
||||
Vida’, which is an infectious trip into the dark, pulsating heart of Bogota’s
|
||||
|
||||
thrilling underground music scene.
|
||||
|
||||
|
||||
Fuego e’ Cumbia
|
||||
|
||||
|
||||
Fuego e’ Cumbia continues the centuries-old Gaita music tradition from the
|
||||
|
||||
Colombian Montes de Maria. The melodies of Indigenous Gaita, a sweet-sounding
|
||||
|
||||
woodwind with origins in the Kogui tribes, combined with the enchanting drum
|
||||
|
||||
rhythms of runaway slaves, generate an infectious synergy that transcends time.
|
||||
|
||||
This fusion of Indigenous and African influences creates a vibrant tapestry of
|
||||
|
||||
sound, embodying the resilience and creativity of Colombia’s diverse heritage.
|
||||
|
||||
The music pulses with life, inviting listeners to move, reflect, and connect
|
||||
|
||||
with the stories of those who came before. It’s not just a rhythm; it’s a
|
||||
|
||||
celebration of identity, history, and the unbreakable spirit of a people.
|
||||
|
||||
|
||||
El Javier_B
|
||||
|
||||
|
||||
After years of experimenting with his band Lola’s Dice (NYCT, Music with Soul
|
||||
|
||||
and Bongo Joe), along with a passion for collecting vinyl, he embarked on an
|
||||
|
||||
extensive journey to explore rhythms and sounds from around the globe. Hailing
|
||||
|
||||
from Maracaibo, Venezuela, his spirit is deeply connected to the vibrant
|
||||
|
||||
tropical beats of the Caribbean and the enchanting sounds of Africa. Currently,
|
||||
|
||||
he is a resident Dj at Worm and Operator radio hosting his biweekly show Crema.
|
||||
|
||||
El Javier_B is a creative force, dedicated to crafting eclectic mixes that
|
||||
|
||||
ignite energy and groove on the dance floor.
|
||||
|
||||
|
||||
About the program: INTERRUPCIÓN is dedicated to music from Latin America and its
|
||||
|
||||
diaspora. There will be two more events in WORM: on the 15th of May and on the
|
||||
|
||||
3rd of July.
|
||||
|
||||
|
||||
The events are organized by the team of Cinema Colombiano, who are this year
|
||||
|
||||
celebrating the 10th edition of the film festival Cinema Colombiano on the 20th
|
||||
|
||||
and 27th of September.
|
||||
|
||||
|
||||
More info: www.cinecol.nl [https://www.cinecol.nl]
|
||||
|
||||
|
||||
Poster by Kevin Simón Mancera'
|
||||
prev: open-mic-night
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: interrupcion-los-piranas-fuego-e-cumbia-el-javier_b
|
||||
start_datetime: 1742500800
|
||||
tags:
|
||||
- worm
|
||||
title: 'INTERRUPCIÓN: Los Pirañas + Fuego e'' Cumbia + El Javier_B'
|
||||
---
|
||||
|
||||
<p>People who were there at the first edition of INTERRUPCIÓN back in 2022 will surely remember the savage night that unfolded. The groovy tropical rhythms of Los Pirañas led to a frantic dance and mosh pit: it was pura Piraña mania!</p><p>So, when Pedro, Mario and Eblis announced a European tour, with a new record under their arms to boot , we of course wanted to bring them back to Rotterdam. Add to that the gaita music of Fuego e’ Cumbia and the vinyl selections by El Javier_B… you know this is going to be another memorable one indeed.</p><p>Los Pirañas</p><p>The Colombian supergroup consisting of guitarist Eblis Álvarez (Meridian Brothers, Chupame El Dedo), bassist Mario Galeano (Frente Cumbiero) and drummer Pedro Ojeda (Romperayo, Chupame El Dedo) has been successfully carving out a wildly idiosyncratic musical world since the release of their debut album ‘Toma Tu Jabón Kapax’ in 2010, pushing the boundaries of instrumental Latin tropical music with bold infusions of psychedelia, dub, minimalism and more. The three high school friends have been diving into punk, Colombian tropical music and African rhythms, amalgamating these into a potent brew fit for the dance floor. And now they are back with a new album, ‘Una Oportunidad Más de Triunfar en la Vida’, which is an infectious trip into the dark, pulsating heart of Bogota’s thrilling underground music scene.</p><p>Fuego e’ Cumbia</p><p>Fuego e’ Cumbia continues the centuries-old Gaita music tradition from the Colombian Montes de Maria. The melodies of Indigenous Gaita, a sweet-sounding woodwind with origins in the Kogui tribes, combined with the enchanting drum rhythms of runaway slaves, generate an infectious synergy that transcends time. This fusion of Indigenous and African influences creates a vibrant tapestry of sound, embodying the resilience and creativity of Colombia’s diverse heritage. The music pulses with life, inviting listeners to move, reflect, and connect with the stories of those who came before. It’s not just a rhythm; it’s a celebration of identity, history, and the unbreakable spirit of a people.</p><p>El Javier_B</p><p>After years of experimenting with his band Lola’s Dice (NYCT, Music with Soul and Bongo Joe), along with a passion for collecting vinyl, he embarked on an extensive journey to explore rhythms and sounds from around the globe. Hailing from Maracaibo, Venezuela, his spirit is deeply connected to the vibrant tropical beats of the Caribbean and the enchanting sounds of Africa. Currently, he is a resident Dj at Worm and Operator radio hosting his biweekly show Crema. El Javier_B is a creative force, dedicated to crafting eclectic mixes that ignite energy and groove on the dance floor.</p><p>About the program: INTERRUPCIÓN is dedicated to music from Latin America and its diaspora. There will be two more events in WORM: on the 15th of May and on the 3rd of July.</p><p>The events are organized by the team of Cinema Colombiano, who are this year celebrating the 10th edition of the film festival Cinema Colombiano on the 20th and 27th of September.</p><p>More info: <a target="_blank" href="https://www.cinecol.nl">www.cinecol.nl</a></p><p>Poster by Kevin Simón Mancera</p>
|
78
src/content/events/its-sonic-bath-daaaay.md
Normal file
@ -0,0 +1,78 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Dear listeners, 👂<br><br>on Saturday the 23rd of November, you are
|
||||
warmly invited to join a workshop about sonic awareness, at <a href="https://www.instagram.com/extrapractice/"
|
||||
target="_blank">extrapractice</a> .<br>Margo is going to guide you somewhere in
|
||||
between free musical improvisation and deep listening. We will sing, and breathe,
|
||||
and move, and make funny noises with funny objects. 🪠<br><br>But most of all, we’re
|
||||
going to tune in to our environment and listen. So put on your most comfy clothes
|
||||
and come make bubbles with friends! 🫧<br><br>It begins at 13.00 and lunch is included
|
||||
(vegan and gluten free). 🥗<br><br>5 euros of participation is asked, with 10 spots
|
||||
available.<br><br>Send a message at marguerite.maire@outlook.fr</p>
|
||||
end_datetime: 1732424400
|
||||
id: 15
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 1350
|
||||
name: 🛀🛀🛀It’s sonic bath daaaay! 🛀🛀🛀
|
||||
size: 213008
|
||||
url: 607c905a35e634ef58247939c910df36.jpg
|
||||
width: 1080
|
||||
multidate: false
|
||||
next: lets-unrepair-things-together-4
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Linker Rottekade 5a, Rotterdam
|
||||
id: 6
|
||||
latitude: null
|
||||
longitude: null
|
||||
name: ExtraPractice
|
||||
plain_description: 'Dear listeners, 👂
|
||||
|
||||
|
||||
on Saturday the 23rd of November, you are warmly invited to join a workshop
|
||||
|
||||
about sonic awareness, at @extrapractice
|
||||
|
||||
[https://www.instagram.com/extrapractice/] .
|
||||
|
||||
Margo is going to guide you somewhere in between free musical improvisation and
|
||||
|
||||
deep listening. We will sing, and breathe, and move, and make funny noises with
|
||||
|
||||
funny objects. 🪠
|
||||
|
||||
|
||||
But most of all, we’re going to tune in to our environment and listen. So put on
|
||||
|
||||
your most comfy clothes and come make bubbles with friends! 🫧
|
||||
|
||||
|
||||
It begins at 13.00 and lunch is included (vegan and gluten free). 🥗
|
||||
|
||||
|
||||
5 euros of participation is asked, with 10 spots available.
|
||||
|
||||
|
||||
Send a message at marguerite.maire@outlook.fr'
|
||||
prev: lets-unrepair-things-together-3
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: its-sonic-bath-daaaay
|
||||
start_datetime: 1732363200
|
||||
tags:
|
||||
- extrapractice
|
||||
- sonic awareness
|
||||
title: 🛀🛀🛀It’s sonic bath daaaay! 🛀🛀🛀
|
||||
---
|
||||
|
||||
<p>Dear listeners, 👂<br><br>on Saturday the 23rd of November, you are warmly invited to join a workshop about sonic awareness, at <a href="https://www.instagram.com/extrapractice/" target="_blank">@extrapractice</a> .<br>Margo is going to guide you somewhere in between free musical improvisation and deep listening. We will sing, and breathe, and move, and make funny noises with funny objects. 🪠<br><br>But most of all, we’re going to tune in to our environment and listen. So put on your most comfy clothes and come make bubbles with friends! 🫧<br><br>It begins at 13.00 and lunch is included (vegan and gluten free). 🥗<br><br>5 euros of participation is asked, with 10 spots available.<br><br>Send a message at marguerite.maire@outlook.fr</p>
|
64
src/content/events/klankschool-community-gathering.md
Normal file
@ -0,0 +1,64 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Let's catch up at Catu on Thursday, March 6th between 18 and 21h over
|
||||
a cup of tea. </p><p>To meet and talk about recent Klankschool activities, discuss
|
||||
paths taken so far and articulate possible futures for this community.</p><p>Feel
|
||||
free to send ideas, discussion points and wishes in via email beforehand. You can
|
||||
reach everyone via the <a href="https://we.lurk.org/mailman3/lists/klankbord.we.lurk.org/"
|
||||
target="_blank">Klankbord</a>.</p>
|
||||
end_datetime: 1741291200
|
||||
id: 33
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 849
|
||||
name: Klankschool Community Gathering
|
||||
size: 126720
|
||||
url: ad283eb911d43e2ff1adb99cb343ea35.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: snackbar-is-open-and-rebetiko-concert-mosaic
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: 'Let''s catch up at Catu on Thursday, March 6th between 18 and
|
||||
21h over a cup of
|
||||
|
||||
tea.
|
||||
|
||||
|
||||
To meet and talk about recent Klankschool activities, discuss paths taken so far
|
||||
|
||||
and articulate possible futures for this community.
|
||||
|
||||
|
||||
Feel free to send ideas, discussion points and wishes in via email beforehand.
|
||||
|
||||
You can reach everyone via the Klankbord
|
||||
|
||||
[https://we.lurk.org/mailman3/lists/klankbord.we.lurk.org/].'
|
||||
prev: unrepair-cafe-3
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: klankschool-community-gathering
|
||||
start_datetime: 1741280400
|
||||
tags:
|
||||
- klankschool
|
||||
- gathering
|
||||
- hang-out
|
||||
title: Klankschool Community Gathering
|
||||
---
|
||||
|
||||
<p>Let's catch up at Catu on Thursday, March 6th between 18 and 21h over a cup of tea. </p><p>To meet and talk about recent Klankschool activities, discuss paths taken so far and articulate possible futures for this community.</p><p>Feel free to send ideas, discussion points and wishes in via email beforehand. You can reach everyone via the <a href="https://we.lurk.org/mailman3/lists/klankbord.we.lurk.org/" target="_blank">Klankbord</a>.</p>
|
139
src/content/events/klankschool-performances.md
Normal file
@ -0,0 +1,139 @@
|
||||
---
|
||||
boost: []
|
||||
description: '<blockquote><h3>when we have performed many thousands,<br>we shall shake
|
||||
them into confusion, in order that we might not know,<br>and in order not to let
|
||||
any evil person envy us,<br>when he knows that there are so many of our kisses.</h3></blockquote><p>Klankschool
|
||||
is back in catullusweg for more performances, workshops and listening.</p><p></p><h2>6pm:
|
||||
Klankserver longtable discussion</h2><p></p><p>Here at klankschool we have our own
|
||||
server, running open source software to provide <a target="_blank" href="https://calendar.klank.school/">this
|
||||
calendar</a>, <a target="_blank" href="https://funk.klank.school/library">an audio
|
||||
sharing platform</a>, <a target="_blank" href="https://klank.school/">the website</a>,
|
||||
<a target="_blank" href="https://live.klank.school">and more to come</a>.</p><p>This
|
||||
evening we will introduce some of these services, show how to use them, and have
|
||||
a longtable discussion about what it means to have an artist run server, what we
|
||||
plan to do with it, and why we want it.</p><p><a target="_blank" href="https://calendar.klank.school/event/server-introduction">For
|
||||
more info on the discussion, see the event.</a></p><p></p><h2>7pm: Delicious Vegan
|
||||
Dinner</h2><p></p><h2>8pm: Performances</h2><p></p><p>... 🥁 🎹 🔌 Lukasz Moroz , Maciej
|
||||
Müller and Tymon Kolubiński</p><p>... 🏠 Ariela Bergman "“the house that inhabits
|
||||
you”</p><p>... 🫥 mitsitron & 🌀 Stephen Kerr</p><p>... 👲🏻 🧑🦽 HOLLOWMIST</p><p>...
|
||||
📱 Dada phone</p><p>... 🪠 Archibald “Harry” Tuttle</p><p>... and more</p><p></p>'
|
||||
end_datetime: 1729368000
|
||||
id: 1
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 1920
|
||||
name: 2nd KLANKSCHOOL DAG&AVOND
|
||||
size: 1286409
|
||||
url: a6734cfcec029795d1bfcc853137aafb.jpg
|
||||
width: 1080
|
||||
multidate: false
|
||||
next: server-introduction
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: '> WHEN WE HAVE PERFORMED MANY THOUSANDS,
|
||||
|
||||
> WE SHALL SHAKE THEM INTO CONFUSION, IN ORDER THAT WE MIGHT NOT KNOW,
|
||||
|
||||
> AND IN ORDER NOT TO LET ANY EVIL PERSON ENVY US,
|
||||
|
||||
> WHEN HE KNOWS THAT THERE ARE SO MANY OF OUR KISSES.
|
||||
|
||||
|
||||
Klankschool is back in catullusweg for more performances, workshops and
|
||||
|
||||
listening.
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
6PM: KLANKSERVER LONGTABLE DISCUSSION
|
||||
|
||||
|
||||
|
||||
|
||||
Here at klankschool we have our own server, running open source software to
|
||||
|
||||
provide this calendar [https://calendar.klank.school/], an audio sharing
|
||||
|
||||
platform [https://funk.klank.school/library], the website
|
||||
|
||||
[https://klank.school/], and more to come [https://live.klank.school].
|
||||
|
||||
|
||||
This evening we will introduce some of these services, show how to use them, and
|
||||
|
||||
have a longtable discussion about what it means to have an artist run server,
|
||||
|
||||
what we plan to do with it, and why we want it.
|
||||
|
||||
|
||||
For more info on the discussion, see the event.
|
||||
|
||||
[https://calendar.klank.school/event/server-introduction]
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
7PM: DELICIOUS VEGAN DINNER
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
8PM: PERFORMANCES
|
||||
|
||||
|
||||
|
||||
|
||||
... 🥁 🎹 🔌 Lukasz Moroz , Maciej Müller and Tymon Kolubiński
|
||||
|
||||
|
||||
... 🏠 Ariela Bergman "“the house that inhabits you”
|
||||
|
||||
|
||||
... 🫥 mitsitron & 🌀 Stephen Kerr
|
||||
|
||||
|
||||
... 👲🏻 🧑🦽 HOLLOWMIST
|
||||
|
||||
|
||||
... 📱 Dada phone
|
||||
|
||||
|
||||
... 🪠 Archibald “Harry” Tuttle
|
||||
|
||||
|
||||
... and more
|
||||
|
||||
|
||||
'
|
||||
prev: null
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: klankschool-performances
|
||||
start_datetime: 1729353600
|
||||
tags:
|
||||
- klankschool
|
||||
- live
|
||||
- noise
|
||||
- performance
|
||||
title: 2nd Klankschool Dag&Avond
|
||||
---
|
||||
|
||||
<blockquote><h3>when we have performed many thousands,<br>we shall shake them into confusion, in order that we might not know,<br>and in order not to let any evil person envy us,<br>when he knows that there are so many of our kisses.</h3></blockquote><p>Klankschool is back in catullusweg for more performances, workshops and listening.</p><p></p><h2>6pm: Klankserver longtable discussion</h2><p></p><p>Here at klankschool we have our own server, running open source software to provide <a target="_blank" href="https://calendar.klank.school/">this calendar</a>, <a target="_blank" href="https://funk.klank.school/library">an audio sharing platform</a>, <a target="_blank" href="https://klank.school/">the website</a>, <a target="_blank" href="https://live.klank.school">and more to come</a>.</p><p>This evening we will introduce some of these services, show how to use them, and have a longtable discussion about what it means to have an artist run server, what we plan to do with it, and why we want it.</p><p><a target="_blank" href="https://calendar.klank.school/event/server-introduction">For more info on the discussion, see the event.</a></p><p></p><h2>7pm: Delicious Vegan Dinner</h2><p></p><h2>8pm: Performances</h2><p></p><p>... 🥁 🎹 🔌 Lukasz Moroz , Maciej Müller and Tymon Kolubiński</p><p>... 🏠 Ariela Bergman "“the house that inhabits you”</p><p>... 🫥 mitsitron & 🌀 Stephen Kerr</p><p>... 👲🏻 🧑🦽 HOLLOWMIST</p><p>... 📱 Dada phone</p><p>... 🪠 Archibald “Harry” Tuttle</p><p>... and more</p><p></p>
|
35
src/content/events/lets-un-repair-things-together.md
Normal file
@ -0,0 +1,35 @@
|
||||
---
|
||||
boost: []
|
||||
description: ''
|
||||
end_datetime: 1730415300
|
||||
id: 7
|
||||
image_path: null
|
||||
isAnon: true
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media: []
|
||||
multidate: false
|
||||
next: extratonal-special-3-sound-is-political
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: ''
|
||||
prev: server-introduction
|
||||
has_log: true
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: lets-un-repair-things-together
|
||||
start_datetime: 1730394000
|
||||
tags: []
|
||||
title: let's (un) repair things together
|
||||
---
|
||||
|
||||
### Logs
|
||||
Repaired an audio amplifier by replacing a switch, a megaphone by cleaning the battery ports, and discovered the fireworks that is blown fuses.
|
41
src/content/events/lets-unrepair-things-together-1.md
Normal file
@ -0,0 +1,41 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Bring your (un)broken devices and sound makers!</p>
|
||||
end_datetime: 1731016800
|
||||
id: 10
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media: []
|
||||
multidate: false
|
||||
next: lets-unrepair-things-together-2
|
||||
online_locations: ''
|
||||
parent:
|
||||
id: 9
|
||||
is_visible: false
|
||||
recurrent:
|
||||
frequency: 1w
|
||||
start_datetime: 1730998800
|
||||
parentId: 9
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: Bring your (un)broken devices and sound makers!
|
||||
prev: palestine-cinema-days-around-the-world-naila-and-the-uprising
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: lets-unrepair-things-together-1
|
||||
start_datetime: 1730998800
|
||||
tags:
|
||||
- klankschool
|
||||
- noise
|
||||
- repair
|
||||
title: Let's (un)repair things together!
|
||||
---
|
||||
|
||||
<p>Bring your (un)broken devices and sound makers!</p>
|
41
src/content/events/lets-unrepair-things-together-2.md
Normal file
@ -0,0 +1,41 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Bring your (un)broken devices and sound makers!</p>
|
||||
end_datetime: 1731621600
|
||||
id: 11
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media: []
|
||||
multidate: null
|
||||
next: extratonal-infrastructure-16-qoa-en-primeiro
|
||||
online_locations: []
|
||||
parent:
|
||||
id: 9
|
||||
is_visible: false
|
||||
recurrent:
|
||||
frequency: 1w
|
||||
start_datetime: 1730998800
|
||||
parentId: 9
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: Bring your (un)broken devices and sound makers!
|
||||
prev: lets-unrepair-things-together-1
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: lets-unrepair-things-together-2
|
||||
start_datetime: 1731603600
|
||||
tags:
|
||||
- klankschool
|
||||
- noise
|
||||
- repair
|
||||
title: Let's (un)repair things together!
|
||||
---
|
||||
|
||||
<p>Bring your (un)broken devices and sound makers!</p>
|
46
src/content/events/lets-unrepair-things-together-3.md
Normal file
@ -0,0 +1,46 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Bring your (un)broken devices and sound makers!</p>
|
||||
end_datetime: 1732226400
|
||||
id: 12
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media: []
|
||||
multidate: null
|
||||
next: its-sonic-bath-daaaay
|
||||
online_locations: []
|
||||
parent:
|
||||
id: 9
|
||||
is_visible: false
|
||||
recurrent:
|
||||
frequency: 1w
|
||||
start_datetime: 1730998800
|
||||
parentId: 9
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: Bring your (un)broken devices and sound makers!
|
||||
prev: sounds-of-making-xpub1-presents-protocols-for-collective-performance
|
||||
recurrent: null
|
||||
has_log: true
|
||||
resources: []
|
||||
slug: lets-unrepair-things-together-3
|
||||
start_datetime: 1732208400
|
||||
tags:
|
||||
- klankschool
|
||||
- noise
|
||||
- repair
|
||||
title: Let's (un)repair things together!
|
||||
---
|
||||
|
||||
<p>Bring your (un)broken devices and sound makers!</p>
|
||||
|
||||
### Logs
|
||||
|
||||
Toy keyboards are fun, especially if you apply the card method of infinite drone music.
|
48
src/content/events/lets-unrepair-things-together-4.md
Normal file
@ -0,0 +1,48 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Bring your (un)broken devices and sound makers!</p>
|
||||
end_datetime: 1732831200
|
||||
id: 16
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media: []
|
||||
multidate: null
|
||||
next: extratonal-infrastructure-17-dianaband-vegetable-wife-with-jae-hyung-park-and-lucija-gregov
|
||||
online_locations: []
|
||||
parent:
|
||||
id: 9
|
||||
is_visible: false
|
||||
recurrent:
|
||||
frequency: 1w
|
||||
start_datetime: 1730998800
|
||||
parentId: 9
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: Bring your (un)broken devices and sound makers!
|
||||
prev: its-sonic-bath-daaaay
|
||||
recurrent: null
|
||||
resources: []
|
||||
has_log: true
|
||||
slug: lets-unrepair-things-together-4
|
||||
start_datetime: 1732813200
|
||||
tags:
|
||||
- klankschool
|
||||
- noise
|
||||
- repair
|
||||
title: Let's (un)repair things together!
|
||||
---
|
||||
|
||||
<p>Bring your (un)broken devices and sound makers!</p>
|
||||
|
||||
### Logs
|
||||
|
||||
There were five of us today
|
||||
|
||||
- The openproject instance now sends email notifications.
|
49
src/content/events/lets-unrepair-things-together-4x.md
Normal file
@ -0,0 +1,49 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Bring your (un)broken devices and sound makers!</p>
|
||||
end_datetime: 1732831200
|
||||
id: 16
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media: []
|
||||
multidate: null
|
||||
next: extratonal-infrastructure-17-dianaband-vegetable-wife-with-jae-hyung-park-and-lucija-gregov
|
||||
online_locations: []
|
||||
parent:
|
||||
id: 9
|
||||
is_visible: false
|
||||
recurrent:
|
||||
frequency: 1w
|
||||
start_datetime: 1730998800
|
||||
parentId: 9
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: Bring your (un)broken devices and sound makers!
|
||||
prev: its-sonic-bath-daaaay
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: lets-unrepair-things-together-4
|
||||
start_datetime: 1733413200
|
||||
has_log: true
|
||||
tags:
|
||||
- klankschool
|
||||
- noise
|
||||
- repair
|
||||
title: Let's (un)repair things together!
|
||||
---
|
||||
|
||||
<p>Bring your (un)broken devices and sound makers!</p>
|
||||
|
||||
### Logs
|
||||
|
||||
Someone came in with a pokemon camera that could also play audio from a small SD card. However, the camera only had a small speaker, so we added an audio jack!
|
||||
Additionally, we worked on 4 casette players, all of them had issues with the belts. We'll need to order some replacement belts to get them working again. One of the casette players wouldnt turn on, but after a bit of cleaning of the battery holder, this was resolved.
|
||||
|
||||

|
41
src/content/events/lets-unrepair-things-together-6.md
Normal file
@ -0,0 +1,41 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Bring your (un)broken devices and sound makers!</p>
|
||||
end_datetime: 1734040800
|
||||
id: 19
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media: []
|
||||
multidate: null
|
||||
next: lets-unrepair-things-together-7
|
||||
online_locations: []
|
||||
parent:
|
||||
id: 9
|
||||
is_visible: false
|
||||
recurrent:
|
||||
frequency: 1w
|
||||
start_datetime: 1730998800
|
||||
parentId: 9
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: Bring your (un)broken devices and sound makers!
|
||||
prev: lets-unrepair-things-together-analog-video-edition
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: lets-unrepair-things-together-6
|
||||
start_datetime: 1734022800
|
||||
tags:
|
||||
- klankschool
|
||||
- noise
|
||||
- repair
|
||||
title: Let's (un)repair things together!
|
||||
---
|
||||
|
||||
<p>Bring your (un)broken devices and sound makers!</p>
|
46
src/content/events/lets-unrepair-things-together-7.md
Normal file
@ -0,0 +1,46 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Bring your (un)broken devices and sound makers!</p>
|
||||
end_datetime: 1734645600
|
||||
id: 20
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media: []
|
||||
multidate: null
|
||||
next: lets-unrepair-things-together-8
|
||||
online_locations: []
|
||||
parent:
|
||||
id: 9
|
||||
is_visible: false
|
||||
recurrent:
|
||||
frequency: 1w
|
||||
start_datetime: 1730998800
|
||||
parentId: 9
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: Bring your (un)broken devices and sound makers!
|
||||
prev: lets-unrepair-things-together-6
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: lets-unrepair-things-together-7
|
||||
start_datetime: 1734627600
|
||||
has_log: true
|
||||
tags:
|
||||
- klankschool
|
||||
- noise
|
||||
- repair
|
||||
title: Let's (un)repair things together!
|
||||
---
|
||||
|
||||
<p>Bring your (un)broken devices and sound makers!</p>
|
||||
|
||||
### Logs
|
||||
|
||||
We explored the circuit bending of an analog video mixer, and continued installing Linux on a server from the V2 Winter Market
|
41
src/content/events/lets-unrepair-things-together-8.md
Normal file
@ -0,0 +1,41 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Bring your (un)broken devices and sound makers!</p>
|
||||
end_datetime: 1735250400
|
||||
id: 21
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media: []
|
||||
multidate: null
|
||||
next: unrepair-cafe
|
||||
online_locations: []
|
||||
parent:
|
||||
id: 9
|
||||
is_visible: false
|
||||
recurrent:
|
||||
frequency: 1w
|
||||
start_datetime: 1730998800
|
||||
parentId: 9
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: Bring your (un)broken devices and sound makers!
|
||||
prev: lets-unrepair-things-together-7
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: lets-unrepair-things-together-8
|
||||
start_datetime: 1735232400
|
||||
tags:
|
||||
- klankschool
|
||||
- noise
|
||||
- repair
|
||||
title: Let's (un)repair things together!
|
||||
---
|
||||
|
||||
<p>Bring your (un)broken devices and sound makers!</p>
|
@ -0,0 +1,45 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Bring your (un)broken devices and sound makers!</p><p>This time, we'll
|
||||
work with video! Analog video mixers, camera's, anything with lights.</p><p>Come
|
||||
by!</p>
|
||||
end_datetime: null
|
||||
id: 18
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media: []
|
||||
multidate: false
|
||||
next: lets-unrepair-things-together-6
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: 'Bring your (un)broken devices and sound makers!
|
||||
|
||||
|
||||
This time, we''ll work with video! Analog video mixers, camera''s, anything with
|
||||
|
||||
lights.
|
||||
|
||||
|
||||
Come by!'
|
||||
prev: extratonal-infrastructure-17-dianaband-vegetable-wife-with-jae-hyung-park-and-lucija-gregov
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: lets-unrepair-things-together-analog-video-edition
|
||||
start_datetime: 1734022800
|
||||
tags:
|
||||
- catu
|
||||
- klankschool
|
||||
title: Let's (un)repair things together! Analog Video edition!
|
||||
---
|
||||
|
||||
<p>Bring your (un)broken devices and sound makers!</p><p>This time, we'll work with video! Analog video mixers, camera's, anything with lights.</p><p>Come by!</p>
|
48
src/content/events/open-mic-night.md
Normal file
@ -0,0 +1,48 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Share your latest tunes, patches, poetry, noise, algorithms. Entrance
|
||||
is gratis. <br>RSVP events ( at ) klank ( dot ) school to join the programme.</p>
|
||||
end_datetime: 1742502600
|
||||
id: 34
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 861
|
||||
name: Open Mic Night
|
||||
size: 108141
|
||||
url: d17620bbf508b11f314d83413fe35c2e.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: interrupcion-los-piranas-fuego-e-cumbia-el-javier_b
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: 'Share your latest tunes, patches, poetry, noise, algorithms. Entrance
|
||||
is gratis.
|
||||
|
||||
RSVP events ( at ) klank ( dot ) school to join the programme.'
|
||||
prev: extratonal-special-42-illustrations
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: open-mic-night
|
||||
start_datetime: 1742491800
|
||||
tags:
|
||||
- klankschool
|
||||
- sound
|
||||
- open mic
|
||||
title: Open Mic Night
|
||||
---
|
||||
|
||||
<p>Share your latest tunes, patches, poetry, noise, algorithms. Entrance is gratis. <br>RSVP events ( at ) klank ( dot ) school to join the programme.</p>
|
@ -0,0 +1,113 @@
|
||||
---
|
||||
boost: []
|
||||
description: '<p>In 2023, <strong>Film Lab Palestine</strong> had to postpone their
|
||||
<strong>Palestine Cinema Days</strong> festival. Instead of celebrating cinema in
|
||||
Palestine, they brought Palestine to the world in 86 cities, across 139 venues,
|
||||
spanning 41 countries. November 2nd marks the day the Balfour Declaration was signed,
|
||||
and in an effort to amplify Palestinian voices, we are joining <a target="_blank"
|
||||
href="https://aflamuna.org/calls/palestine-cinema-days-around-the-world-24/"><strong>Palestine
|
||||
Cinema Days Around The World</strong></a> and are screening Naila And The Uprising
|
||||
directed by Julia Bacha.</p><p>Alongside the film screening <a target="_blank"
|
||||
href="https://www.fairtradepalestine.org/"><strong>Fairtrade Palestine</strong></a>
|
||||
will be selling a variety of products from the West Bank, and we will have anti-colonial,
|
||||
liberation and encampment advice zines available via <a target="_blank" href="https://www.rot-shop.com/zine-distro-fundraiser"><strong>rot
|
||||
shop</strong></a> to copy and print your own selection from. There will also be
|
||||
<strong>silkscreen solidarity shirts</strong> from Video for sale. All donations
|
||||
for the zines and shirts will go directly to two families in Gaza, and grassroots
|
||||
mutual aid initiative The Sanabel Team.</p><p><strong>Naila And The Uprising</strong><br>by
|
||||
Julia Bacha</p><p>Documentary, 76 mins.<br>Chronicling the remarkable journey of
|
||||
Naila Ayesh and a fierce community of women at the frontlines, whose stories weave
|
||||
through the most vibrant, nonviolent mobilisation in Palestinian history – the First
|
||||
Intifada in the late 1980s.</p><p>Languages: Arabic, English, Hebrew, French.<br>Subtitles:
|
||||
English.</p>'
|
||||
end_datetime: 1730581200
|
||||
id: 8
|
||||
image_path: null
|
||||
isAnon: true
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 778
|
||||
name: Palestine Cinema Days Around The World - Naila And The Uprising
|
||||
size: 165250
|
||||
url: e79f8e017e8fdb1a603e1ed4d5a4f450.jpg
|
||||
width: 778
|
||||
multidate: false
|
||||
next: lets-unrepair-things-together-1
|
||||
online_locations:
|
||||
- https://varia.zone/en/palestine-cinema-days-naila-and-the-uprising.html
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Gouwstraat 3
|
||||
id: 4
|
||||
latitude: null
|
||||
longitude: null
|
||||
name: Varia
|
||||
plain_description: 'In 2023, Film Lab Palestine had to postpone their Palestine Cinema
|
||||
Days
|
||||
|
||||
festival. Instead of celebrating cinema in Palestine, they brought Palestine to
|
||||
|
||||
the world in 86 cities, across 139 venues, spanning 41 countries. November 2nd
|
||||
|
||||
marks the day the Balfour Declaration was signed, and in an effort to amplify
|
||||
|
||||
Palestinian voices, we are joining Palestine Cinema Days Around The World
|
||||
|
||||
[https://aflamuna.org/calls/palestine-cinema-days-around-the-world-24/] and are
|
||||
|
||||
screening Naila And The Uprising directed by Julia Bacha .
|
||||
|
||||
|
||||
Alongside the film screening Fairtrade Palestine
|
||||
|
||||
[https://www.fairtradepalestine.org/] will be selling a variety of products from
|
||||
|
||||
the West Bank, and we will have anti-colonial, liberation and encampment advice
|
||||
|
||||
zines available via rot shop [https://www.rot-shop.com/zine-distro-fundraiser]
|
||||
|
||||
to copy and print your own selection from. There will also be silkscreen
|
||||
|
||||
solidarity shirts from Video for sale. All donations for the zines and shirts
|
||||
|
||||
will go directly to two families in Gaza, and grassroots mutual aid initiative
|
||||
|
||||
The Sanabel Team.
|
||||
|
||||
|
||||
Naila And The Uprising
|
||||
|
||||
by Julia Bacha
|
||||
|
||||
|
||||
Documentary, 76 mins.
|
||||
|
||||
Chronicling the remarkable journey of Naila Ayesh and a fierce community of
|
||||
|
||||
women at the frontlines, whose stories weave through the most vibrant,
|
||||
|
||||
nonviolent mobilisation in Palestinian history – the First Intifada in the late
|
||||
|
||||
1980s.
|
||||
|
||||
|
||||
Languages: Arabic, English, Hebrew, French.
|
||||
|
||||
Subtitles: English.'
|
||||
prev: extratonal-special-3-sound-is-political
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: palestine-cinema-days-around-the-world-naila-and-the-uprising
|
||||
start_datetime: 1730570400
|
||||
tags:
|
||||
- Palestine Cinema Days
|
||||
title: Palestine Cinema Days Around The World - Naila And The Uprising
|
||||
---
|
||||
|
||||
<p>In 2023, <strong>Film Lab Palestine</strong> had to postpone their <strong>Palestine Cinema Days</strong> festival. Instead of celebrating cinema in Palestine, they brought Palestine to the world in 86 cities, across 139 venues, spanning 41 countries. November 2nd marks the day the Balfour Declaration was signed, and in an effort to amplify Palestinian voices, we are joining <a target="_blank" href="https://aflamuna.org/calls/palestine-cinema-days-around-the-world-24/"><strong>Palestine Cinema Days Around The World</strong></a> and are screening Naila And The Uprising directed by Julia Bacha.</p><p>Alongside the film screening <a target="_blank" href="https://www.fairtradepalestine.org/"><strong>Fairtrade Palestine</strong></a> will be selling a variety of products from the West Bank, and we will have anti-colonial, liberation and encampment advice zines available via <a target="_blank" href="https://www.rot-shop.com/zine-distro-fundraiser"><strong>rot shop</strong></a> to copy and print your own selection from. There will also be <strong>silkscreen solidarity shirts</strong> from Video for sale. All donations for the zines and shirts will go directly to two families in Gaza, and grassroots mutual aid initiative The Sanabel Team.</p><p><strong>Naila And The Uprising</strong><br>by Julia Bacha</p><p>Documentary, 76 mins.<br>Chronicling the remarkable journey of Naila Ayesh and a fierce community of women at the frontlines, whose stories weave through the most vibrant, nonviolent mobilisation in Palestinian history – the First Intifada in the late 1980s.</p><p>Languages: Arabic, English, Hebrew, French.<br>Subtitles: English.</p>
|
66
src/content/events/server-introduction.md
Normal file
@ -0,0 +1,66 @@
|
||||
---
|
||||
boost: []
|
||||
description: <blockquote><p>The Long Table is a format for discussion that uses the
|
||||
setting of a domestic dinner table as a means to generate public conversation. Conceived
|
||||
in 2003 by Lois Weaver in response to the divided nature of conventional panel discussions,
|
||||
the Long Table allows voices to be heard equally, disrupting hierarchical notions
|
||||
of 'expertise'. It was inspired by Maureen Gorris's film <em>Antonia's Line</em>,
|
||||
the central image of which is a dinner table getting longer and longer to accomodate
|
||||
a growing family of outsiders, eccentrics and friends - until finally it has to
|
||||
be moved outside. Since then, the Table has been set at institutions and festivals
|
||||
worldwide, and invited hundreds of people to sit and share their views on myriad
|
||||
topics. The Long Table is an open-source format; you are welcome to use it as a
|
||||
means of generating discussion on any subject you choose.</p><p>--- <a target="_blank"
|
||||
href="https://www.split-britches.com/long-table">https://www.split-britches.com/long-table</a></p></blockquote>
|
||||
end_datetime: 1729357200
|
||||
id: 4
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 1063
|
||||
name: 'Server Longtable '
|
||||
size: 159728
|
||||
url: f6c89423d8e4a15114f861ec401a4e41.jpg
|
||||
width: 750
|
||||
multidate: false
|
||||
next: lets-un-repair-things-together
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: "> The Long Table is a format for discussion that uses the setting\
|
||||
\ of a domestic\n> dinner table as a means to generate public conversation. Conceived\
|
||||
\ in 2003 by\n> Lois Weaver in response to the divided nature of conventional panel\n\
|
||||
> discussions, the Long Table allows voices to be heard equally, disrupting\n> hierarchical\
|
||||
\ notions of 'expertise'. It was inspired by Maureen Gorris's film\n> Antonia's\
|
||||
\ Line, the central image of which is a dinner table getting longer\n> and longer\
|
||||
\ to accomodate a growing family of outsiders, eccentrics and friends\n> - until\
|
||||
\ finally it has to be moved outside. Since then, the Table has been set\n> at institutions\
|
||||
\ and festivals worldwide, and invited hundreds of people to sit\n> and share their\
|
||||
\ views on myriad topics. The Long Table is an open-source\n> format; you are welcome\
|
||||
\ to use it as a means of generating discussion on any\n> subject you choose.\n\
|
||||
> \n> --- https://www.split-britches.com/long-table\n> [https://www.split-britches.com/long-table]"
|
||||
prev: klankschool-performances
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: server-introduction
|
||||
start_datetime: 1729353600
|
||||
tags:
|
||||
- klankschool
|
||||
- longtable
|
||||
- server
|
||||
title: 'Server Longtable '
|
||||
---
|
||||
|
||||
<blockquote><p>The Long Table is a format for discussion that uses the setting of a domestic dinner table as a means to generate public conversation. Conceived in 2003 by Lois Weaver in response to the divided nature of conventional panel discussions, the Long Table allows voices to be heard equally, disrupting hierarchical notions of 'expertise'. It was inspired by Maureen Gorris's film <em>Antonia's Line</em>, the central image of which is a dinner table getting longer and longer to accomodate a growing family of outsiders, eccentrics and friends - until finally it has to be moved outside. Since then, the Table has been set at institutions and festivals worldwide, and invited hundreds of people to sit and share their views on myriad topics. The Long Table is an open-source format; you are welcome to use it as a means of generating discussion on any subject you choose.</p><p>--- <a target="_blank" href="https://www.split-britches.com/long-table">https://www.split-britches.com/long-table</a></p></blockquote>
|
103
src/content/events/snackbar-frieda-opening.md
Normal file
@ -0,0 +1,103 @@
|
||||
---
|
||||
boost: []
|
||||
description: '<p>With great enthusiasm we are announcing the opening of Snackbar Frieda!
|
||||
Frieda is not just any snackbar. We hand out snacks on a donation basis, which means
|
||||
in return for any contribution you like. We strive for a world where food is a shared
|
||||
good rather than a means to profit. Snackbar Frieda is based in a squatted space,
|
||||
because we believe empty spaces in the city should be used for the common good.
|
||||
This project is an experiment to see what life can look like when we take care
|
||||
of each other and our city''s needs, through self-organization and solidarity. It
|
||||
is a labor of love, entirely volunteer-run. That means that we’re welcoming
|
||||
YOU to join and build this place together with us! Come by for an event, a build
|
||||
day or a snack!</p><p>Vol enthousiasme openen wij snackbar Frieda! Frieda is niet
|
||||
zomaar een snackbar. We werken op donatiebasis, snacks zijn gratis of je doneert
|
||||
wat je kan missen. In onze ideale wereld is eten een gedeeld goed dat wordt ingezet
|
||||
voor verbinding, niet voor winst. Met dit project willen we experimenteren met verschillende
|
||||
manieren van samenleven; door zelf te organiseren met solidariteit en zorg voor
|
||||
elkaar en de stad. Omdat Rotterdam volstaat met lege gebouwen die gebruikt kunnen
|
||||
en moeten worden, zit Snackbar Frieda in een gekraakt pand. Frieda is een passieproject:
|
||||
we draaien volledig op vrijwilligers en onze eigen tijd. Iedereen is van harte welkom
|
||||
om mee te doen en deze plek samen met ons vorm te geven. Kom langs voor een
|
||||
evenement, bij de bouwdag of voor een snack! </p>'
|
||||
end_datetime: 1738436400
|
||||
id: 30
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- -0.31
|
||||
- -1
|
||||
height: 1698
|
||||
name: Snackbar Frieda Opening!
|
||||
size: 271582
|
||||
url: bf4581942ff9cec4b05bd345d3acbc1a.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: 4-avond
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Bajonetstraat 49, 3014 ZC Rotterdam
|
||||
id: 7
|
||||
latitude: null
|
||||
longitude: null
|
||||
name: Snackbar Frieda
|
||||
plain_description: 'With great enthusiasm we are announcing the opening of Snackbar
|
||||
Frieda! Frieda
|
||||
|
||||
is not just any snackbar. We hand out snacks on a donation basis, which means in
|
||||
|
||||
return for any contribution you like. We strive for a world where food is a
|
||||
|
||||
shared good rather than a means to profit. Snackbar Frieda is based in a
|
||||
|
||||
squatted space, because we believe empty spaces in the city should be used for
|
||||
|
||||
the common good. This project is an experiment to see what life can look like
|
||||
|
||||
when we take care of each other and our city''s needs, through self-organization
|
||||
|
||||
and solidarity. It is a labor of love, entirely volunteer-run. That means
|
||||
|
||||
that we’re welcoming YOU to join and build this place together with us! Come by
|
||||
|
||||
for an event, a build day or a snack!
|
||||
|
||||
|
||||
Vol enthousiasme openen wij snackbar Frieda! Frieda is niet zomaar een snackbar.
|
||||
|
||||
We werken op donatiebasis, snacks zijn gratis of je doneert wat je kan missen.
|
||||
|
||||
In onze ideale wereld is eten een gedeeld goed dat wordt ingezet voor
|
||||
|
||||
verbinding, niet voor winst. Met dit project willen we experimenteren met
|
||||
|
||||
verschillende manieren van samenleven; door zelf te organiseren met solidariteit
|
||||
|
||||
en zorg voor elkaar en de stad. Omdat Rotterdam volstaat met lege gebouwen die
|
||||
|
||||
gebruikt kunnen en moeten worden, zit Snackbar Frieda in een gekraakt pand.
|
||||
|
||||
Frieda is een passieproject: we draaien volledig op vrijwilligers en onze eigen
|
||||
|
||||
tijd. Iedereen is van harte welkom om mee te doen en deze plek samen met ons
|
||||
|
||||
vorm te geven. Kom langs voor een evenement, bij de bouwdag of voor een snack! '
|
||||
prev: unrepair-cafe-ewaste-walk
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: snackbar-frieda-opening
|
||||
start_datetime: 1738418400
|
||||
tags:
|
||||
- snacks
|
||||
- rotterdam
|
||||
- frieda
|
||||
- free
|
||||
title: Snackbar Frieda Opening!
|
||||
---
|
||||
|
||||
<p>With great enthusiasm we are announcing the opening of Snackbar Frieda! Frieda is not just any snackbar. We hand out snacks on a donation basis, which means in return for any contribution you like. We strive for a world where food is a shared good rather than a means to profit. Snackbar Frieda is based in a squatted space, because we believe empty spaces in the city should be used for the common good. This project is an experiment to see what life can look like when we take care of each other and our city's needs, through self-organization and solidarity. It is a labor of love, entirely volunteer-run. That means that we’re welcoming YOU to join and build this place together with us! Come by for an event, a build day or a snack!</p><p>Vol enthousiasme openen wij snackbar Frieda! Frieda is niet zomaar een snackbar. We werken op donatiebasis, snacks zijn gratis of je doneert wat je kan missen. In onze ideale wereld is eten een gedeeld goed dat wordt ingezet voor verbinding, niet voor winst. Met dit project willen we experimenteren met verschillende manieren van samenleven; door zelf te organiseren met solidariteit en zorg voor elkaar en de stad. Omdat Rotterdam volstaat met lege gebouwen die gebruikt kunnen en moeten worden, zit Snackbar Frieda in een gekraakt pand. Frieda is een passieproject: we draaien volledig op vrijwilligers en onze eigen tijd. Iedereen is van harte welkom om mee te doen en deze plek samen met ons vorm te geven. Kom langs voor een evenement, bij de bouwdag of voor een snack! </p>
|
@ -0,0 +1,87 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Snackbar is open! Come hang out and grab a snack between 16:00 and
|
||||
20:00!<br>Starting 20:00:<strong> Rebetiko Concert Mosaic<br></strong>Athina Koumela,
|
||||
Katerina, and Athina Anagnostou are together Mosaic, a newly formed Rebetiko band.
|
||||
Rebetiko is a genre of urban Greek folk music from the 1920s to the 1950s with songs
|
||||
often revolve around love, drugs, immigration, and poverty. Mosaic shares with the
|
||||
audience the experiences of solidarity and collectivity that have come with learning
|
||||
how to play it.</p><p>Snackbar is open! Kom gezellig langs en pak een snack tussen
|
||||
16:00 en 20:00!<br>Start 20:00:<strong> Rebetiko Concert Mosaic<br></strong>Athina
|
||||
Koumela, Katerina, en Athina Anagnostou vormen samen Mosaic, een onlangs gevormde
|
||||
Rebetico band. Rebetico is een stroming stedelijke Griekse volksmuziek met zijn
|
||||
hoogtij tussen de jaren twintig en vijftig. De muziek draait vaak om thema’s zoals
|
||||
liefde, drugs, immigratie, en armoede. Mosaic deelt de ervaringen van solidatiteit
|
||||
en collectiviteit met het publiek, die zijn ontstaan tijdens het levern spelen van
|
||||
deze muziek.</p>
|
||||
end_datetime: 1741381200
|
||||
id: 44
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 1200
|
||||
name: Snackbar is open & Rebetiko Concert Mosaic
|
||||
size: 129218
|
||||
url: 850baddb5cac1d38a7166199f77a39cb.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: feminist-snackbar-evening-feminist-snackbar-avond
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Bajonetstraat 49, 3014 ZC Rotterdam
|
||||
id: 7
|
||||
latitude: null
|
||||
longitude: null
|
||||
name: Snackbar Frieda
|
||||
plain_description: 'Snackbar is open! Come hang out and grab a snack between 16:00
|
||||
and 20:00!
|
||||
|
||||
Starting 20:00: Rebetiko Concert Mosaic
|
||||
|
||||
Athina Koumela, Katerina, and Athina Anagnostou are together Mosaic, a newly
|
||||
|
||||
formed Rebetiko band. Rebetiko is a genre of urban Greek folk music from the
|
||||
|
||||
1920s to the 1950s with songs often revolve around love, drugs, immigration, and
|
||||
|
||||
poverty. Mosaic shares with the audience the experiences of solidarity and
|
||||
|
||||
collectivity that have come with learning how to play it.
|
||||
|
||||
|
||||
Snackbar is open! Kom gezellig langs en pak een snack tussen 16:00 en 20:00!
|
||||
|
||||
Start 20:00: Rebetiko Concert Mosaic
|
||||
|
||||
Athina Koumela, Katerina, en Athina Anagnostou vormen samen Mosaic, een onlangs
|
||||
|
||||
gevormde Rebetico band. Rebetico is een stroming stedelijke Griekse volksmuziek
|
||||
|
||||
met zijn hoogtij tussen de jaren twintig en vijftig. De muziek draait vaak om
|
||||
|
||||
thema’s zoals liefde, drugs, immigratie, en armoede. Mosaic deelt de ervaringen
|
||||
|
||||
van solidatiteit en collectiviteit met het publiek, die zijn ontstaan tijdens
|
||||
|
||||
het levern spelen van deze muziek.'
|
||||
prev: klankschool-community-gathering
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: snackbar-is-open-and-rebetiko-concert-mosaic
|
||||
start_datetime: 1741359600
|
||||
tags:
|
||||
- snackbarfrieda
|
||||
- food
|
||||
- rebetiko
|
||||
title: Snackbar is open & Rebetiko Concert Mosaic
|
||||
---
|
||||
|
||||
<p>Snackbar is open! Come hang out and grab a snack between 16:00 and 20:00!<br>Starting 20:00:<strong> Rebetiko Concert Mosaic<br></strong>Athina Koumela, Katerina, and Athina Anagnostou are together Mosaic, a newly formed Rebetiko band. Rebetiko is a genre of urban Greek folk music from the 1920s to the 1950s with songs often revolve around love, drugs, immigration, and poverty. Mosaic shares with the audience the experiences of solidarity and collectivity that have come with learning how to play it.</p><p>Snackbar is open! Kom gezellig langs en pak een snack tussen 16:00 en 20:00!<br>Start 20:00:<strong> Rebetiko Concert Mosaic<br></strong>Athina Koumela, Katerina, en Athina Anagnostou vormen samen Mosaic, een onlangs gevormde Rebetico band. Rebetico is een stroming stedelijke Griekse volksmuziek met zijn hoogtij tussen de jaren twintig en vijftig. De muziek draait vaak om thema’s zoals liefde, drugs, immigratie, en armoede. Mosaic deelt de ervaringen van solidatiteit en collectiviteit met het publiek, die zijn ontstaan tijdens het levern spelen van deze muziek.</p>
|
@ -0,0 +1,115 @@
|
||||
---
|
||||
boost: []
|
||||
description: '<p>XPUB1 (first-year students of the Piet Zwart Institute’s Experimental
|
||||
Publishing MA) invite you to participate in their first collective public appearance:
|
||||
a moment of making things (public). This event is free!</p><p>They write: “Through
|
||||
a series of experiments at Radio WORM, we’ve been asking ourselves: What is radio?
|
||||
What does it mean to “go live” and perform together? Imagine the thrill—and the
|
||||
nerves—of creating something live, using your voice, thoughts, and experimental
|
||||
sounds that use little to no conventional means of expression.</p><p>“We invite
|
||||
you into a communal space where such moments can be lived together, stretching the
|
||||
boundaries of connections through DIY sounds and self-made protocols. These protocols
|
||||
aren’t just guidelines telling us what to do; they’re creative proposals that open
|
||||
up space for improvisation and re-invention. We see them as tools for collaborative
|
||||
engagement, empowering all of us to create in the moment and transform live sound
|
||||
together.”</p><p>So jump in for recording, transforming and performing sound with
|
||||
XPUB1! This event is for anyone who appreciates the raw, transformative power of
|
||||
sound. Join in shaping a live moment of collective expression, where live sound
|
||||
performance is felt, shared, and re-imagined together.</p><p>The results of these
|
||||
collective audio experiments will be recorded onsite, and possibly used as materials
|
||||
for future episodes of the collective’s weekly radio show, that you can hear every
|
||||
Monday from 10am-12pm until the end of this academic year.</p><p>This event is made
|
||||
possible with the financial support of the Network for Archives of Design and Digital
|
||||
Culture</p>'
|
||||
end_datetime: 1732129200
|
||||
id: 13
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 560
|
||||
name: 'Sounds of Making: XPUB1 presents Protocols for Collective Performance'
|
||||
size: 194599
|
||||
url: c52eafad6986d73becef0e37a2462e7c.jpg
|
||||
width: 1000
|
||||
multidate: false
|
||||
next: lets-unrepair-things-together-3
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Boomgaardsstraat 71, 3012 XA Rotterdam
|
||||
id: 5
|
||||
latitude: null
|
||||
longitude: null
|
||||
name: Worm
|
||||
plain_description: 'XPUB1 (first-year students of the Piet Zwart Institute’s Experimental
|
||||
Publishing
|
||||
|
||||
MA) invite you to participate in their first collective public appearance: a
|
||||
|
||||
moment of making things (public). This event is free!
|
||||
|
||||
|
||||
They write: “Through a series of experiments at Radio WORM, we’ve been asking
|
||||
|
||||
ourselves: What is radio? What does it mean to “go live” and perform together?
|
||||
|
||||
Imagine the thrill—and the nerves—of creating something live, using your voice,
|
||||
|
||||
thoughts, and experimental sounds that use little to no conventional means of
|
||||
|
||||
expression.
|
||||
|
||||
|
||||
“We invite you into a communal space where such moments can be lived together,
|
||||
|
||||
stretching the boundaries of connections through DIY sounds and self-made
|
||||
|
||||
protocols. These protocols aren’t just guidelines telling us what to do; they’re
|
||||
|
||||
creative proposals that open up space for improvisation and re-invention. We see
|
||||
|
||||
them as tools for collaborative engagement, empowering all of us to create in
|
||||
|
||||
the moment and transform live sound together.”
|
||||
|
||||
|
||||
So jump in for recording, transforming and performing sound with XPUB1! This
|
||||
|
||||
event is for anyone who appreciates the raw, transformative power of sound. Join
|
||||
|
||||
in shaping a live moment of collective expression, where live sound performance
|
||||
|
||||
is felt, shared, and re-imagined together.
|
||||
|
||||
|
||||
The results of these collective audio experiments will be recorded onsite, and
|
||||
|
||||
possibly used as materials for future episodes of the collective’s weekly radio
|
||||
|
||||
show, that you can hear every Monday from 10am-12pm until the end of this
|
||||
|
||||
academic year.
|
||||
|
||||
|
||||
This event is made possible with the financial support of the Network for
|
||||
|
||||
Archives of Design and Digital Culture'
|
||||
prev: extratonal-infrastructure-16-qoa-en-primeiro
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: sounds-of-making-xpub1-presents-protocols-for-collective-performance
|
||||
start_datetime: 1732111200
|
||||
tags:
|
||||
- radio
|
||||
- worm
|
||||
title: 'Sounds of Making: XPUB1 presents Protocols for Collective Performance'
|
||||
---
|
||||
|
||||
<p>XPUB1 (first-year students of the Piet Zwart Institute’s Experimental Publishing MA) invite you to participate in their first collective public appearance: a moment of making things (public). This event is free!</p><p>They write: “Through a series of experiments at Radio WORM, we’ve been asking ourselves: What is radio? What does it mean to “go live” and perform together? Imagine the thrill—and the nerves—of creating something live, using your voice, thoughts, and experimental sounds that use little to no conventional means of expression.</p><p>“We invite you into a communal space where such moments can be lived together, stretching the boundaries of connections through DIY sounds and self-made protocols. These protocols aren’t just guidelines telling us what to do; they’re creative proposals that open up space for improvisation and re-invention. We see them as tools for collaborative engagement, empowering all of us to create in the moment and transform live sound together.”</p><p>So jump in for recording, transforming and performing sound with XPUB1! This event is for anyone who appreciates the raw, transformative power of sound. Join in shaping a live moment of collective expression, where live sound performance is felt, shared, and re-imagined together.</p><p>The results of these collective audio experiments will be recorded onsite, and possibly used as materials for future episodes of the collective’s weekly radio show, that you can hear every Monday from 10am-12pm until the end of this academic year.</p><p>This event is made possible with the financial support of the Network for Archives of Design and Digital Culture</p>
|
49
src/content/events/unrepair-cafe-1.md
Normal file
@ -0,0 +1,49 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Come along to a low-key hangout where we sometimes repair stuff</p><p>See
|
||||
<a target="_blank" href="https://unrepair.klank.school/">unrepair.klank.school</a>
|
||||
for more details</p>
|
||||
end_datetime: 1736456400
|
||||
id: 23
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 789
|
||||
name: (Un)Repair Cafe
|
||||
size: 284414
|
||||
url: 58b176cdbbf8f949537160d701393ba4.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: unrepair-cafe-server-tour
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: 'Come along to a low-key hangout where we sometimes repair stuff
|
||||
|
||||
|
||||
See unrepair.klank.school [https://unrepair.klank.school/] for more details'
|
||||
prev: unrepair-cafe
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: unrepair-cafe-1
|
||||
start_datetime: 1736442000
|
||||
tags:
|
||||
- klankschool
|
||||
- noise
|
||||
- repair
|
||||
title: (Un)Repair Cafe
|
||||
---
|
||||
|
||||
<p>Come along to a low-key hangout where we sometimes repair stuff</p><p>See <a target="_blank" href="https://unrepair.klank.school/">unrepair.klank.school</a> for more details</p>
|
49
src/content/events/unrepair-cafe-2.md
Normal file
@ -0,0 +1,49 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Come along to a low-key hangout where we sometimes repair stuff</p><p>See
|
||||
<a target="_blank" href="https://unrepair.klank.school/">unrepair.klank.school</a>
|
||||
for more details</p>
|
||||
end_datetime: 1737666000
|
||||
id: 24
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 789
|
||||
name: (Un)Repair Cafe
|
||||
size: 284414
|
||||
url: 4e3461a8b3685c53145c2e2c7d6a056f.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: null
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: 'Come along to a low-key hangout where we sometimes repair stuff
|
||||
|
||||
|
||||
See unrepair.klank.school [https://unrepair.klank.school/] for more details'
|
||||
prev: unrepair-cafe-server-tour
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: unrepair-cafe-2
|
||||
start_datetime: 1737651600
|
||||
tags:
|
||||
- klankschool
|
||||
- noise
|
||||
- repair
|
||||
title: (Un)Repair Cafe
|
||||
---
|
||||
|
||||
<p>Come along to a low-key hangout where we sometimes repair stuff</p><p>See <a target="_blank" href="https://unrepair.klank.school/">unrepair.klank.school</a> for more details</p>
|
69
src/content/events/unrepair-cafe-3.md
Normal file
@ -0,0 +1,69 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Om de donderdag klust een groep (geluids)kunstenaars, computernerds
|
||||
en professionele slopers in Catu. Kom langs met of zonder kapotte apparatuur—samen
|
||||
vinden we wel een oplossing!</p><p>(we spreken Nederlands en Engels)</p><p> </p><p>Every
|
||||
other Thursday, a group of (sound) artists, computer nerds and professional demolition
|
||||
workers work in Catu. Come by with or without broken equipment – together we will
|
||||
find a solution!</p><p>(we speak Dutch and English)</p>
|
||||
end_datetime: 1740690000
|
||||
id: 32
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 861
|
||||
name: (Un)Repair Cafe
|
||||
size: 100455
|
||||
url: 4d0c6d973c63a3857d6921de30268023.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: klankschool-community-gathering
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: 'Om de donderdag klust een groep (geluids)kunstenaars, computernerds
|
||||
en
|
||||
|
||||
professionele slopers in Catu. Kom langs met of zonder kapotte apparatuur—samen
|
||||
|
||||
vinden we wel een oplossing!
|
||||
|
||||
|
||||
(we spreken Nederlands en Engels)
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
Every other Thursday, a group of (sound) artists, computer nerds and
|
||||
|
||||
professional demolition workers work in Catu. Come by with or without broken
|
||||
|
||||
equipment – together we will find a solution!
|
||||
|
||||
|
||||
(we speak Dutch and English)'
|
||||
prev: 4-avond
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: unrepair-cafe-3
|
||||
start_datetime: 1740672000
|
||||
tags:
|
||||
- repair
|
||||
- sound
|
||||
title: (Un)Repair Cafe
|
||||
---
|
||||
|
||||
<p>Om de donderdag klust een groep (geluids)kunstenaars, computernerds en professionele slopers in Catu. Kom langs met of zonder kapotte apparatuur—samen vinden we wel een oplossing!</p><p>(we spreken Nederlands en Engels)</p><p> </p><p>Every other Thursday, a group of (sound) artists, computer nerds and professional demolition workers work in Catu. Come by with or without broken equipment – together we will find a solution!</p><p>(we speak Dutch and English)</p>
|
56
src/content/events/unrepair-cafe-4.md
Normal file
@ -0,0 +1,56 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Om de donderdag klust een groep (geluids)kunstenaars, computernerds
|
||||
en professionele slopers in Catu. Kom langs met of zonder kapotte apparatuur</p><p>Every
|
||||
other Thursday, a group of (sound) artists, computer nerds and professional demolition
|
||||
workers work in Catu. Come by with or without broken equipment</p>
|
||||
end_datetime: 1741899600
|
||||
id: 49
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 861
|
||||
name: (Un)Repair Cafe
|
||||
size: 116012
|
||||
url: eadbe45ec9ca4d7ac2ccd9075cf0afdf.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: extratonal-special-41-graphic-scores
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: 'Om de donderdag klust een groep (geluids)kunstenaars, computernerds
|
||||
en
|
||||
|
||||
professionele slopers in Catu. Kom langs met of zonder kapotte apparatuur
|
||||
|
||||
|
||||
Every other Thursday, a group of (sound) artists, computer nerds and
|
||||
|
||||
professional demolition workers work in Catu. Come by with or without broken
|
||||
|
||||
equipment'
|
||||
prev: graphics-without-the-cloud-grafischbeeld-zonder-de-cloud
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: unrepair-cafe-4
|
||||
start_datetime: 1741885200
|
||||
tags:
|
||||
- klankschool
|
||||
- repair
|
||||
title: (Un)Repair Cafe
|
||||
---
|
||||
|
||||
<p>Om de donderdag klust een groep (geluids)kunstenaars, computernerds en professionele slopers in Catu. Kom langs met of zonder kapotte apparatuur</p><p>Every other Thursday, a group of (sound) artists, computer nerds and professional demolition workers work in Catu. Come by with or without broken equipment</p>
|
56
src/content/events/unrepair-cafe-5.md
Normal file
@ -0,0 +1,56 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Om de donderdag klust een groep (geluids)kunstenaars, computernerds
|
||||
en professionele slopers in Catu. Kom langs met of zonder kapotte apparatuur</p><p>Every
|
||||
other Thursday, a group of (sound) artists, computer nerds and professional demolition
|
||||
workers work in Catu. Come by with or without broken equipment</p>
|
||||
end_datetime: 1743109200
|
||||
id: 50
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 861
|
||||
name: (Un)Repair Cafe
|
||||
size: 116053
|
||||
url: da174e6f774270426497651faaca5705.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: creme-de-la-creme-pen-plotting-and-dance-performances
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: 'Om de donderdag klust een groep (geluids)kunstenaars, computernerds
|
||||
en
|
||||
|
||||
professionele slopers in Catu. Kom langs met of zonder kapotte apparatuur
|
||||
|
||||
|
||||
Every other Thursday, a group of (sound) artists, computer nerds and
|
||||
|
||||
professional demolition workers work in Catu. Come by with or without broken
|
||||
|
||||
equipment'
|
||||
prev: interrupcion-los-piranas-fuego-e-cumbia-el-javier_b
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: unrepair-cafe-5
|
||||
start_datetime: 1743093000
|
||||
tags:
|
||||
- klankschool
|
||||
- repair
|
||||
title: (Un)Repair Cafe
|
||||
---
|
||||
|
||||
<p>Om de donderdag klust een groep (geluids)kunstenaars, computernerds en professionele slopers in Catu. Kom langs met of zonder kapotte apparatuur</p><p>Every other Thursday, a group of (sound) artists, computer nerds and professional demolition workers work in Catu. Come by with or without broken equipment</p>
|
53
src/content/events/unrepair-cafe-ewaste-walk.md
Normal file
@ -0,0 +1,53 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>So many machines. So many possibilities....</p><p>Join us at Catu
|
||||
on Jan 30th (18h) to discuss building a datacenter with second-hand computers.</p><p></p>
|
||||
end_datetime: 1738270800
|
||||
id: 29
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 841
|
||||
name: '(Un)Repair Cafe: Let''s build a datacenter'
|
||||
size: 202204
|
||||
url: 7f8e25147a6adf530b00bfb32e9dbaa3.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: snackbar-frieda-opening
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: 'So many machines. So many possibilities....
|
||||
|
||||
|
||||
Join us at Catu on Jan 30th (18h) to discuss building a datacenter with
|
||||
|
||||
second-hand computers.
|
||||
|
||||
|
||||
'
|
||||
prev: 25-hour-radio-relay
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: unrepair-cafe-ewaste-walk
|
||||
start_datetime: 1738256400
|
||||
tags:
|
||||
- repair
|
||||
- ewaste
|
||||
- datacenter
|
||||
title: '(Un)Repair Cafe: Let''s build a datacenter'
|
||||
---
|
||||
|
||||
<p>So many machines. So many possibilities....</p><p>Join us at Catu on Jan 30th (18h) to discuss building a datacenter with second-hand computers.</p><p></p>
|
48
src/content/events/unrepair-cafe-server-tour.md
Normal file
@ -0,0 +1,48 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Join us at Catu on January 16th for a tour of the klankschool server.</p><p>Threre
|
||||
will also be some games on the theme of software.</p>
|
||||
end_datetime: 1737061200
|
||||
id: 25
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 1600
|
||||
name: '(Un)repair cafe: Server Tour +'
|
||||
size: 480128
|
||||
url: 2998f35d7ebacd633144798ac4b6af74.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: unrepair-cafe-2
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: 'Join us at Catu on January 16th for a tour of the klankschool
|
||||
server.
|
||||
|
||||
|
||||
Threre will also be some games on the theme of software.'
|
||||
prev: unrepair-cafe-1
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: unrepair-cafe-server-tour
|
||||
start_datetime: 1737046800
|
||||
tags:
|
||||
- klankschool
|
||||
- server
|
||||
title: '(Un)repair cafe: Server Tour + more'
|
||||
---
|
||||
|
||||
<p>Join us at Catu on January 16th for a tour of the klankschool server.</p><p>Threre will also be some games on the theme of software.</p>
|
49
src/content/events/unrepair-cafe.md
Normal file
@ -0,0 +1,49 @@
|
||||
---
|
||||
boost: []
|
||||
description: <p>Come along to a low-key hangout where we sometimes repair stuff</p><p>See
|
||||
<a target="_blank" href="https://unrepair.klank.school">unrepair.klank.school</a>
|
||||
for more details</p>
|
||||
end_datetime: 1735851600
|
||||
id: 22
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 789
|
||||
name: (Un)Repair Cafe
|
||||
size: 284364
|
||||
url: 762aca6eda6c23508e3951414fe65167.jpg
|
||||
width: 1200
|
||||
multidate: false
|
||||
next: unrepair-cafe-1
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Catullusweg 11
|
||||
id: 1
|
||||
latitude: 51.8766465
|
||||
longitude: 4.5242688
|
||||
name: Catu
|
||||
plain_description: 'Come along to a low-key hangout where we sometimes repair stuff
|
||||
|
||||
|
||||
See unrepair.klank.school [https://unrepair.klank.school] for more details'
|
||||
prev: lets-unrepair-things-together-8
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: unrepair-cafe
|
||||
start_datetime: 1735837200
|
||||
tags:
|
||||
- klankschool
|
||||
- noise
|
||||
- repair
|
||||
title: (Un)Repair Cafe
|
||||
---
|
||||
|
||||
<p>Come along to a low-key hangout where we sometimes repair stuff</p><p>See <a target="_blank" href="https://unrepair.klank.school">unrepair.klank.school</a> for more details</p>
|
122
src/content/events/water-of-love.md
Normal file
@ -0,0 +1,122 @@
|
||||
---
|
||||
boost:
|
||||
- https://gts.varia.zone/users/varia
|
||||
description: '<p>Join us at <strong>Varia</strong> for <em>Water of Love</em>, the
|
||||
second phase of Valentina Vella’s long-term project <em>School of Love and Chaos
|
||||
(</em>after <em>Bad at Love</em>, a performance with Luke Deane that took place
|
||||
in March 2024 at Paviljoen aan het water).</p><p><em>School of Love and Chaos </em>weaves
|
||||
together themes of love and ecological threats through autofictional storytelling,
|
||||
science fiction, poetry, and performance, using cities closely linked to water—Rotterdam,
|
||||
New Orleans, Venice, and Rome—as its narrative landscapes. The threat of annihilation
|
||||
(the fear of losing physical and/or emotional control) is its narrative engine.
|
||||
At the core of this project lies a question: is there a significant correspondence
|
||||
between the material infrastructures we live surrounded by, and our intimate lives?
|
||||
How do the ways we, in the West, tend to handle physical survival—particularly in
|
||||
the face of ecological threats like flooding that are exacerbated by climate change—relate
|
||||
to how we manage romantic relationships, friendships, and community bonds? How does
|
||||
that feel in our bodies and in the body of these imaginary and autofictional characters?</p><p><em>Water
|
||||
of Love</em> focuses more specifically on the many ways the Netherlands has tried
|
||||
to keep nature at bay. What does that do to our love life? Does the ocean have any
|
||||
opinions about the Dutch? Why does the Balgstuw Ramspol look like a gigantic condom?</p><p>There
|
||||
will be readings, there will be music, there will be completely improvised moments
|
||||
and there will be time to ask and answer questions!</p><p>Supported by <a target="_blank"
|
||||
href="http://www.cbkrotterdam.nl/"><u>CBK Rotterdam</u></a> (Centre for Visual Arts
|
||||
Rotterdam)</p><p>with Valentina Vella, mitsitron, Stephen Kerr and other Klankschool
|
||||
folks</p><p>with the kind support of Amy Gowen (HumDrumPress) as wrangler</p>'
|
||||
end_datetime: 1737149400
|
||||
id: 26
|
||||
image_path: null
|
||||
isAnon: false
|
||||
isMine: false
|
||||
is_visible: true
|
||||
likes: []
|
||||
media:
|
||||
- focalpoint:
|
||||
- 0
|
||||
- 0
|
||||
height: 604
|
||||
name: Water of Love
|
||||
size: 210847
|
||||
url: d1855a7804a57e27b82723ba9cec94b4.jpg
|
||||
width: 750
|
||||
multidate: false
|
||||
next: unrepair-cafe-2
|
||||
online_locations: ''
|
||||
parent: null
|
||||
parentId: null
|
||||
place:
|
||||
address: Gouwstraat 3
|
||||
id: 4
|
||||
latitude: null
|
||||
longitude: null
|
||||
name: Varia
|
||||
plain_description: 'Join us at Varia for Water of Love, the second phase of Valentina
|
||||
Vella’s
|
||||
|
||||
long-term project School of Love and Chaos (after Bad at Love, a performance
|
||||
|
||||
with Luke Deane that took place in March 2024 at Paviljoen aan het water).
|
||||
|
||||
|
||||
School of Love and Chaos weaves together themes of love and ecological threats
|
||||
|
||||
through autofictional storytelling, science fiction, poetry, and performance,
|
||||
|
||||
using cities closely linked to water—Rotterdam, New Orleans, Venice, and Rome—as
|
||||
|
||||
its narrative landscapes. The threat of annihilation (the fear of losing
|
||||
|
||||
physical and/or emotional control) is its narrative engine. At the core of this
|
||||
|
||||
project lies a question: is there a significant correspondence between the
|
||||
|
||||
material infrastructures we live surrounded by, and our intimate lives? How do
|
||||
|
||||
the ways we, in the West, tend to handle physical survival—particularly in the
|
||||
|
||||
face of ecological threats like flooding that are exacerbated by climate
|
||||
|
||||
change—relate to how we manage romantic relationships, friendships, and
|
||||
|
||||
community bonds? How does that feel in our bodies and in the body of these
|
||||
|
||||
imaginary and autofictional characters?
|
||||
|
||||
|
||||
Water of Love focuses more specifically on the many ways the Netherlands has
|
||||
|
||||
tried to keep nature at bay. What does that do to our love life? Does the ocean
|
||||
|
||||
have any opinions about the Dutch? Why does the Balgstuw Ramspol look like a
|
||||
|
||||
gigantic condom?
|
||||
|
||||
|
||||
There will be readings, there will be music, there will be completely improvised
|
||||
|
||||
moments and there will be time to ask and answer questions!
|
||||
|
||||
|
||||
Supported by CBK Rotterdam [http://www.cbkrotterdam.nl/] (Centre for Visual Arts
|
||||
|
||||
Rotterdam)
|
||||
|
||||
|
||||
with Valentina Vella, mitsitron, Stephen Kerr and other Klankschool folks
|
||||
|
||||
|
||||
with the kind support of Amy Gowen (HumDrumPress) as wrangler'
|
||||
prev: unrepair-cafe-server-tour
|
||||
recurrent: null
|
||||
resources: []
|
||||
slug: water-of-love
|
||||
start_datetime: 1737138600
|
||||
tags:
|
||||
- performance
|
||||
- sound
|
||||
- varia
|
||||
- water
|
||||
title: Water of Love
|
||||
---
|
||||
|
||||
<p>Join us at <strong>Varia</strong> for <em>Water of Love</em>, the second phase of Valentina Vella’s long-term project <em>School of Love and Chaos (</em>after <em>Bad at Love</em>, a performance with Luke Deane that took place in March 2024 at Paviljoen aan het water).</p><p><em>School of Love and Chaos </em>weaves together themes of love and ecological threats through autofictional storytelling, science fiction, poetry, and performance, using cities closely linked to water—Rotterdam, New Orleans, Venice, and Rome—as its narrative landscapes. The threat of annihilation (the fear of losing physical and/or emotional control) is its narrative engine. At the core of this project lies a question: is there a significant correspondence between the material infrastructures we live surrounded by, and our intimate lives? How do the ways we, in the West, tend to handle physical survival—particularly in the face of ecological threats like flooding that are exacerbated by climate change—relate to how we manage romantic relationships, friendships, and community bonds? How does that feel in our bodies and in the body of these imaginary and autofictional characters?</p><p><em>Water of Love</em> focuses more specifically on the many ways the Netherlands has tried to keep nature at bay. What does that do to our love life? Does the ocean have any opinions about the Dutch? Why does the Balgstuw Ramspol look like a gigantic condom?</p><p>There will be readings, there will be music, there will be completely improvised moments and there will be time to ask and answer questions!</p><p>Supported by <a target="_blank" href="http://www.cbkrotterdam.nl/"><u>CBK Rotterdam</u></a> (Centre for Visual Arts Rotterdam)</p><p>with Valentina Vella, mitsitron, Stephen Kerr and other Klankschool folks</p><p>with the kind support of Amy Gowen (HumDrumPress) as wrangler</p>
|
25
src/content/index.md
Normal file
@ -0,0 +1,25 @@
|
||||
---
|
||||
title: "Let's unrepair together"
|
||||
---
|
||||
|
||||
# Let's unrepair together
|
||||
|
||||
Do you dig trough trash only to find treasure? Are you interested in building servers? Do you take the shop out of photoshop? Is a printer jam your kind of jam? Come hang at the (un)repair cafe!
|
||||
|
||||
{{ events upcoming repair }}
|
||||
|
||||
|
||||
### Past hangouts
|
||||
|
||||
{{ events passed repair}}
|
||||
|
||||
## Logs
|
||||
psst... Got something to share? email it to [mailto:computer@klank.school](computer@klank.school) and we'll put it up here
|
||||
|
||||

|
||||

|
||||

|
||||

|
||||

|
||||

|
||||

|
8
src/content/repair-logs/20241031.md
Normal file
@ -0,0 +1,8 @@
|
||||
---
|
||||
|
||||
layout: post
|
||||
title: 31st October 2024
|
||||
description: This is the description
|
||||
---
|
||||
|
||||
Repaired an audio amplifier by replacing a switch, a megaphone by cleaning the battery ports, and discovered the fireworks that is blown fuses.
|
10
src/content/repair-logs/28112024.md
Normal file
@ -0,0 +1,10 @@
|
||||
---
|
||||
|
||||
layout: post
|
||||
title: 28th November 2024
|
||||
description: Repair Log
|
||||
---
|
||||
|
||||
There were five of us today
|
||||
|
||||
- The openproject instance now sends email notifications.
|
73
src/templates/base.jinja
Normal file
@ -0,0 +1,73 @@
|
||||
<!DOCTYPE html>
|
||||
<html lang="en">
|
||||
|
||||
<head>
|
||||
<meta charset="UTF-8">
|
||||
<meta name="viewport" content="width=device-width, initial-scale=1">
|
||||
<link rel="stylesheet" type="text/css" href="/assets/styles/layout.css">
|
||||
<link rel="stylesheet" type="text/css" href="/assets/styles/typography.css">
|
||||
<link rel="stylesheet" type="text/css" href="/assets/styles/style.css">
|
||||
<meta name="format-detection" content="telephone=no">
|
||||
<meta name="apple-mobile-web-app-capable" content="yes">
|
||||
<meta name="apple-mobile-web-app-status-bar-style" content="black">
|
||||
<link rel="shortcut icon" type="image/x-icon" href="/assets/favicon.ico">
|
||||
<link rel="apple-touch-icon" sizes="76x76" href="/assets/apple-touch-icon.png">
|
||||
<link rel="icon" type="image/png" sizes="32x32" href="/assets/favicon-32x32.png">
|
||||
<link rel="icon" type="image/png" sizes="16x16" href="/assets/favicon-16x16.png">
|
||||
<link rel="manifest" href="/site.webmanifest">
|
||||
<link rel="mask-icon" href="/assets/safari-pinned-tab.svg" color="#5bbad5">
|
||||
<meta name="msapplication-TileColor" content="#ffc40d">
|
||||
<meta name="theme-color" content="#000">
|
||||
<meta name="keywords" content="">
|
||||
<meta name="robots" content="noarchive, noimageindex">
|
||||
|
||||
<link rel="preconnect" href="https://fonts.googleapis.com">
|
||||
<link rel="preconnect" href="https://fonts.gstatic.com" crossorigin>
|
||||
<link href="https://fonts.googleapis.com/css2?family=Fira+Sans:ital,wght@0,100;0,200;0,300;0,400;0,500;0,600;0,700;0,800;0,900;1,100;1,200;1,300;1,400;1,500;1,600;1,700;1,800;1,900&display=swap" rel="stylesheet">
|
||||
<!-- TODO make local-->
|
||||
|
||||
{% block title %}
|
||||
{%- if page['title'] -%}
|
||||
<title>{{ page['title'] }}</title>
|
||||
{%- else -%}
|
||||
<title>I dont have a title</title>
|
||||
{%- endif -%}
|
||||
{% endblock %}
|
||||
</head>
|
||||
|
||||
<body>
|
||||
<main>
|
||||
<section>
|
||||
{%- block content %}{% endblock -%}
|
||||
</section>
|
||||
{% block aside %}
|
||||
<aside>
|
||||
{% macro render_list(name, title) -%}
|
||||
{% if documents[name]|length > 0 %}
|
||||
<h3>{{ title}}</h3>
|
||||
<ul>
|
||||
{% for item in documents[name] %}
|
||||
<li>
|
||||
<a href="/{{ name }}/{{ item['slug'] }}.html">{{ item['title'] }}</a>
|
||||
</li>
|
||||
{% endfor %}
|
||||
</ul>
|
||||
{% endif %}
|
||||
{%- endmacro %}
|
||||
<p>{{ render_list('repair-logs', 'Repair Logs') }}</p>
|
||||
<p>{{ render_list('events', 'Events') }}</p>
|
||||
{% block footer %}
|
||||
<p>Find the code on Klankservers <a target="_blank"
|
||||
href="https://code.klank.school/vitrinekast/klank-docs">Git!</a>.</p>
|
||||
{% endblock %}
|
||||
</aside>
|
||||
{% endblock %}
|
||||
</main>
|
||||
<dialog>
|
||||
<img src="" alt="">
|
||||
<p></p>
|
||||
</dialog>
|
||||
</body>
|
||||
<script type="text/javascript" src="/assets/app.js"></script>
|
||||
|
||||
</html>
|
34
src/templates/components.jinja
Normal file
@ -0,0 +1,34 @@
|
||||
{% extends "base.jinja" %}
|
||||
{% from 'snippets/inventory.jinja' import inventory with context %}
|
||||
|
||||
{% block content %}
|
||||
<article>
|
||||
|
||||
<section template-type="spread-left">
|
||||
<header>
|
||||
<h1>{{page['title']}}</h1>
|
||||
<h5>Also known as {{page['alsoKnownAs']}}</h5>
|
||||
</header>
|
||||
|
||||
{% if page['image'] %}<img src="{{ page['image'] }}" alt="" />{% endif %}
|
||||
|
||||
<dl>
|
||||
<dt>Material</dt>
|
||||
<dd>{{page['material']}}</dd>
|
||||
<dt>Usage</dt>
|
||||
<dd>{{page['usage']}}</dd>
|
||||
<dt>Typically found in</dt>
|
||||
<dd>{{page['whereToFind']}}</dd>
|
||||
<dt>Schematic symbol</dt>
|
||||
<dd><img src="{{page['schematicSymbol']}}" /></dd>
|
||||
</dl>
|
||||
</section>
|
||||
|
||||
<section template-type="spread-right">
|
||||
{{inventory("type", (page.type.capitalize() | slugify)) }}
|
||||
{{ page['body'] | shortcode }}
|
||||
</section>
|
||||
</article>
|
||||
|
||||
|
||||
{% endblock %} {% block aside %} {% endblock %}
|
11
src/templates/index.jinja
Normal file
@ -0,0 +1,11 @@
|
||||
{% extends "base.jinja" %}
|
||||
|
||||
{% block content %}
|
||||
|
||||
<article>
|
||||
{{ page['body'] | shortcode }}
|
||||
</article>
|
||||
|
||||
{% endblock %}
|
||||
|
||||
{% block aside %} {% endblock %}
|
57
src/templates/newsletters.jinja
Normal file
@ -0,0 +1,57 @@
|
||||
<!DOCTYPE html>
|
||||
<html lang="en">
|
||||
<head>
|
||||
<meta charset="UTF-8">
|
||||
<meta name="viewport" content="width=device-width, initial-scale=1">
|
||||
|
||||
<meta name="format-detection" content="telephone=no">
|
||||
<meta name="apple-mobile-web-app-capable" content="yes">
|
||||
<meta name="apple-mobile-web-app-status-bar-style" content="black">
|
||||
<link rel="shortcut icon" type="image/x-icon" href="/assets/favicon.ico">
|
||||
<link rel="apple-touch-icon" sizes="76x76" href="/assets/apple-touch-icon.png">
|
||||
<link rel="icon" type="image/png" sizes="32x32" href="/assets/favicon-32x32.png">
|
||||
<link rel="icon" type="image/png" sizes="16x16" href="/assets/favicon-16x16.png">
|
||||
<link rel="manifest" href="/site.webmanifest">
|
||||
<link rel="mask-icon" href="/assets/safari-pinned-tab.svg" color="#5bbad5">
|
||||
<meta name="msapplication-TileColor" content="#ffc40d">
|
||||
<meta name="theme-color" content="#000">
|
||||
<meta name="keywords" content="">
|
||||
<meta name="robots" content="noarchive, noimageindex">
|
||||
|
||||
<style>
|
||||
body {
|
||||
max-width: 800px;
|
||||
margin: 2rem auto;
|
||||
font-family: sans-serif;
|
||||
}
|
||||
</style>
|
||||
{% block title %}
|
||||
|
||||
{% if page['title'] %}
|
||||
<title>{{ page['title'] }}</title>
|
||||
{% else %}
|
||||
<title>The title</title>
|
||||
|
||||
{% endif %}
|
||||
{% endblock %}
|
||||
|
||||
</head>
|
||||
</head>
|
||||
<body>
|
||||
settings for newssletter only {{ name }}
|
||||
<main>
|
||||
<section>
|
||||
<article>
|
||||
{{ page['body'] | shortcode }}
|
||||
</article>
|
||||
</section>
|
||||
|
||||
|
||||
</main>
|
||||
|
||||
|
||||
|
||||
</body>
|
||||
|
||||
|
||||
</html>
|
48
src/templates/post.jinja
Normal file
@ -0,0 +1,48 @@
|
||||
{% extends "base.jinja" %}
|
||||
{% from 'snippets/inventory.jinja' import inventory with context %}
|
||||
|
||||
{% block content %}
|
||||
|
||||
|
||||
|
||||
<article>
|
||||
<header>
|
||||
<h1>{{page['title']}}</h1>
|
||||
|
||||
{% if page['start_datetime'] %}
|
||||
<h4 class="date">{{ page['start_datetime'] | prettydate }} </h4>
|
||||
{% endif %}
|
||||
</header>
|
||||
|
||||
|
||||
{% if page['image'] %}
|
||||
<img src="{{ page['image'] }}" alt="" />
|
||||
{% endif %}
|
||||
|
||||
{% if page['schematic'] %}
|
||||
<img src="{{ page['schematic'] }}" alt="" />
|
||||
{% endif %}
|
||||
|
||||
{% if page['media'] %}
|
||||
<img src="https://calendar.klank.school/media/thumb/{{ page['media'][0]['url'] }}" alt="" />
|
||||
{% endif %}
|
||||
|
||||
{% if page.pdf %}
|
||||
<p class="no-print">
|
||||
<i>Download this chapter as a <a href="{{ page.pdf }}">PDF</a></i>
|
||||
</p>
|
||||
{% endif %}
|
||||
|
||||
{{ page['body'] | shortcode }}
|
||||
|
||||
{% if page.folder == "devices" %}
|
||||
<h2>Parts salvaged from this device</h2>
|
||||
{{ inventory("Where", ( page.title.capitalize() | slugify )) }}
|
||||
{% endif %}
|
||||
|
||||
{% if page.folder == "components" %}
|
||||
|
||||
{{inventory("type", (page.type.capitalize() | slugify)) }}
|
||||
{% endif %}
|
||||
</article>
|
||||
{% endblock %} {% block aside %} {% endblock %}
|
48
src/templates/snippets/inventory.jinja
Normal file
@ -0,0 +1,48 @@
|
||||
{%- macro inventory(compare, compareWith) -%}
|
||||
{%- set ns = namespace(has_inventory=false) -%}
|
||||
{%- for item in documents.inventory -%}
|
||||
{%- if (item[compare]) -%}
|
||||
{%- if (item[compare].capitalize() | slugify) == (compareWith.capitalize() | slugify) -%}
|
||||
{%- set ns.has_inventory = true -%}
|
||||
|
||||
{%- endif -%}
|
||||
{%- endif -%}
|
||||
{%- endfor -%}
|
||||
|
||||
{%- if ns.has_inventory -%}
|
||||
<table>
|
||||
<thead>
|
||||
<tr>
|
||||
<th>Name</th>
|
||||
<th>Value</th>
|
||||
<th>type</th>
|
||||
<th>Where</th>
|
||||
<th>When</th>
|
||||
</tr>
|
||||
</thead>
|
||||
<tbody>
|
||||
{%- for item in documents.inventory -%}
|
||||
{%- if (item[compare]) -%}
|
||||
{%- if (item[compare].capitalize() | slugify)== compareWith -%}
|
||||
<tr>
|
||||
<td>{{item.Name}}</td>
|
||||
<td>{{item.Value}}</td>
|
||||
|
||||
<td><a href="/components/{{item.type | slugify}}.html">{{item.type}}</a></td>
|
||||
|
||||
<td><a href="/devices/{{item.Where | slugify}}.html">{{item.Where}}</a></td>
|
||||
<td>{{item.Date}}</td>
|
||||
</tr>
|
||||
{%- endif -%}
|
||||
{%- else -%}
|
||||
other {{compare}} {{item}}
|
||||
{%- endif -%}
|
||||
{%- endfor -%}
|
||||
|
||||
</tbody>
|
||||
</table>
|
||||
|
||||
{%- else -%}
|
||||
No components were identified yet {{compare}} {{compareWith}}
|
||||
{%- endif -%}
|
||||
{%- endmacro -%}
|
32
src/templates/snippets/list-documents.jinja
Normal file
@ -0,0 +1,32 @@
|
||||
|
||||
{% if documents[type]|length > 0 %}
|
||||
<ul class='list--{{ layout }}'>
|
||||
|
||||
{% for item in documents[type]|sort(attribute="filename") %}
|
||||
|
||||
|
||||
<li class="list__item">
|
||||
{% if layout == "list" %}
|
||||
|
||||
<span class="date">{{ item['start_datetime'] | prettydate }} </span>
|
||||
<b>{{ item['title'] }}</b>
|
||||
{% else %}
|
||||
|
||||
{% if item['image'] %}
|
||||
<img src="{{ item['image'] }}" class="m-0" alt="" />
|
||||
{% endif %}
|
||||
<h5 class="m-0" ><a href="/{{ type }}/{{ item['slug'] }}.html">{{ item['title'] }}</a></h5>
|
||||
{% if item['excerpt'] %}
|
||||
<p>{{ item['excerpt'] }}</p>
|
||||
{% endif %}
|
||||
|
||||
|
||||
{% endif %}
|
||||
</li>
|
||||
|
||||
|
||||
|
||||
{% endfor %}
|
||||
|
||||
</ul>
|
||||
{% endif %}
|
35
src/templates/snippets/list-events.jinja
Normal file
@ -0,0 +1,35 @@
|
||||
{% set the_events = events|sort(attribute="start_datetime") %}
|
||||
|
||||
{% if filter == "upcoming" %}
|
||||
{% set the_events = events|sort(attribute="start_datetime")|rejectattr("has_passed")%}
|
||||
{% elif filter == "passed" %}
|
||||
{% set the_events = events|sort(attribute="start_datetime", reverse=true)|selectattr("has_passed")%}
|
||||
{% endif %}
|
||||
|
||||
{% if events|length > 0 %}
|
||||
|
||||
<ul class='list--list'>
|
||||
{% for item in the_events %}
|
||||
|
||||
<li class="list__item">
|
||||
|
||||
<span class="date">{{ item['start_datetime'] | prettydate }} </span>
|
||||
<b>{{ item['title'] }}</b>
|
||||
{% if item.has_passed and item.has_log %}
|
||||
<a href="/events/{{ item['slug'] }}.html" class="link">
|
||||
<b>Read more</b>
|
||||
</a>
|
||||
{% elif not item.has_passed %}
|
||||
<a href="https://calendar.klank.school/event/{{ item['slug'] }}" class="link">
|
||||
Join!
|
||||
</a>
|
||||
|
||||
{% endif %}
|
||||
|
||||
</li>
|
||||
|
||||
|
||||
{% endfor %}
|
||||
|
||||
</ul>
|
||||
{% endif %}
|
13
to-webp.sh
Normal file
@ -0,0 +1,13 @@
|
||||
#!/bin/bash
|
||||
|
||||
if ! command -v cwebp &> /dev/null; then
|
||||
echo "Error: cwebp is not installed"
|
||||
exit 1
|
||||
fi
|
||||
|
||||
for img in "src/assets/repair-logs"/*.{jpg,jpeg,png}; do
|
||||
# Convert to WebP
|
||||
cwebp -q 80 "$img" -o "${img%.*}.webp"
|
||||
|
||||
rm "$img"
|
||||
done
|