linting things

.fleet/run.json

@@ -0,0 +1,9 @@
+{
+    "configurations": [
+        {
+            "type": "command",
+            "name": "Command configuration",
+            "command": 
+        }
+    ]
+}

.gitignore

@@ -1,4 +1,6 @@
 venv
 dist
 feedback
-backup
+backup
+*.sh
+*.zip

app.py

@@ -1,23 +1,19 @@
-import os
-from pathlib import Path
-import shutil
 import csv
+import os
 import re
-from datetime import datetime
-
-from jinja2 import Environment, PackageLoader, select_autoescape
-import frontmatter
-from slugify import slugify
-import pypandoc
-
+import shutil
+import subprocess
 import xml.etree.ElementTree as ET
+from datetime import datetime
+from pathlib import Path
 
+import frontmatter
+import pypandoc
+from jinja2 import Environment, PackageLoader, select_autoescape
+from slugify import slugify
 
 # TODO make newsletter URL's absolute to klank.school
-env = Environment(
-    loader=PackageLoader("src"),
-    autoescape=select_autoescape()
-)
+env = Environment(loader=PackageLoader("src"), autoescape=select_autoescape())
 
 CONTENT_D = os.path.abspath("src/content")
 OUTPUT_D = "dist"
@@ -25,14 +21,7 @@ OUT_ASSETS = "dist/assets"
 SRC_ASSETS = "src/assets"
 documents = {}
 now = datetime.now()
-
-# Utils
-def getParam(params, index):
-    if len(params) > index:
-        return params[index]
-    else:
-        return False
-
+word_count = 0
 
 # jinja filter that can list documents
 def listDocuments(params):
@@ -42,43 +31,47 @@ def listDocuments(params):
 
     return html
 
-# jinja filter that can list events
-def listEvents(params):
-    param = params.split(" ")
-    tag = getParam(param, 1)
 
-    if "events" not in documents:
-        return ""
+# Source: https://github.com/gandreadis/markdown-word-count
+def count_words_in_markdown(text):
 
-    events = []
-    if tag:
-        for event in documents["events"]:
-            if tag in event["tags"]:
-                events.append(event)
-    else:
-        events = documents["events"]
+    # Comments
+    text = re.sub(r"<!--(.*?)-->", "", text, flags=re.MULTILINE)
+    # Tabs to spaces
+    text = text.replace("\t", "    ")
+    # More than 1 space to 4 spaces
+    text = re.sub(r"[ ]{2,}", "    ", text)
+    # Footnotes
+    text = re.sub(r"^\[[^]]*\][^(].*", "", text, flags=re.MULTILINE)
+    # Indented blocks of code
+    text = re.sub(r"^( {4,}[^-*]).*", "", text, flags=re.MULTILINE)
+    # Replace newlines with spaces for uniform handling
+    text = text.replace("\n", " ")
+    # Custom header IDs
+    text = re.sub(r"{#.*}", "", text)
+    # Remove images
+    text = re.sub(r"!\[[^\]]*\]\([^)]*\)", "", text)
+    # Remove HTML tags
+    text = re.sub(r"</?[^>]*>", "", text)
+    # Remove special characters
+    text = re.sub(r"[#*`~\-–^=<>+|/:]", "", text)
+    # Remove footnote references
+    text = re.sub(r"\[[0-9]*\]", "", text)
+    # Remove enumerations
+    text = re.sub(r"[0-9#]*\.", "", text)
 
-    template = env.select_template(["snippets/list-events.jinja"])
-    html = template.render(events=events, filter=param[0], tag=getParam(param, 1))
+    return len(text.split())
 
-    return html
-
-# jinja filter to make a slug out of a stirng
-def slugify_filter(value):
-    return slugify(value)
 
 # jinja filter for date formatting
-def prettydate(value, format='%d/%m/%Y'):
+def prettydate(value, format="%d/%m/%Y"):
     return datetime.fromtimestamp(int(value)).strftime(format)
 
 
 # jinja filter to replace shortcodes in HTML
 def shortcode_filter(value):
 
-    shortcode_callbacks = {
-        "show": listDocuments,
-        "events": listEvents
-    }
+    shortcode_callbacks = {"show": listDocuments}
 
     def shortcode_replacer(match):
 
@@ -95,13 +88,15 @@ def shortcode_filter(value):
 
 
 env.filters["shortcode"] = shortcode_filter
-env.filters["slugify"] = slugify_filter
+env.filters["slugify"] = slugify
 env.filters["prettydate"] = prettydate
 
+
 # translate a single file into HTML
-def render_single_file(page, path, dist, name = False):
+def render_single_file(path, dist, name=False):
     name = Path(path).stem
     template = env.select_template([f"{name}.jinja", "post.jinja"])
+    page = get_page_data(path)
     html = template.render(documents=documents, page=page, name=name)
 
     if not os.path.exists(dist):
@@ -113,76 +108,67 @@ def render_single_file(page, path, dist, name = False):
 
 # find a pre-rendered page
 def get_existing_page(path, slug):
-    stem = Path(path).stem;
-    folder =  os.path.basename(os.path.dirname(path))
+    stem = Path(path).stem
+    folder = os.path.basename(os.path.dirname(path))
 
     if stem == "index" and folder != "content":
         folder = Path(path).parent.parent.name
 
     if slug in documents:
         return documents[slug]
-    
+
     if folder == "content":
         return False
-    
-    for doc in documents[folder]:
-        if doc:
-            if doc["slug"] == slug:
-                return doc
-    
+
+    return [item for item in documents[folder] if item.get("slug") == slug]
+
     return False
 
-# build a slug including the folder
-def get_slug(path, folder, filename):
-    if folder == "content":
-        return slugify(filename)
-    else:
-        return slugify(f"{folder}/{filename}")
 
 # compile markdown into cited HTML
-def get_page_data(path, isPreload=False):
+def get_page_data(path):
+    global word_count
 
     filename = Path(path).stem
-    folder  = os.path.basename(os.path.dirname(path))
-    slug = get_slug(path, folder, filename)
-    
-    prerendered = get_existing_page(path, slug)
+    folder = Path(path).parent.name
+    slug = slugify(filename) if folder == "content" else slugify(f"{folder}/{filename}")
 
-    if prerendered:
+    if prerendered := get_existing_page(path, slug):
         return prerendered
 
     page = frontmatter.load(path)
-    page['slug'] = slug
-    page.filename = filename
-    page.folder = folder
-
-    latex = page.content
+    page["slug"] = slug
+    page["filename"] = filename
+    page["folder"] = folder
 
     if "start_datetime" in page:
         page["has_passed"] = datetime.fromtimestamp(page["start_datetime"]) < now
 
-    
-    if "`include" in page.content:
-        latex = pypandoc.convert_text(
+    content = page.content
+
+    if ".include" in page.content:
+        print("doing an include!")
+        content = pypandoc.convert_text(
             page.content,
-            to='md',
-            format='md',
-            extra_args=[
-                "--lua-filter=include-files.lua"
-            ])
+            to="md",
+            format="md",
+            extra_args=["--lua-filter=include-files.lua"],
+        )
 
     page.body = pypandoc.convert_text(
-        latex,
+        content,
         to="html",
         format="md",
         extra_args=[
             "--citeproc",
             "--bibliography=library.bib",
-            "--csl=apa.csl",
-        ])
+            "--csl=harvard-cite-them-right.csl",
+        ],
+    )
 
     return page
 
+
 # Do stuff to the circuit's pcb
 def save_circuit_svg(filepath, outpath, name):
 
@@ -193,18 +179,11 @@ def save_circuit_svg(filepath, outpath, name):
     width_px = float(root.get("width", 0))
     height_px = float(root.get("height", 0))
 
-    DPI = 300
-
-    # Convert px to mm
-    width_mm = (width_px * 25.4) / DPI > 15
-    height_mm = (height_px * 25.4) / DPI
-
     # Set new width/height in mm
     root.set("width", f"{width_px}mm")
     root.set("height", f"{height_px}mm")
 
-    os.makedirs(outpath, exist_ok = True)
-
+    os.makedirs(outpath, exist_ok=True)
 
     tree.write(f"{outpath}/{name}")
 
@@ -212,28 +191,32 @@ def save_circuit_svg(filepath, outpath, name):
 # combine HTML & data with Jinja templates
 def render_posts(path, output_path=OUTPUT_D):
     name = Path(path).stem
-   
-    for filename in sorted(os.listdir(path)):
-        file_path = os.path.join(path, filename)
 
-        if filename.endswith(".md"):
-            print("is md", filename)
-            page = get_page_data(file_path)
-            render_single_file(page, file_path, f"{output_path}/{name}", name)
-        elif os.path.isdir(file_path):   
+    for filename in sorted(os.listdir(path)):
+        file_path = Path(path) / filename
+
+        if file_path.suffix == ".md":
+            render_single_file(file_path, f"{output_path}/{name}")
+        elif file_path.is_dir():
             render_posts(file_path, f"{output_path}/{name}")
-        elif filename.endswith(".svg"):
+        elif file_path.suffix == ".svg":
             save_circuit_svg(file_path, f"{output_path}/{name}", filename)
-        elif Path(filename).suffix in [".jpeg", ".mp3", ".jpg", ".png"]:
-            os.makedirs(f"{output_path}/{name}", exist_ok = True)
+        elif file_path.suffix in {".jpeg", ".mp3", ".jpg", ".png"}:
+            os.makedirs(f"{output_path}/{name}", exist_ok=True)
             shutil.copyfile(file_path, f"{output_path}/{name}/{filename}")
-        else:
-            print("doing nothing with", filename)
+
 
 # Pre-load before compiling
 def preload_documents():
-    print("preload any needed data")
-    documents["meta"] = {"now": now.strftime("%d %B %Y")}
+    global documents
+
+    version = (
+        subprocess.check_output(["git", "rev-list", "--count", "HEAD"])
+        .decode("utf-8")
+        .strip()
+    )
+
+    documents["meta"] = {"now": now.strftime("%d %B %Y - %H:%M:%S"), "version": version}
 
     for subdir in os.listdir(CONTENT_D):
         path = os.path.join(CONTENT_D, subdir)
@@ -243,57 +226,67 @@ def preload_documents():
             documents.setdefault(name, [])
 
             for filename in sorted(os.listdir(path)):
-                print(filename)
                 cpath = os.path.join(path, filename)
                 if filename.endswith(".md"):
-                    documents[name].append(get_page_data(cpath, isPreload=True))
+                    documents[name].append(get_page_data(cpath))
                 elif os.path.isdir(cpath):
-                    documents[name].append(get_page_data(os.path.join(cpath, "index.md"), isPreload=True))
+                    documents[name].append(
+                        get_page_data(os.path.join(cpath, "index.md"))
+                    )
 
-        elif Path(path).suffix == '.md':
-            documents[Path(path).stem] = get_page_data(path, isPreload=True)
-
-
-def copy_assets():
-    if os.path.exists(OUT_ASSETS):
-        shutil.rmtree(OUT_ASSETS)
-
-    shutil.copytree(SRC_ASSETS, OUT_ASSETS)
+        elif Path(path).suffix == ".md":
+            documents[Path(path).stem] = get_page_data(path)
 
 
 def get_inventory():
+    global documents
+
     with open("src/content/component-inventory.csv") as f:
         documents['inventory'] = []
-        for line in csv.DictReader(
-            f,
-            fieldnames=(
-                'ID',
-                'Amount',
-                'Name',
-                'Value',
-                'type',
-                'Date',
-                'Where',
-                'Mounting type')):
+
+        for line in csv.DictReader(f, fieldnames=('ID', 'Amount', 'Name', 'Value', 'type', 'Date', 'Where', 'Mounting type')):
             documents['inventory'].append(line)
 
 
+def get_wordcount():
+    global word_count
+    word_count += count_words_in_markdown(documents["thesis"].body)
+
+    for section in ["chapters", "components", "recipes"]:
+        for c in documents[section]:
+            if section == "recipes" or c["filename"] != "index":
+                count = count_words_in_markdown(c.body)
+                print(f"{c['filename']}: has {count} words")
+                word_count += count
+
+    print(f"word count: { word_count} ")
+    documents["meta"]["count"] = word_count
+
+
 def main():
+    print("....Start putting together a new document....")
     get_inventory()
     preload_documents()
+    get_wordcount()
 
     for subdir in os.listdir(CONTENT_D):
         path = os.path.join(CONTENT_D, subdir)
 
         if os.path.isdir(path):
-            print("rendering posts", path)
+            print("Compile: an entire directory", Path(path).name)
             render_posts(path)
-        elif Path(path).suffix == '.md':
-            print("rendering single", path);
-            render_single_file(get_page_data(path), path, OUTPUT_D)
+        elif Path(path).suffix == ".md":
+            print("Compile: single page", Path(path).name)
+            render_single_file(path, OUTPUT_D)
         elif Path(path).suffix in [".csv"]:
-            print("not compiling this file!")
+            print("Compile: not compiling ", Path(path).name)
+
+    if os.path.exists(OUT_ASSETS):
+        shutil.rmtree(OUT_ASSETS)
+
+    shutil.copytree(SRC_ASSETS, OUT_ASSETS)
+
+    print(f"total words: {word_count}")
 
-    copy_assets()
 
 main()

harvard-cite-them-right.csl

@@ -0,0 +1,321 @@
+<?xml version="1.0" encoding="utf-8"?>
+<style xmlns="http://purl.org/net/xbiblio/csl" class="in-text" version="1.0" demote-non-dropping-particle="sort-only" default-locale="en-GB">
+  <info>
+    <title>Cite Them Right 12th edition - Harvard</title>
+    <id>http://www.zotero.org/styles/harvard-cite-them-right</id>
+    <link href="http://www.zotero.org/styles/harvard-cite-them-right" rel="self"/>
+    <link href="http://www.zotero.org/styles/harvard-cite-them-right-11th-edition" rel="template"/>
+    <link href="http://www.citethemrightonline.com/" rel="documentation"/>
+    <author>
+      <name>Patrick O'Brien</name>
+    </author>
+    <category citation-format="author-date"/>
+    <category field="generic-base"/>
+    <summary>Harvard according to Cite Them Right, 11th edition.</summary>
+    <updated>2022-06-27T11:10:37+00:00</updated>
+    <rights license="http://creativecommons.org/licenses/by-sa/3.0/">This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 License</rights>
+  </info>
+  <locale xml:lang="en-GB">
+    <terms>
+      <term name="editor" form="short">
+        <single>ed.</single>
+        <multiple>eds</multiple>
+      </term>
+      <term name="editortranslator" form="verb">edited and translated by</term>
+      <term name="edition" form="short">edn.</term>
+    </terms>
+  </locale>
+  <macro name="editor">
+    <choose>
+      <if type="chapter paper-conference" match="any">
+        <names variable="container-author" delimiter=", " suffix=", ">
+          <name and="text" initialize-with=". " delimiter=", " sort-separator=", " name-as-sort-order="all"/>
+        </names>
+        <choose>
+          <if variable="container-author" match="none">
+            <names variable="editor translator" delimiter=", ">
+              <name and="text" initialize-with="."/>
+              <label form="short" prefix=" (" suffix=")"/>
+            </names>
+          </if>
+        </choose>
+      </if>
+    </choose>
+  </macro>
+  <macro name="secondary-contributors">
+    <choose>
+      <if type="chapter paper-conference" match="none">
+        <names variable="editor translator" delimiter=". ">
+          <label form="verb" text-case="capitalize-first" suffix=" "/>
+          <name and="text" initialize-with="."/>
+        </names>
+      </if>
+      <else-if variable="container-author" match="any">
+        <names variable="editor translator" delimiter=". ">
+          <label form="verb" text-case="capitalize-first" suffix=" "/>
+          <name and="text" initialize-with=". " delimiter=", "/>
+        </names>
+      </else-if>
+    </choose>
+  </macro>
+  <macro name="author">
+    <names variable="author">
+      <name and="text" delimiter-precedes-last="never" initialize-with="." name-as-sort-order="all"/>
+      <label form="short" prefix=" (" suffix=")"/>
+      <et-al font-style="italic"/>
+      <substitute>
+        <names variable="editor"/>
+        <names variable="translator"/>
+        <choose>
+          <if type="article-newspaper article-magazine" match="any">
+            <text variable="container-title" text-case="title" font-style="italic"/>
+          </if>
+          <else>
+            <text macro="title"/>
+          </else>
+        </choose>
+      </substitute>
+    </names>
+  </macro>
+  <macro name="author-short">
+    <names variable="author">
+      <name form="short" and="text" delimiter=", " delimiter-precedes-last="never" initialize-with=". "/>
+      <et-al font-style="italic"/>
+      <substitute>
+        <names variable="editor"/>
+        <names variable="translator"/>
+        <choose>
+          <if type="article-newspaper article-magazine" match="any">
+            <text variable="container-title" text-case="title" font-style="italic"/>
+          </if>
+          <else>
+            <text macro="title"/>
+          </else>
+        </choose>
+      </substitute>
+    </names>
+  </macro>
+  <macro name="access">
+    <choose>
+      <if variable="DOI">
+        <group delimiter=": ">
+          <text term="available at" text-case="capitalize-first"/>
+          <text variable="DOI" prefix="https://doi.org/"/>
+        </group>
+      </if>
+      <else-if variable="URL">
+        <text term="available at" suffix=": " text-case="capitalize-first"/>
+        <text variable="URL"/>
+        <group prefix=" (" delimiter=": " suffix=")">
+          <text term="accessed" text-case="capitalize-first"/>
+          <date form="text" variable="accessed">
+            <date-part name="day"/>
+            <date-part name="month"/>
+            <date-part name="year"/>
+          </date>
+        </group>
+      </else-if>
+    </choose>
+  </macro>
+  <macro name="number-volumes">
+    <choose>
+      <if variable="volume" match="none">
+        <group delimiter=" " prefix="(" suffix=")">
+          <text variable="number-of-volumes"/>
+          <label variable="volume" form="short" strip-periods="true"/>
+        </group>
+      </if>
+    </choose>
+  </macro>
+  <macro name="title">
+    <choose>
+      <if type="bill book legal_case legislation motion_picture report song thesis webpage graphic" match="any">
+        <group delimiter=". ">
+          <group delimiter=" ">
+            <group delimiter=" ">
+              <text variable="title" font-style="italic"/>
+              <text variable="medium" prefix="[" suffix="]"/>
+            </group>
+            <text macro="number-volumes"/>
+          </group>
+          <text macro="edition"/>
+        </group>
+      </if>
+      <else>
+        <text variable="title" form="long" quotes="true"/>
+      </else>
+    </choose>
+  </macro>
+  <macro name="publisher">
+    <choose>
+      <if type="thesis">
+        <group delimiter=". ">
+          <text variable="genre"/>
+          <text variable="publisher"/>
+        </group>
+      </if>
+      <else-if type="report">
+        <group delimiter=". ">
+          <group delimiter=" ">
+            <text variable="genre"/>
+            <text variable="number"/>
+          </group>
+          <group delimiter=": ">
+            <text variable="publisher-place"/>
+            <text variable="publisher"/>
+          </group>
+        </group>
+      </else-if>
+      <else-if type="article-journal article-newspaper article-magazine" match="none">
+        <group delimiter=" ">
+          <group delimiter=", ">
+            <choose>
+              <if type="speech" variable="event" match="any">
+                <text variable="event" font-style="italic"/>
+              </if>
+            </choose>
+            <group delimiter=": ">
+              <text variable="publisher-place"/>
+              <text variable="publisher"/>
+            </group>
+          </group>
+          <group prefix="(" suffix=")" delimiter=", ">
+            <text variable="collection-title"/>
+            <text variable="collection-number"/>
+          </group>
+        </group>
+      </else-if>
+    </choose>
+  </macro>
+  <macro name="year-date">
+    <choose>
+      <if variable="issued">
+        <date variable="issued">
+          <date-part name="year"/>
+        </date>
+        <text variable="year-suffix"/>
+      </if>
+      <else>
+        <text term="no date"/>
+        <text variable="year-suffix" prefix=" "/>
+      </else>
+    </choose>
+  </macro>
+  <macro name="locator">
+    <choose>
+      <if type="article-journal">
+        <text variable="volume"/>
+        <text variable="issue" prefix="(" suffix=")"/>
+      </if>
+    </choose>
+  </macro>
+  <macro name="published-date">
+    <choose>
+      <if type="article-newspaper article-magazine post-weblog speech" match="any">
+        <date variable="issued">
+          <date-part name="day" suffix=" "/>
+          <date-part name="month" form="long"/>
+        </date>
+      </if>
+    </choose>
+  </macro>
+  <macro name="pages">
+    <choose>
+      <if type="chapter paper-conference article-journal article article-magazine article-newspaper book review review-book report" match="any">
+        <group delimiter=" ">
+          <label variable="page" form="short"/>
+          <text variable="page"/>
+        </group>
+      </if>
+    </choose>
+  </macro>
+  <macro name="container-title">
+    <choose>
+      <if variable="container-title">
+        <group delimiter=". ">
+          <group delimiter=" ">
+            <text variable="container-title" font-style="italic"/>
+            <choose>
+              <if type="article article-journal" match="any">
+                <choose>
+                  <if match="none" variable="page volume">
+                    <text value="Preprint" prefix="[" suffix="]"/>
+                  </if>
+                </choose>
+              </if>
+            </choose>
+          </group>
+          <text macro="edition"/>
+        </group>
+      </if>
+    </choose>
+  </macro>
+  <macro name="edition">
+    <choose>
+      <if is-numeric="edition">
+        <group delimiter=" ">
+          <number variable="edition" form="ordinal"/>
+          <text term="edition" form="short" strip-periods="true"/>
+        </group>
+      </if>
+      <else>
+        <text variable="edition"/>
+      </else>
+    </choose>
+  </macro>
+  <macro name="container-prefix">
+    <choose>
+      <if type="chapter paper-conference" match="any">
+        <text term="in"/>
+      </if>
+    </choose>
+  </macro>
+  <citation et-al-min="4" et-al-use-first="1" disambiguate-add-year-suffix="true" disambiguate-add-names="true" disambiguate-add-givenname="true" collapse="year">
+    <sort>
+      <key macro="year-date"/>
+    </sort>
+    <layout prefix="(" suffix=")" delimiter="; ">
+      <group delimiter=", ">
+        <group delimiter=", ">
+          <text macro="author-short"/>
+          <text macro="year-date"/>
+        </group>
+        <group>
+          <label variable="locator" form="short" suffix=" "/>
+          <text variable="locator"/>
+        </group>
+      </group>
+    </layout>
+  </citation>
+  <bibliography and="text" et-al-min="4" et-al-use-first="1">
+    <sort>
+      <key macro="author"/>
+      <key macro="year-date"/>
+      <key variable="title"/>
+    </sort>
+    <layout suffix=".">
+      <group delimiter=". ">
+        <group delimiter=" ">
+          <text macro="author"/>
+          <text macro="year-date" prefix="(" suffix=")"/>
+          <group delimiter=", ">
+            <text macro="title"/>
+            <group delimiter=" ">
+              <text macro="container-prefix"/>
+              <text macro="editor"/>
+              <text macro="container-title"/>
+            </group>
+          </group>
+        </group>
+        <text macro="secondary-contributors"/>
+        <text macro="publisher"/>
+      </group>
+      <group delimiter=", " prefix=", ">
+        <text macro="locator"/>
+        <text macro="published-date"/>
+        <text macro="pages"/>
+      </group>
+      <text macro="access" prefix=". "/>
+    </layout>
+  </bibliography>
+</style>

library.bib

@@ -1,3 +1,10 @@
+@misc{99PanelDesign,
+  title = {(99+) {{Panel}}: {{Design}} for {{Hackability}}},
+  urldate = {2025-03-14},
+  howpublished = {https://www.academia.edu/110475342/Panel\_Design\_for\_Hackability},
+  file = {/Users/Rosa/Zotero/storage/33PDJSPD/Panel_Design_for_Hackability.html}
+}
+
 @article{abalansaElectronicWasteEnvironmental2021,
   title = {Electronic {{Waste}}, an {{Environmental Problem Exported}} to {{Developing Countries}}: {{The GOOD}}, the {{BAD}} and the {{UGLY}}},
   shorttitle = {Electronic {{Waste}}, an {{Environmental Problem Exported}} to {{Developing Countries}}},
@@ -14,21 +21,46 @@
   abstract = {Electronic waste (e-waste) is a rapidly developing environmental problem particularly for the most developed countries. There are technological solutions for processing it, but these are costly, and the cheaper option for most developed countries has been to export most of the waste to less developed countries. There are various laws and policies for regulating the processing of e-waste at different governance scales such as the international Basel Convention, the regional Bamoko Convention, and various national laws. However, many of the regulations are not fully implemented and there is substantial financial pressure to maintain the jobs created for processing e-waste. Mexico, Brazil, Ghana Nigeria, India, and China have been selected for a more detailed study of the transboundary movements of e-waste. This includes a systematic review of existing literature, the application of the Driver, Pressure, State, Impact, Response (DPSIR) framework for analysing complex problems associated with social ecological systems, and the application of the Life Cycle Assessment (LCA) for evaluating the environmental impact of electronic devices from their manufacture through to their final disposal. Japan, Italy, Switzerland, and Norway have been selected for the LCA to show how e-waste is diverted to developing countries, as there is not sufficient data available for the assessment from the selected developing countries. GOOD, BAD and UGLY outcomes have been identified from this study: the GOOD is the creation of jobs and the use of e-waste as a source of raw materials; the BAD is the exacerbation of the already poor environmental conditions in developing countries; the UGLY is the negative impact on the health of workers processing e-waste due to a wide range of toxic components in this waste. There are a number of management options that are available to reduce the impact of the BAD and the UGLY, such as adopting the concept of a circular economy, urban mining, reducing loopholes and improving existing policies and regulations, as well as reducing the disparity in income between the top and bottom of the management hierarchy for e-waste disposal. The overarching message is a request for developed countries to help developing countries in the fight against e-waste, rather than exporting their environmental problems to these poorer regions.},
   copyright = {https://creativecommons.org/licenses/by/4.0/},
   langid = {english},
-  keywords = {prio:high},
   file = {/Users/Rosa/Zotero/storage/6P788A6M/Abalansa et al. - 2021 - Electronic Waste, an Environmental Problem Exported to Developing Countries The GOOD, the BAD and t.pdf}
 }
 
-@article{AtariVideoGame2024,
-  title = {Atari Video Game Burial},
+@book{aclandResidualMedia2007,
+  title = {Residual Media},
+  author = {Acland, Charles R.},
+  year = {2007},
+  publisher = {University of Minnesota Press},
+  address = {Minneapolis, Minn},
+  isbn = {978-0-8166-4472-8 978-0-8166-4471-1},
+  langid = {american},
+  lccn = {303.483 3},
+  keywords = {check note},
+  file = {/Users/Rosa/Zotero/storage/LTRYTQS2/charles-r-acland-residual-media_pdf -- Xerox WorkCentre 5655 -- fd5e0a915ed3fdf92f48da0ca8009c71 -- Anna’s Archive-1.pdf}
+}
+
+@techreport{baldeGlobalEWasteMonitor2024,
+  title = {The {{Global E-Waste Monitor}} 2024},
+  author = {Bald{\'e}, Cornelis P. and Kuehr, Ruediger and Yamamoto, Tales and McDonald, Rosie and D'Angelo, Elena and Althaf, Shahana and Bel, Garam and {Fernandez-Cubillo}, Elena and Forti, Vanessa and Gray, Vanessa and Herat, Sunil and Honda, Shunichi and Iattoni, Giulia and Khetriwal, Deepali S. and di Cortemiglia, Vittoria Luda and Lobuntsova, Yuliya and Nnorom, Innocent and Wagner (2024), Michelle and Bald{\'e}, Cornelis P. and {International Telecommunication Union (ITU)} and {United Nations Institute for Training and Research (UNITAR)}},
   year = {2024},
-  month = nov,
-  journal = {Wikipedia},
-  urldate = {2025-01-20},
-  abstract = {The Atari video game burial was a mass burial of unsold video game cartridges, consoles, and computers in a New Mexico landfill site undertaken by the American video game and home computer company Atari, Inc. in 1983. Before 2014, the goods buried were rumored to be unsold copies of E.T. the Extra-Terrestrial (1982), one of the largest commercial video game failures and often cited as one of the worst video games ever released, and the 1982 Atari 2600 port of Pac-Man, which was commercially successful but critically maligned. Since the burial was first reported, there had been doubts as to its veracity and scope, and it was frequently dismissed as an urban legend. The event became a cultural icon and a reminder of the video game crash of 1983; it was the end result of a disastrous fiscal year which saw Atari, Inc. sold off by its parent company Warner Communications. Though it was believed that millions of copies of E.T. were buried, Atari officials later verified the numbers to be around 700,000 cartridges of various games, including E.T. In 2014, Fuel Industries, Microsoft, and others worked with the New Mexico government to excavate the site as part of a documentary, Atari: Game Over. On April 26, 2014, the excavation revealed discarded games and hardware. Only a small fraction, about 1,300 cartridges, were recovered, with a portion given for curation and the rest auctioned to raise money for a museum to commemorate the burial.},
-  copyright = {Creative Commons Attribution-ShareAlike License},
   langid = {english},
-  annotation = {Page Version ID: 1257211909},
-  file = {/Users/Rosa/Zotero/storage/UIVT7W6T/Atari_video_game_burial.html}
+  annotation = {titleTranslation: THE GLOBAL E-WASTE MONITOR 2024},
+  file = {/Users/Rosa/Zotero/storage/WGS4GDYK/GEM_2024_EN_11_NOV-web.pdf}
+}
+
+@article{batesSocialLifeMusical2012,
+  title = {The {{Social Life}} of {{Musical Instruments}}},
+  author = {Bates, Eliot},
+  year = {2012},
+  month = sep,
+  journal = {Ethnomusicology},
+  volume = {56},
+  number = {3},
+  pages = {363--395},
+  issn = {0014-1836, 2156-7417},
+  doi = {10.5406/ethnomusicology.56.3.0363},
+  urldate = {2025-03-11},
+  langid = {english},
+  keywords = {new},
+  file = {/Users/Rosa/Zotero/storage/U3JS7Q6Z/Bates - 2012 - The Social Life of Musical Instruments.pdf}
 }
 
 @article{blasserPrettyPaperRolls2007,
@@ -96,7 +128,8 @@
   doi = {10.5281/zenodo.1176713},
   urldate = {2025-01-05},
   abstract = {Description},
-  keywords = {prio:high},
+  langid = {american},
+  keywords = {new},
   file = {/Users/Rosa/Zotero/storage/77GB79E3/Bowers and Archer - 2005 - Not Hyper, Not Meta, Not Cyber but Infra-Instruments.pdf}
 }
 
@@ -105,7 +138,6 @@
   author = {Bowers, John and Richards, John and Shaw, Tim and Foster, Robin and Kubota, Akihiro},
   abstract = {This paper describes an extended intercontinental collaboration between multiple artists, institutions, and their publics, to develop an integrated musical practice which combines experimental making, performance, and pedagogy. We build on contributions to NIME which work with art and design-led methods to explore alternatives to, for example, more engineering-oriented approaches, without loss of practical utility and theoretical potential. We describe two week-long workshop-residencies and three performance-installations done under the provocative title Raw Data, Rough Mix which was intended to encourage exploration of basic processes in physical, mechanical, electrical, electronic and computational domains to develop musical artefacts that were frugal in their resource-demands but enabled the interrogation of human/non-human relationships, performativity, musical ecologies, aesthetics, and other matters. We close by elaborating our contribution to NIME as offering an integrated practice combining making, playing and learning, which is critically informed and practically productive.},
   langid = {english},
-  keywords = {prio:high},
   file = {/Users/Rosa/Zotero/storage/RHWZJBUD/Bowers et al. - Raw Data, Rough Mix Towards an Integrated Practice of Making, Performance and Pedagogy.pdf}
 }
 
@@ -133,6 +165,21 @@
   file = {/Users/Rosa/Zotero/storage/6G8IIDT5/article.pdf}
 }
 
+@article{chokkattuWhatYourDefunct2025,
+  title = {What to {{Do With Your Defunct Humane Ai Pin}}},
+  author = {Chokkattu, Julian},
+  year = {2025},
+  month = feb,
+  journal = {Wired},
+  issn = {1059-1028},
+  urldate = {2025-03-13},
+  abstract = {Humane Ai's Pins stopped working today, turning the year-old wearable into a paperweight. Here are some ideas for what to do with yours if you want to avoid e-waste.},
+  chapter = {tags},
+  langid = {american},
+  keywords = {artificial intelligence,shopping,wearables},
+  file = {/Users/Rosa/Zotero/storage/J4U6SVG3/what-to-do-with-your-humane-ai-pin.html}
+}
+
 @book{collinsHandmadeElectronicMusic2009,
   title = {Handmade Electronic Music: The Art of Hardware Hacking},
   shorttitle = {Handmade Electronic Music},
@@ -142,6 +189,7 @@
   publisher = {Routledge},
   address = {New York},
   isbn = {978-0-415-99609-9 978-0-415-99873-4 978-0-203-87962-7},
+  langid = {american},
   lccn = {ML1092 .C66 2009},
   keywords = {Construction,Electronic musical instruments,toppertje},
   file = {/Users/Rosa/Zotero/storage/T5E3CZ4S/Collins - 2009 - Handmade electronic music the art of hardware hacking.pdf}
@@ -164,11 +212,15 @@
 
 @inproceedings{CooperativeExperimentalismSharing,
   title = {Cooperative {{Experimentalism}}: {{Sharing}} to Enhance Electronic Media},
+  booktitle = {Proceedings of the {{International Symposium}} on {{Electronic Art}} ({{ISEA2019}})},
   author = {Brown, Andrew and Ferguson, John and Bennett, Andy},
   year = {2019},
   month = jul,
+  pages = {480--483},
+  abstract = {This article explores the impacts of information sharing and experimentation on electronic media practitioners. It draws on characteristics of `open' or `DIY' cultures prevalent in the technological `maker' movement and suggests that we collectively describe such practices as cooperative experimentalism. In particular this article focuses on the discipline of music and describes how adopting an approach to making that privileges sharing of tools and knowledge might be a useful strategy in the development of handmade electronic music instruments and associated live performance practices. The implications of such trends in electronic media suggest that the notion of cooperative experimentalism may well apply more generally to creative electronic media practices in our (post) digital age.},
   langid = {american},
   keywords = {to summarise},
+  annotation = {titleTranslation: Co{\"o}peratief experimentalisme: delen om elektronische media te verbeteren},
   file = {/Users/Rosa/Zotero/storage/3U5LDBDP/content}
 }
 
@@ -176,9 +228,18 @@
   title = {From {{Critical Making}} via Unmaking towards (Un)Making -- Ontwerpkritiek.Nl},
   urldate = {2025-02-25},
   howpublished = {https://ontwerpkritiek.nl/from-critical-making-via-unmaking-towards-unmaking/},
+  langid = {american},
   file = {/Users/Rosa/Zotero/storage/FQGX3P2Z/from-critical-making-via-unmaking-towards-unmaking.html}
 }
 
+@techreport{CurrentStateRight2024,
+  title = {The {{Current State}} of {{Right}} to {{Repair}} in the {{EU}}},
+  year = {2024},
+  institution = {Right to Repair Europe},
+  langid = {american},
+  file = {/Users/Rosa/Zotero/storage/69IHSGQM/Current-State-of-EU-Right-to-Repair_v3_2.pdf}
+}
+
 @article{devalkRefusingBurdenComputation2021,
   title = {Refusing the {{Burden}} of {{Computation}}: {{Edge Computing}} and {{Sustainable ICT}}},
   shorttitle = {Refusing the {{Burden}} of {{Computation}}},
@@ -195,7 +256,6 @@
   abstract = {This paper asks what we can learn from edge computing about the commitment of Big Tech to diminish its ecological footprint. The text starts with the COVID-19 pandemic being framed as opportunity for more sustainability and unpacks edge computing as one of the elements proposed as a solution, next to working from home. It interrogates the discourse behind these solutions, one of technological fixes that allow `business as usual' to continue, undisturbed by government regulations, outsourcing the burden of environmental responsibility to citizens. The paper draws parallels between edge computing, Big Tech's approach to sustainability and the history of the Sustainable ICT discourse and proposes that to truly diminish ICT's footprint, a refusal of the burden of computation and digital enclosure (vendor lock-in) is needed, by collectively building and financing network services.},
   copyright = {http://creativecommons.org/licenses/by-nc-sa/4.0},
   langid = {english},
-  keywords = {prio:high},
   file = {/Users/Rosa/Zotero/storage/NFQC58VX/De Valk - 2021 - Refusing the Burden of Computation Edge Computing and Sustainable ICT.pdf}
 }
 
@@ -207,15 +267,17 @@
   urldate = {2025-01-16},
   howpublished = {https://popupforcollaborativemusicmaking.wordpress.com/},
   langid = {english},
-  keywords = {prio:high},
   file = {/Users/Rosa/Zotero/storage/D6EBFKZU/popupforcollaborativemusicmaking.wordpress.com.html}
 }
 
-@article{fennisOntologyElectronicWaste,
+@article{fennisOntologyElectronicWaste2022,
   title = {Ontology {{Of Electronic Waste}}},
   author = {Fennis, Maurits},
+  year = {2022},
+  month = nov,
   langid = {english},
-  keywords = {prio:high,summarised},
+  keywords = {summarised},
+  annotation = {titleTranslation: Ontologie van elektronisch afval},
   file = {/Users/Rosa/Zotero/storage/PZ45G9QF/Fennis - Ontology Of Electronic Waste.pdf}
 }
 
@@ -224,10 +286,22 @@
   author = {Fernandez, Alexandre Marino and Iazzetta, Fernando},
   abstract = {This article analyses Circuit-Bending and its relation to the Do-ityourself (DIY) culture. Circuit-bending is an experimental music practice which consists of opening up low voltage (battery powered) electronic devices (musical toys, radio devices, cd players, etc. -- mostly technological waste) and of changing (bend) the way electricity flows through their circuits in order to achieve an `interesting' result. After presenting the work of some artists who make use of this methodology we introduce the concept of proletarianisation by philosopher Bernard Stiegler and how such methodologies can act as de-proletarianisation tactics. Then, we present the Do-it-together (DIT) or Do-it-with-others (DIWO) discussion to bring into scene the notion of Relational Aesthetics.},
   langid = {english},
-  keywords = {prio:high},
   file = {/Users/Rosa/Zotero/storage/4HTDFEDL/Fernandez and Iazzetta - Circuit-Bending and DIY Culture.pdf}
 }
 
+@misc{foresmanAppleScrewingNew2011,
+  title = {Apple ``Screwing'' New {{iPhones}} out of Simple {{DIY}} Repair},
+  author = {Foresman, Chris},
+  year = {2011},
+  month = jan,
+  journal = {Ars Technica},
+  urldate = {2025-03-14},
+  abstract = {Apple is purposefully making it harder to get inside its devices buy using {\dots}},
+  howpublished = {https://arstechnica.com/gadgets/2011/01/apple-screwing-new-iphones-out-of-simple-diy-repair/},
+  langid = {american},
+  file = {/Users/Rosa/Zotero/storage/AZ3IAGCT/apple-screwing-new-iphones-out-of-simple-diy-repair.html}
+}
+
 @article{fullerIntroductionAutomaticInstruments1983,
   title = {An Introduction to Automatic Instruments},
   author = {Fuller, David},
@@ -244,16 +318,19 @@
 }
 
 @book{gabrysDigitalRubbishNatural2011,
-  title = {Digital Rubbish: A Natural History of Electronics},
-  shorttitle = {Digital Rubbish},
+  title = {Digital {{Rubbish}}: {{A Natural History}} of {{Electronics}}},
+  shorttitle = {Digital {{Rubbish}}},
   author = {Gabrys, Jennifer},
   year = {2011},
-  publisher = {University of Michigan press},
-  address = {Ann Arbor},
-  isbn = {978-0-472-11761-1},
-  langid = {english},
-  lccn = {363.728 8},
-  keywords = {prio:high,reading atm,summarised,to summarise,toppertje},
+  month = mar,
+  eprint = {10.2307/j.ctv65swcp},
+  eprinttype = {jstor},
+  publisher = {University of Michigan Press},
+  doi = {10.2307/j.ctv65swcp},
+  urldate = {2025-03-10},
+  isbn = {978-0-472-90029-9 978-0-472-11761-1},
+  langid = {american},
+  keywords = {check note,reading atm,summarised,toppertje},
   file = {/Users/Rosa/Zotero/storage/PZB4D642/Gabrys - 2011 - Digital rubbish a natural history of electronics.pdf}
 }
 
@@ -290,6 +367,20 @@
   file = {/Users/Rosa/Zotero/storage/47YW9WJG/Gegenbauer and Huang - 2012 - iPods, Ataris, and Polaroids a personal inventories study of out-of-use electronics in Swiss househ.pdf}
 }
 
+@book{gillespieMediaTechnologiesEssays2014,
+  title = {Media {{Technologies}}: {{Essays}} on {{Communication}}, {{Materiality}}, and {{Society}}},
+  editor = {Gillespie, Tarleton and Boczkowski, Pablo J. and Foot, Kirsten A.},
+  year = {2014},
+  month = feb,
+  publisher = {The MIT Press},
+  doi = {10.7551/mitpress/9780262525374.003.0006},
+  urldate = {2025-03-09},
+  isbn = {978-0-262-52537-4},
+  langid = {american},
+  keywords = {check note},
+  file = {/Users/Rosa/Zotero/storage/ZI4GLGJ3/Jackson - 2014 - Rethinking Repair.pdf}
+}
+
 @book{heimsCyberneticsGroup1991,
   title = {The Cybernetics Group},
   author = {Heims, Steve J.},
@@ -313,19 +404,18 @@
   isbn = {978-0-262-04493-6},
   langid = {english},
   lccn = {N72.E53 H47 2023},
-  keywords = {Art and electronics,Arts,Experimental methods,Maker movement,prio:high,Social aspects,summarised,Technology},
+  keywords = {Art and electronics,Arts,Experimental methods,Maker movement,Social aspects,summarised,Technology},
   file = {/Users/Rosa/Zotero/storage/E8IXZVMU/Hertz - 2023 - Art + DIY electronics.pdf}
 }
 
 @book{hertzDisobedientElectronics,
   title = {Disobedient {{Electronics}}},
-  author = {Hertz, Garnet},
-  file = {/Users/Rosa/Zotero/storage/8I52Q9NN/Hertz-Disobedient-Electronics-Protest-201801081332c.pdf}
+  author = {Hertz, Garnet}
 }
 
 @article{hertzZombieMediaCircuit2012,
-  title = {Zombie {{Media}}: {{Circuit Bending Media Archaeology}} into an {{Art Method}}},
-  shorttitle = {Zombie {{Media}}},
+  title = {Zombie Media: {{Circuit}} Bending Media Archaeology into an Art Method},
+  shorttitle = {Zombie Media},
   author = {Hertz, Garnet and Parikka, Jussi},
   year = {2012},
   month = oct,
@@ -338,10 +428,23 @@
   urldate = {2025-01-05},
   abstract = {This text is an investigation into media culture, temporalities of media objects and planned obsolescence in the midst of ecological crisis and electronic waste. The authors approach the topic under the umbrella of media archaeology and aim to extend this historiographically oriented field of media theory into a methodology for contemporary artistic practice. Hence, media archaeology becomes not only a method for excavation of repressed and forgotten media discourses, but extends itself into an artistic method close to Do-It-Yourself (DIY) culture, circuit bending, hardware hacking and other hacktivist exercises that are closely related to the political economy of information technology. The concept of dead media is discussed as ``zombie media''---dead media revitalized, brought back to use, reworked.},
   langid = {english},
-  keywords = {summarised,toppertje},
+  keywords = {check note,summarised,toppertje},
   file = {/Users/Rosa/Zotero/storage/K5SZIEPI/Hertz and Parikka - 2012 - Zombie Media Circuit Bending Media Archaeology into an Art Method.pdf}
 }
 
+@article{hillPanelDesignHackability2004,
+  title = {Panel: {{Design}} for {{Hackability}}},
+  shorttitle = {Panel},
+  author = {Hill, Dan},
+  year = {2004},
+  month = jan,
+  urldate = {2025-03-14},
+  abstract = {Design for hackability encourages designers and nondesigners to critically and creatively explore interactivity, technology and media-to reclaim authorship and ownership of technologies and the social and cultural worlds in which we live. Hackability},
+  langid = {english},
+  keywords = {No DOI found},
+  file = {/Users/Rosa/Zotero/storage/CWFGVBXA/Panel_Design_for_Hackability.html}
+}
+
 @book{holmesElectronicExperimentalMusic2012,
   title = {Electronic and Experimental Music: Technology, Music, and Culture},
   shorttitle = {Electronic and Experimental Music},
@@ -352,7 +455,7 @@
   address = {New York},
   isbn = {978-0-415-89646-7 978-0-415-89636-8 978-0-203-12842-8},
   lccn = {ML1380 .H64 2012},
-  keywords = {Computer music,Electronic music,History and criticism,prio:high},
+  keywords = {Computer music,Electronic music,History and criticism},
   annotation = {OCLC: ocn703208713},
   file = {/Users/Rosa/Zotero/storage/HUAVMT2T/Electronic and Experimental Music.pdf}
 }
@@ -434,6 +537,24 @@
   file = {/Users/Rosa/Zotero/storage/ILURMSC5/Interchangeable_parts.html}
 }
 
+@incollection{jacksonRethinkingRepair2014,
+  title = {Rethinking {{Repair}}},
+  booktitle = {Media {{Technologies}}: {{Essays}} on {{Communication}}, {{Materiality}}, and {{Society}}},
+  author = {Jackson, Steven J.},
+  editor = {Gillespie, Tarleton and Boczkowski, Pablo J. and Foot, Kirsten A.},
+  year = {2014},
+  month = feb,
+  pages = {0},
+  publisher = {The MIT Press},
+  doi = {10.7551/mitpress/9780262525374.003.0011},
+  urldate = {2025-03-09},
+  abstract = {This paper reexamines media and technology studies from the standpoint of ``broken world thinking``: an orientation that takes seriously the fragility of the human, technical, and natural worlds around us, and foregrounds acts of breakdown, maintenance and repair as central to technological and human experience in the world. Drawing on pragmatist and phenomenological roots, it argues for maintenance and repair as unheralded sites of creativity and innovation, knowledge and power, and a neglected ethics of care. It argues against the frequent productivist bias of media and technology scholarship, and urges attention to maintenance, repair and ongoing acts of care as a powerful window into the long-run relationships that tie human lives to the objects and things that surround them.},
+  isbn = {978-0-262-52537-4},
+  langid = {american},
+  keywords = {check note},
+  file = {/Users/Rosa/Zotero/storage/B42HR3LL/169335302.html}
+}
+
 @inproceedings{jangUnplannedObsolescenceHardware2017,
   title = {Unplanned {{Obsolescence}}: {{Hardware}} and {{Software After Collapse}}},
   shorttitle = {Unplanned {{Obsolescence}}},
@@ -448,7 +569,6 @@
   urldate = {2025-01-05},
   isbn = {978-1-4503-4950-5},
   langid = {english},
-  keywords = {prio:high},
   file = {/Users/Rosa/Zotero/storage/ZGWSKZXI/Jang et al. - 2017 - Unplanned Obsolescence Hardware and Software After Collapse.pdf}
 }
 
@@ -465,7 +585,7 @@
   issn = {09611215, 15314812},
   urldate = {2025-01-14},
   abstract = {The author sets out an extension of do-it-yourself (DIY) electronics as a literal critical practice addressing the social, economic and geological systems shaping technologies we use, presenting several real-world examples and concluding with future directions.},
-  keywords = {summarised}
+  keywords = {check note,summarised}
 }
 
 @article{joWorkshoppingParticipationMusic2013,
@@ -500,6 +620,23 @@
   file = {/Users/Rosa/Zotero/storage/Q9BZWJUI/j-b-jackson-the-domestication-of-the-garage.html}
 }
 
+@inproceedings{kimPracticesCreativeReuse2011,
+  title = {Practices in the Creative Reuse of E-Waste},
+  booktitle = {Proceedings of the {{SIGCHI Conference}} on {{Human Factors}} in {{Computing Systems}}},
+  author = {Kim, Sunyoung and Paulos, Eric},
+  year = {2011},
+  month = may,
+  pages = {2395--2404},
+  publisher = {ACM},
+  address = {Vancouver BC Canada},
+  doi = {10.1145/1978942.1979292},
+  urldate = {2025-03-10},
+  isbn = {978-1-4503-0228-9},
+  langid = {english},
+  keywords = {check note},
+  file = {/Users/Rosa/Zotero/storage/U2WRIMR6/Kim and Paulos - 2011 - Practices in the creative reuse of e-waste.pdf}
+}
+
 @article{kostakisProductionGovernanceHackerspaces2015,
   title = {Production and Governance in Hackerspaces: {{A}} Manifestation of {{Commons-based}} Peer Production in the Physical Realm?},
   shorttitle = {Production and Governance in Hackerspaces},
@@ -539,7 +676,6 @@
   urldate = {2025-01-05},
   isbn = {978-1-4503-7595-5},
   langid = {english},
-  keywords = {prio:high},
   file = {/Users/Rosa/Zotero/storage/NEBEZJ9M/Lepawsky - 2020 - Towards a World of Fixers Examining barriers and enablers of widely deployed third-party repair for.pdf}
 }
 
@@ -553,7 +689,6 @@
   urldate = {2025-01-16},
   abstract = {This paper describes the 10,000 Instruments workshop, a collaborative online event conceived to generate interface ideas and speculate on music technology through open-ended artefacts and playful design explorations. We first present the activity, setting its research and artistic scope. We then report on a selection of outcomes created by workshop attendees, and examine the critical design statements they convey. The paper concludes with reflections on the make-believe, whimsical and troublemaking approach to instrument design adopted in the workshop. In particular, we consider the ways this activity can support individuals' creativity, unlock shared musical visions and reveal unconventional perspectives on music technology development.},
   langid = {english},
-  keywords = {prio:high},
   file = {/Users/Rosa/Zotero/storage/BQ8EBRU6/Lepri et al. - 2022 - The 10,000 Instruments Workshop - (Im)practical Research for Critical Speculation.pdf}
 }
 
@@ -571,10 +706,22 @@
   author = {Lovink, Geert},
   urldate = {2025-01-05},
   langid = {american},
-  keywords = {summarised},
+  keywords = {check note,summarised},
   file = {/Users/Rosa/Zotero/storage/XFGEV94M/Principles of Perma-Hybridity.pdf;/Users/Rosa/Zotero/storage/HYCEANK3/principles-of-perma-hybridity.html}
 }
 
+@misc{lulinvegaHolisticApproachComputing,
+  type = {Wiki},
+  title = {A Holistic Approach to Computing and Sustainability Inspired from Permaculture.},
+  author = {Lu Linvega, Devine},
+  journal = {Devine Lu Linvega's journal},
+  urldate = {2025-01-05},
+  howpublished = {https://wiki.xxiivv.com/site/permacomputing.html},
+  langid = {american},
+  keywords = {summarised},
+  file = {/Users/Rosa/Zotero/storage/QM25W9ZH/permacomputing.html}
+}
+
 @article{luUnmakingElectronicWaste2024,
   title = {Unmaking {{Electronic Waste}}},
   author = {Lu, Jasmine and Lopes, Pedro},
@@ -605,13 +752,13 @@
   urldate = {2025-02-25},
   isbn = {978-1-4503-0820-5},
   langid = {english},
-  file = {/Users/Rosa/Zotero/storage/BQJQJ2RJ/Maestri and Wakkary - 2011 - Understanding repair as a creative process of everyday design.pdf;/Users/Rosa/Zotero/storage/JTLM4PHV/Maestri and Wakkary - 2011 - Understanding repair as a creative process of everyday design.pdf}
+  file = {/Users/Rosa/Zotero/storage/KQR95ZEX/Maestri and Wakkary - 2011 - Understanding repair as a creative process of everyday design.pdf}
 }
 
 @book{magielsRECYCLEAlsAfval,
   title = {{{RECYCLE}}! {{Als}} Afval Grondstof Wordt},
   author = {Magiels, Geerdt},
-  keywords = {summarised}
+  keywords = {check note,summarised}
 }
 
 @book{magnussonSonicWritingTechnologies2019,
@@ -623,7 +770,6 @@
   address = {New York, NY},
   isbn = {978-1-5013-1386-8 978-1-5013-1388-2 978-1-5013-1387-5},
   langid = {american},
-  keywords = {prio:high},
   file = {/Users/Rosa/Zotero/storage/URF6ZN4I/Sonic Writing Technologies.pdf}
 }
 
@@ -653,8 +799,8 @@
   urldate = {2025-01-05},
   abstract = {The best repair manuals present a vision of repair that is social, embodied, intuitive, and accessible. What if we extend these principles beyond material objects, to the scale of civic systems and spaces?},
   langid = {american},
-  keywords = {manual,prio:high,repair,to summarise},
-  file = {/Users/Rosa/Zotero/storage/CVR3A5FM/step-by-step-repair-manuals-political-ecology.html}
+  keywords = {check note,manual,repair,to summarise},
+  file = {/Users/Rosa/Zotero/storage/F7BJZJB4/A Political Ecology of the Repair Manual.pdf;/Users/Rosa/Zotero/storage/CVR3A5FM/step-by-step-repair-manuals-political-ecology.html}
 }
 
 @article{MediaArcheologyLab2017,
@@ -680,10 +826,23 @@
   urldate = {2025-01-05},
   abstract = {Below is the pre-print version of a book chapter I wrote for The Bloomsbury Handbook to the Digital Humanities, edited by James O'Sullivan and forthcoming in 2022. Gratitude to James for the {\dots}},
   langid = {english},
-  keywords = {prio:high,to summarise},
+  keywords = {to summarise},
   file = {/Users/Rosa/Zotero/storage/2PN2LXDW/loriemerson-net-20.pdf;/Users/Rosa/Zotero/storage/UULUI9MB/six-difficult-and-inconvenient-values-to-reclaim-the-future-with-old-media.html}
 }
 
+@inbook{millsHearingAidsHistory2012,
+  title = {Hearing {{Aids}} and the {{History}} of {{Electronics Miniaturization}} (8th Chapter)},
+  booktitle = {The Sound Studies Reader},
+  author = {Mills, Mara},
+  year = {2012},
+  publisher = {Routledge},
+  address = {New York},
+  collaborator = {Sterne, Jonathan},
+  isbn = {978-0-415-77130-6 978-0-415-77131-3},
+  langid = {american},
+  file = {/Users/Rosa/Zotero/storage/TCPV5QUC/2012 - The sound studies reader.pdf}
+}
+
 @book{mindellHumanMachineFeedback2002,
   title = {Between Human and Machine: Feedback, Control, and Computing before Cybernetics},
   shorttitle = {Between Human and Machine},
@@ -722,10 +881,8 @@
   abstract = {Au c{\oe}ur des d{\'e}bats contemporains sur les technologies de l'information et de la communication, la question de leur rapide obsolescence occupe une place pr{\'e}pond{\'e}rante. Un des effets de bord de ce ph{\'e}nom{\`e}ne concerne le fait que les produits manufactur{\'e}s, tels que les t{\'e}l{\'e}phones mobiles, con{\c c}us pour ne durer que quelques ann{\'e}es, ne sont que rarement r{\'e}par{\'e}s. Ce qui du coup interroge les impacts tant environnementaux qu'{\'e}conomiques d'une telle situation. Dans ce contexte, l'apparition depuis quelques ann{\'e}es de lieux de remise {\`a} neuf et d'entretien dans les hackerspaces, repairs caf{\'e}s et autres magasins non agr{\'e}{\'e}s montre que particuliers ou entrepreneurs tentent de reprendre la main afin d'am{\'e}liorer la durabilit{\'e} de ces appareils. Ces espaces, sous la forme de magasins et d'espaces de bricolage, fournissent une occasion unique pour une compr{\'e}hension fine de l'{\'e}closion des pratiques de r{\'e}paration. Au carrefour de l'ethnographie et du design num{\'e}rique, ce projet vise l'investigation empirique de ces repair cultures en prenant le cas du smartphone. (HEAD)},
   collaborator = {Nova, Nicolas and Bloch, {\relax Ana{\"i}s}.},
   isbn = {978-2-9700992-6-0},
-  langid = {english},
-  keywords = {prio:high},
-  annotation = {OCLC: 1264652861},
-  file = {/Users/Rosa/Zotero/storage/DKDVHHDJ/2020-DrSmartphone-nova-bloch.pdf}
+  langid = {american},
+  annotation = {OCLC: 1264652861}
 }
 
 @inproceedings{odomUnderstandingWhyWe2009,
@@ -753,18 +910,74 @@
   publisher = {Pauline Oliveros Publications},
   address = {Kingston, NY},
   isbn = {978-1-5175-2574-3},
-  langid = {english},
-  file = {/Users/Rosa/Zotero/storage/9F7HAMJ9/Oliveros_Pauline_Software_for_People_Collected_Writings_1963-80.pdf}
+  langid = {english}
 }
 
-@article{parksFallingApartElectronics,
-  title = {Falling {{Apart}}: {{Electronics Salvaging}} and the {{Global Media Economy}}},
-  author = {Parks, Lisa},
+@article{parikkaOperativeMediaArchaeology2011,
+  title = {Operative {{Media Archaeology}}: {{Wolfgang Ernst}}'s {{Materialist Media Diagrammatics}}},
+  shorttitle = {Operative {{Media Archaeology}}},
+  author = {Parikka, Jussi},
+  year = {2011},
+  month = sep,
+  journal = {Theory, Culture \& Society},
+  volume = {28},
+  number = {5},
+  pages = {52--74},
+  issn = {0263-2764, 1460-3616},
+  doi = {10.1177/0263276411411496},
+  urldate = {2025-03-10},
+  abstract = {Media archaeological methods for extending the lifetime of new media into `old media' have experienced a revival during the past years. In recent media theory, a new context for a debate surrounding media archaeology is emerging. So far media archaeology has been articulated together with such a heterogeneous bunch of theorists as Erkki Huhtamo, Siegfried Zielinski, Thomas Elsaesser and to a certain extent Friedrich Kittler. However, debates surrounding media archaeology as a method seem to be taking it forward not only as a subdiscipline of (media) history, but increasingly into what will be introduced as materialist media diagrammatics. This article maps some recent media archaeological waves in German media theory. The text addresses Wolfgang Ernst's mode of media archaeology and his provocative accounts on how to rethink media archaeology as a fresh way of looking into the use and remediation of media history as a material monument instead of a historical narrative and as a recent media theoretical wave from Germany that seems to not only replicate Kittler's huge impact in the field of materialist media studies but develop that in novel directions. However, as will be argued towards the end, Ernst's provocative take that hopes to distinguish itself as a Berlin brand of media theory in its hardware materiality and time-critical focus resonates strongly with some of the recent new directions coming from US media studies, namely in software and platform studies.},
   langid = {english},
-  keywords = {summarised,to summarise,toppertje},
+  keywords = {check note},
+  file = {/Users/Rosa/Zotero/storage/HNAAWPZ9/Parikka - 2011 - Operative Media Archaeology Wolfgang Ernst’s Materialist Media Diagrammatics.pdf}
+}
+
+@article{parksCrackingOpenSet2000,
+  title = {Cracking {{Open}} the {{Set}}: {{Television Repair}} and {{Tinkering}} with {{Gender}} 1949-1955},
+  shorttitle = {Cracking {{Open}} the {{Set}}},
+  author = {Parks, Lisa},
+  year = {2000},
+  month = aug,
+  journal = {Television \& New Media},
+  volume = {1},
+  number = {3},
+  pages = {257--278},
+  issn = {1527-4764, 1552-8316},
+  doi = {10.1177/152747640000100302},
+  urldate = {2025-03-10},
+  copyright = {https://journals.sagepub.com/page/policies/text-and-data-mining-license},
+  langid = {english},
+  keywords = {check note},
+  file = {/Users/Rosa/Zotero/storage/745J4QXQ/Parks - 2000 - Cracking Open the Set Television Repair and Tinkering with Gender 1949-1955.pdf}
+}
+
+@inbook{parksFallingApartElectronics2007,
+  title = {Falling {{Apart}}: {{Electronics Salvaging}} and the {{Global Media Economy}}},
+  booktitle = {Residual {{Media}}},
+  author = {Parks, Lisa},
+  year = {2007},
+  pages = {32--47},
+  publisher = {Minneapolis: University of Minnesota Press},
+  collaborator = {Acland, Charles R.},
+  isbn = {978-0-8166-4472-8 978-0-8166-4471-1},
+  langid = {english},
+  keywords = {check note,hiding waste streams,summarised,to summarise,toppertje},
   file = {/Users/Rosa/Zotero/storage/CAIF3ZWR/Parks - Falling Apart Electronics Salvaging and the Global Media Economy.pdf}
 }
 
+@misc{parksMediaFixesThoughts2013,
+  title = {Media {{Fixes}}: {{Thoughts}} on {{Repair Cultures}}},
+  shorttitle = {Media {{Fixes}}},
+  author = {Parks, Lisa},
+  year = {2013},
+  month = dec,
+  journal = {Flow Journal},
+  urldate = {2025-03-10},
+  langid = {american},
+  keywords = {check note},
+  file = {/Users/Rosa/Zotero/storage/CBWNSJTQ/Barbara - 2013 - Media Fixes Thoughts on Repair Cultures Lisa Parks  University of California, Santa Barbara – Flow.pdf;/Users/Rosa/Zotero/storage/5SP7QZRD/media-fixes-thoughts-on-repair-cultures.html}
+}
+
 @book{pellowGarbageWarsStruggle2002,
   title = {Garbage {{Wars}}: {{The Struggle}} for {{Environmental Justice}} in {{Chicago}}},
   shorttitle = {Garbage {{Wars}}},
@@ -777,13 +990,37 @@
   langid = {english}
 }
 
-@book{postmaWeggooienMooiNiet,
+@book{pinchAnalogDaysInvention2002,
+  title = {Analog Days: The Invention and Impact of the {{Moog}} Synthesizer},
+  shorttitle = {Analog Days},
+  author = {Pinch, Trevor and Trocco, Frank},
+  year = {2002},
+  publisher = {Harvard University press},
+  address = {Cambridge (Mass.) London},
+  isbn = {978-0-674-00889-2},
+  langid = {english},
+  keywords = {new},
+  file = {/Users/Rosa/Zotero/storage/B6P7MAUL/Pinch and Trocco - 2002 - Analog days the invention and impact of the Moog synthesizer.pdf}
+}
+
+@book{postmaWeggooienMooiNiet2015,
   title = {Weggooien, Mooi Niet!},
   author = {Postma, Martine},
+  editor = {Rhoen, Marion},
+  year = {2015},
+  month = mar,
+  publisher = {de Vrije Uitgevers},
   isbn = {978-94-90298-06-7},
   keywords = {summarised}
 }
 
+@misc{Principles,
+  title = {Principles},
+  urldate = {2025-03-14},
+  howpublished = {https://permacomputing.net/Principles/},
+  file = {/Users/Rosa/Zotero/storage/TBYIGTHI/Principles.html}
+}
+
 @inproceedings{raghavanMacroscopicallySustainableNetworking2016,
   title = {Macroscopically Sustainable Networking: On Internet Quines},
   shorttitle = {Macroscopically Sustainable Networking},
@@ -809,7 +1046,8 @@
   publisher = {s.n.},
   doi = {10.5167/UZH-110997},
   urldate = {2025-01-05},
-  keywords = {prio:high,to summarise},
+  langid = {american},
+  keywords = {check note,obsolescence,to summarise},
   file = {/Users/Rosa/Zotero/storage/DYCDWWC4/Remy and Huang - 2015 - Limits and sustainable interaction design obsolescence in a future of collapse and resource scarcit.pdf}
 }
 
@@ -845,10 +1083,57 @@
   abstract = {Do-it-yourself (DIY) in electronic music represents a new paradigm that is not just about DIY. Doing-it-together (DIT) and the idea of community and shared experiences are at the root of DIY practice. This article discusses how the workshop and the event have become central to practitioners working in the field of DIY. Collective instrument building, the concept of the living installation, and performance are viewed as a holistic event. Some specific examples of the author's work known as Dirty Electronics are considered, where emphasis is placed upon experience rather than the `something to take home' factor. These include the following works:ICA Solder a Score, Composing `outside' electronics is regarded as a method for revealing processes that can be represented in other areas of the work beyond sound-generating circuits. The article also looks at how building circuits and sound devices acts as a way to create a tabula rasa, and how the idea of delegated performance, where instruments are played by `non-experts', serves to establish a na{\"i}ve approach and authenticity in performance. Through the sharing of information online and in workshops, the DIY community has become knowledgeable, which has resulted in a community `full of experts' and the growth of custom-designed circuits. The rise of discrete hand-held music players, such as the Buddha Machine, and the boutique synthesiser are also discussed, and the physical artefact and sound object are seen as a vehicle for the dissemination of ideas. Finally, the question is asked: `In DIY practice, where does the authentic document of the work lie?'},
   copyright = {https://www.cambridge.org/core/terms},
   langid = {english},
-  keywords = {summarised},
+  keywords = {check note,summarised},
   file = {/Users/Rosa/Zotero/storage/PJMVSHEX/Richards - 2013 - Beyond DIY in Electronic Music.pdf}
 }
 
+@incollection{richardsDIYMakerCommunities2017,
+  title = {{{DIY}} and {{Maker Communities}} in {{Electronic Music}}},
+  booktitle = {The {{Cambridge Companion}} to {{Electronic Music}}},
+  author = {Richards, John},
+  editor = {{d'Escrivan}, Julio and Collins, Nick},
+  year = {2017},
+  series = {Cambridge {{Companions}} to {{Music}}},
+  edition = {2},
+  pages = {238--257},
+  publisher = {Cambridge University Press},
+  address = {Cambridge},
+  doi = {10.1017/9781316459874.015},
+  urldate = {2025-03-11},
+  isbn = {978-1-107-13355-6},
+  keywords = {new},
+  file = {/Users/Rosa/Zotero/storage/6W3W926D/Richards - 2017 - DIY and Maker Communities in Electronic Music.pdf;/Users/Rosa/Zotero/storage/AGMEAK8L/A548A38388D374FE7D8187AB9130013F.html}
+}
+
+@article{richardsMusicThings2017,
+  title = {The {{Music}} of {{Things}}},
+  author = {Richards, John},
+  year = {2017},
+  journal = {Journal of the Japanese Society for Sonic Arts},
+  volume = {9},
+  number = {2},
+  pages = {16--20},
+  abstract = {The talk will focus on making music through the fundamental exploration of electronic components, solder, wires and electricity itself. This serves as an extension to David Tudors idea of composing inside electronics. Musical instrument is no longer considered as a complete self-contained entity, but a collection of inter-connectable things. Making, such as DIY (do-it-yourself) electronic instruments, is viewed not as a separate activity - for example, through workshops - but as a processual part of performance. From this premise, new paradigms for performance and composition of electronic music are born. The continuum of instrument, object and thing is also discussed; and particular reference is made to the work of Charlie Chaplin in relation to object transformations and object play. Chaplins object gags are seen as a way of deconstructing an object through performance. The event Dark Electronics, collaboration between Kanta Horio and myself for the Sapporo International Art Festival 2017, is used as a starting point to discuss themes relating to making as a processual part of performance.},
+  langid = {english},
+  keywords = {new},
+  file = {/Users/Rosa/Zotero/storage/WAGQT3BT/Richards - Music, Technology and Innovation Research Centre De Montfort University,Leicester,UK.pdf}
+}
+
+@article{richardsSlipperyBowsSlow2017,
+  title = {{Slippery bows and slow circuits}},
+  author = {Richards, John},
+  year = {2017},
+  journal = {Musicologica Brunensia},
+  number = {1},
+  pages = {29--41},
+  issn = {1212-0391, 2336-436X},
+  doi = {10.5817/MB2017-1-3},
+  urldate = {2025-03-11},
+  langid = {czech},
+  keywords = {new},
+  file = {/Users/Rosa/Zotero/storage/SYRKYA2X/Richards - 2017 - Slippery bows and slow circuits.pdf}
+}
+
 @inproceedings{richardsSpeculativeSoundCircuits2018,
   title = {Speculative {{Sound Circuits}}},
   booktitle = {Politics of the {{Machines}} - {{Art}} and {{After}}},
@@ -858,7 +1143,7 @@
   urldate = {2025-01-05},
   copyright = {http://creativecommons.org/licenses/by/4.0/},
   langid = {english},
-  keywords = {prio:high,to summarise,toppertje},
+  keywords = {check note,to summarise,toppertje},
   file = {/Users/Rosa/Zotero/storage/WJS3URT5/Richards - 2018 - Speculative Sound Circuits.pdf}
 }
 
@@ -902,7 +1187,6 @@
   urldate = {2025-01-05},
   abstract = {LIMITS '21 Paper},
   langid = {english},
-  keywords = {prio:high},
   file = {/Users/Rosa/Zotero/storage/EE6U37KD/Roura et al. - 2021 - Circular digital devices lessons about the social and planetary boundaries.pdf}
 }
 
@@ -941,7 +1225,7 @@
   isbn = {978-0-674-02203-4},
   langid = {english},
   lccn = {609.730 9},
-  keywords = {to summarise},
+  keywords = {summarised},
   file = {/Users/Rosa/Zotero/storage/HC67UT6D/Slade - 2006 - Made to break technology and obsolescence in America.pdf}
 }
 
@@ -954,10 +1238,29 @@
   pages = {16--31},
   publisher = {Minneapolis: University of Minnesota Press},
   isbn = {0-8166-4471-3},
-  keywords = {summarised,toppertje},
+  keywords = {check note,summarised,toppertje},
   file = {/Users/Rosa/Zotero/storage/334DAPWQ/OutwiththeTrash.pdf}
 }
 
+@incollection{sterneWhatWeWant2014,
+  title = {``{{What Do We Want}}?'' ``{{Materiality}}!'' ``{{When Do We Want It}}?'' ``{{Now}}!''},
+  shorttitle = {``{{What Do We Want}}?},
+  booktitle = {Media {{Technologies}}: {{Essays}} on {{Communication}}, {{Materiality}}, and {{Society}}},
+  author = {Sterne, Jonathan},
+  editor = {Gillespie, Tarleton and Boczkowski, Pablo J. and Foot, Kirsten A.},
+  year = {2014},
+  month = feb,
+  pages = {0},
+  publisher = {The MIT Press},
+  doi = {10.7551/mitpress/9780262525374.003.0006},
+  urldate = {2025-03-09},
+  abstract = {This article reviews essays by Pablo Boczkowski and Ignacio Siles, Leah Lievrouw, Finn Brunton and Gabriella Coleman, and Geoffrey Bowker. It argues that, in several areas of media studies and science and technology studies, scholars have gone off in search of materiality as a grounding term for their work. Yet there is little agreement as to the actual referent of the term materiality; it signals several traditions that sometimes contradict one another. In addition to giving an account of the confusion around the term, this paper offers a history of the constructivism against which many new materialists rebel, arguing that whatever epistemological position we want to take up, the political questions raised by the constructivists are still with us today.},
+  isbn = {978-0-262-52537-4},
+  langid = {american},
+  keywords = {check note},
+  file = {/Users/Rosa/Zotero/storage/XW5FLCMJ/169331204.html}
+}
+
 @article{sutherlandDesignAspirationsEnergy2021,
   title = {Design {{Aspirations}} for {{Energy Autarkic Information Systems}} in a {{Future}} with {{Limits}}},
   author = {Sutherland, Brian},
@@ -988,6 +1291,20 @@
   file = {/Users/Rosa/Zotero/storage/4BKQP8SX/journal19.html}
 }
 
+@article{vallisShiftIterativeOpenSource2010,
+  title = {A {{Shift Towards Iterative And Open-Source Design For Musical Interfaces}}},
+  author = {Vallis, Owen and Hochenbaum, Jordan and Kapur, Ajay},
+  year = {2010},
+  month = jun,
+  publisher = {Zenodo},
+  doi = {10.5281/ZENODO.1177919},
+  urldate = {2025-03-11},
+  abstract = {The aim of this paper is to define the process of iterative interface design as it pertains to musical performance. Embodying this design approach, the Monome OSC/MIDI USB controller represents a minimalist, open-source hardware device. The open-source nature of the device has allowed for a small group of Monome users to modify the hardware, firmware, and software associated with the interface. These user driven modifications have allowed the re-imagining of the interface for new and novel purposes, beyond even that of the device's original intentions. With development being driven by a community of users, a device can become several related but unique generations of musical controllers, each one focused on a specific set of needs.},
+  copyright = {Creative Commons Attribution 4.0, Open Access},
+  keywords = {new},
+  file = {/Users/Rosa/Zotero/storage/LIBHVK7L/Vallis et al. - 2010 - A Shift Towards Iterative And Open-Source Design For Musical Interfaces.pdf}
+}
+
 @article{vanbovenHaveThatQuestion2003,
   title = {To {{Do}} or to {{Have}}? {{That Is}} the {{Question}}},
   shorttitle = {To {{Do}} or to {{Have}}? i},
@@ -999,8 +1316,20 @@
   pages = {1193--202},
   doi = {10.1037/0022-3514.85.6.1193},
   abstract = {Do experiences make people happier than material possessions? In two surveys, respondents from various demographic groups indicated that experiential purchases-those made with the primary intention of acquiring a life experience--made them happier than material purchases. In a follow-up laboratory experiment, participants experienced more positive feelings after pondering an experiential purchase than after pondering a material purchase. In another experiment, participants were more likely to anticipate that experiences would make them happier than material possessions after adopting a temporally distant, versus a temporally proximate, perspective. The discussion focuses on evidence that experiences make people happier because they are more open to positive reinterpretations, are a more meaningful part of one's identity, and contribute more to successful social relationships.},
-  keywords = {niet gebruiken},
-  file = {/Users/Rosa/Zotero/storage/GY7RMHVZ/Van Boven and Gilovich - 2003 - To Do or to Have That Is the Question.pdf}
+  keywords = {niet gebruiken}
+}
+
+@article{vanloonRecyclingTimeTemporal1997,
+  title = {Recycling {{Time}}. {{The Temporal Complexity}} of {{Waste Management}}.},
+  author = {{van Loon}, J. and Sabelis, I.H.J.},
+  year = {1997},
+  journal = {Time and Society},
+  volume = {6},
+  number = {2/3},
+  pages = {287--306},
+  issn = {0961-463X},
+  doi = {10.1177/0961463X97006002009},
+  file = {/Users/Rosa/Zotero/storage/6VWQDLG7/van Loon and Sabelis - 1997 - Recycling Time. The Temporal Complexity of Waste Management..pdf}
 }
 
 @misc{viznutPermacomputingUpdate2021,
@@ -1049,11 +1378,3 @@
   langid = {english},
   file = {/Users/Rosa/Zotero/storage/FKZVA9QW/what-2017s-potential-component-shortage-means-for-design-engineers.html}
 }
-
-@misc{XXIIVVPermacomputing,
-  title = {{{XXIIVV}} --- Permacomputing},
-  urldate = {2025-01-05},
-  howpublished = {https://wiki.xxiivv.com/site/permacomputing.html?utm\_source=pocket\_shared},
-  keywords = {summarised},
-  file = {/Users/Rosa/Zotero/storage/QM25W9ZH/permacomputing.html}
-}

run.sh

@@ -0,0 +1 @@
+php -S localhost:8080

src/assets/app.js

@@ -1,12 +1,12 @@
-
-
 const dialog = document.querySelector("dialog");
+
 const closeDialog = (e) => {
     e.stopPropagation();
     console.log("close")
     dialog.close();
     document.body.removeEventListener("click", closeDialog);
 }
+
 const showLightbox = (e) => {
     e.preventDefault();
     e.stopPropagation();
@@ -18,7 +18,5 @@ const showLightbox = (e) => {
     document.body.addEventListener("click", closeDialog, false);
 }
 document.querySelectorAll("article img").forEach((img) => {
-    console.log(img);
     img.addEventListener("click", showLightbox);
 })
-

src/assets/schematics/Antenna-COM-Aerial.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M74.88 150V12.5m.12 50 37.5-50M75 62.5l-37.5-50"/>
+</svg>

src/assets/schematics/Antenna-COM-Dipole.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M49.5 150 50 50H12.5m87.25 100L100 50h37.5"/>
+</svg>

src/assets/schematics/Antenna-COM-Loop.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M50 150v-37.5L12.5 75 75 12.5 137.5 75 100 112.5V150"/>
+</svg>

src/assets/schematics/Audio-COM-Buzzer.svg

@@ -0,0 +1,6 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <g fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5">
+        <path d="M25 12.5h100s0 50-50 50-50-50-50-50Z"/>
+        <path d="M0 74.69h50V56.25m50 0V75h50"/>
+    </g>
+</svg>

src/assets/schematics/Audio-COM-Loudspeaker.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M37.5 37.5H75l50-31.25v137.5L75 112.5H37.5v-75zm37.5 0v75M0 49.94h37.5M0 100h37.5"/>
+</svg>

src/assets/schematics/Audio-IEC-Microphone.svg

@@ -0,0 +1,6 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <g fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5">
+        <circle cx="75" cy="75" r="50"/>
+        <path d="M0 49.94h31.25M0 100h31.25M125 18.75v112.5"/>
+    </g>
+</svg>

src/assets/schematics/Audio-IEEE-Microphone.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M118.75 12.5v125S50 137.5 50 75s68.75-62.5 68.75-62.5ZM0 49.66l56.25.34M0 100.28l56.25-.28"/>
+</svg>

src/assets/schematics/Capacitor-COM-Feedthrough.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M0 74.5h150M25 50s25 12.5 50 12.5S125 50 125 50M25 100s25-12.5 50-12.5 50 12.5 50 12.5M75 87.5V150"/>
+</svg>

src/assets/schematics/Capacitor-IEC-NonPolarized.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M0 74.97h65.5m84.5.28H84.5m0-31.25v62m-19-62v62"/>
+</svg>

src/assets/schematics/Capacitor-IEC-Polarized.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M0 74.97h65.5m84.5.28H84.5m0-31.25v62m-19-62v62m65.75-56h-25m12.5-12.5v25"/>
+</svg>

src/assets/schematics/Capacitor-IEC-Trimmer.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M0 74.97h65.5m84.5.28H84.5m0-31.25v62m-19-62v62M25 104.25l98-57.5m8.25 15.75L112.5 31.25"/>
+</svg>

src/assets/schematics/Capacitor-IEC-Variable.svg

@@ -0,0 +1,4 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M0 74.97h65.5m84.5.28H84.5m0-31.25v62m-19-62v62m-40.5.25 84.79-52.99"/>
+    <path d="M113.3 65.76 125 43.75l-24.91.87 13.21 21.14z"/>
+</svg>

src/assets/schematics/Capacitor-IEEE-NonPolarized.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M150 74.97H84.5M0 75.25h66.5M54 44s12.5 12.25 12.5 31S54 106 54 106m30.5-62v62"/>
+</svg>

src/assets/schematics/Capacitor-IEEE-Polarized.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M150 74.97H84.5M0 75.25h66.5M54 44s12.5 12.25 12.5 31S54 106 54 106m30.5-62v62m46.75-56h-25m12.5-12.5v25"/>
+</svg>

src/assets/schematics/Diode-COM-LED.svg

@@ -0,0 +1,6 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="m100 75-50 31.25v-62.5L100 75zm0-34.25v68.5M50 75H0m100 0h50m-50-43.75 18.75-18.75"/>
+    <path d="m122.49 19.34 3.87-14.45-14.45 3.87 10.58 10.58z"/>
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="m118.75 50 18.75-18.75"/>
+    <path d="m141.24 38.09 3.87-14.45-14.45 3.87 10.58 10.58z"/>
+</svg>

src/assets/schematics/Diode-COM-Laser.svg

@@ -0,0 +1,7 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="m100 75-50 31.25v-62.5L100 75zm0-34.25v68.5M50 75H0m100 0h50M62.5 40.5V13.98"/>
+    <path d="M69.98 16.17 62.5 3.22l-7.48 12.95h14.96z"/>
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M87.5 40.5V13.98"/>
+    <path d="M94.98 16.17 87.5 3.22l-7.48 12.95h14.96z"/>
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M112.5 40.75v68.5"/>
+</svg>

src/assets/schematics/Diode-COM-Photodiode.svg

@@ -0,0 +1,6 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="m100 75-50 31.25v-62.5L100 75zm0-34.25v68.5M50 75H0m100 0h50m-12.5-43.75L118.75 50"/>
+    <path d="m115.01 43.16-3.87 14.45 14.45-3.87-10.58-10.58z"/>
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M118.75 12.5 100 31.25"/>
+    <path d="m96.26 24.41-3.87 14.45 14.45-3.87-10.58-10.58z"/>
+</svg>

src/assets/schematics/Diode-COM-Shockley.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M100 37.5v75m0-37.5L43.75 40.75v71.75M0 75h150"/>
+</svg>

src/assets/schematics/Diode-COM-Shottky.svg

@@ -0,0 +1,6 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <g fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5">
+        <path d="m100 75-50 31.25v-62.5L100 75zm-50 0H0m100 0h50"/>
+        <path d="M87.5 97v12.5H100v-69h12.5V53"/>
+    </g>
+</svg>

src/assets/schematics/Diode-COM-Standard.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="m100 75-50 31.25v-62.5L100 75zm0-34.25v68.5M50 75H0m100 0h50"/>
+</svg>

src/assets/schematics/Diode-COM-Tunnel.svg

@@ -0,0 +1,6 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <g fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5">
+        <path d="m100 75-50 31.25v-62.5L100 75zm-50 0H0m100 0h50"/>
+        <path d="M87.5 109.25H100v-68.5H87.5"/>
+    </g>
+</svg>

src/assets/schematics/Diode-COM-Varicap.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="m92.75 75-50 31.25v-62.5l50 31.25zm-50 0H0m108.25 0H150m-54.25 37.5v-75m12.5 75v-75"/>
+</svg>

src/assets/schematics/Diode-COM-Zener.svg

@@ -0,0 +1,6 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <g fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5">
+        <path d="m100 75-50 31.25v-62.5L100 75zm-50 0H0m100 0h50"/>
+        <path d="M112.5 109.5 100 100V50l-12.5-9.5"/>
+    </g>
+</svg>

src/assets/schematics/Fuse-IEC.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M0 74.88 25 75m0-25h100v50H25zm100 25h25M43.75 50v50m62.5-50v50"/>
+</svg>

src/assets/schematics/Fuse-IEEE-Alt.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M0 75.25 25 75s0-25 25-25 25 25 25 25 0 25 25 25 25-25 25-25h25"/>
+</svg>

src/assets/schematics/Fuse-IEEE.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M0 74.88h150M25 50h100v50H25z"/>
+</svg>

src/assets/schematics/Ground-COM-Chassis.svg

@@ -0,0 +1,6 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <g fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5">
+        <path d="M56.25 125 75 75h-.31V0"/>
+        <path d="m25 125 18.75-50h62.5L87.5 125"/>
+    </g>
+</svg>

src/assets/schematics/Ground-COM-General.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M75 0v75m-50 0h100m-56.25 50h12.5M50 100h50"/>
+</svg>

src/assets/schematics/Ground-COM-Signal.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M75 0v62.5m-50 0h100L75 125 25 62.5z"/>
+</svg>

src/assets/schematics/IC-COM-Comparator.svg

@@ -0,0 +1,3 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M25 25v100l100-50L25 25zm0 25H0m125 25h25M0 100h25m9.5-47H53m-9.25-9.25v18.5M34.5 97H53"/>
+</svg>

src/assets/schematics/IC-COM-FlipFlop-ClockedD.svg

@@ -0,0 +1,8 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M25 12.5h100v125H25zM25 50H0m25 50H0m125-50h25m-25 50h25"/>
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+    <path fill="none" stroke="#000" stroke-width="5" d="M75.28 0v12.5M74.72 150v-12.5"/>
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M25 87.5 50 100l-25 12.5v-25z"/>
+</svg>

src/assets/schematics/IC-COM-FlipFlop-ClockedJK.svg

@@ -0,0 +1,6 @@
+<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 150 150">
+    <path fill="none" stroke="#000" stroke-miterlimit="10" stroke-width="5" d="M25 12.5h100v125H25zM25 50H0m25 50H0m125-50h25m-25 50h25"/>
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+</svg>

src/assets/schematics/IC-COM-FlipFlop-ClockedT.svg

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src/assets/schematics/Miscellaneous-COM-Lamp-Incandescent.svg

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src/assets/schematics/Miscellaneous-COM-Lamp-Indicator.svg

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src/assets/schematics/Miscellaneous-COM-Optocoupler.svg

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src/assets/schematics/Miscellaneous-COM-Probe_Point.svg

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+        <path d="M0 75.19h56.25m37.5-.19H150"/>
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src/assets/schematics/Relay-COM-COM-SPDT.svg

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src/assets/schematics/Relay-COM-COM-SPST-NC.svg

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src/assets/schematics/Relay-COM-COM-SPST-NO.svg

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src/assets/schematics/Relay-IEC-SPDT.svg

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src/assets/schematics/Relay-IEC-SPST-NC.svg

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src/assets/schematics/Relay-IEC-SPST-NO.svg

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src/assets/schematics/Relay-IEEE-SPDT.svg

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src/assets/schematics/Relay-IEEE-SPST-NC.svg

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src/assets/schematics/Relay-IEEE-SPST-NO.svg

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